Tampons on blue background. Feminine hygiene product for periods. Teaching women about their bodies and health, including vaccines and menstrual cycles.

Periods and vaccines: Teaching women to listen to their bodies

Menstrual periods and vaccines: Row of tampons on a blue background. Feminine hygiene products for women's health and period management.

Most people probably know more about the cycle on a washing machine than the one that got us all here. I’m talking about the menstrual cycle (again).

It’s true that we’ve made major gains in shedding some of the menstrual stigma in recent years but there is still a lack of awareness and interest in the cyclical lives of 26% of all people on Earth. There are real consequences to this.

For a start, menstrual education is still reduced to two things: the management of a period and how to control our capacity to reproduce. No one explained that the hormones of the menstrual cycle weren’t just for making babies and that my cycle hormones shape who and how I am. I didn’t know, that far from being an unpredictable rollercoaster (that I would internalise as constant feelings of being too much or not enough), that there was a pattern to the emotional landscape of my month, that there were predictable phases to the cycle that could be harnessed. That it was ok to feel differently from week to week.

At a tender age, I learnt that my body was a problem to be fixed, with pads, tampons and soon enough with the pill. I believed I was safest while my cycle was disarmed. Until I was ready for a baby, what was the point in having one at all or so I thought? The truth is, without ovulation, we have no hormones and therefore no cycle at all. I wonder, would I have been so eager to reject ovulation in favor of the pill during my teens and twenties had I known of this?

I didn’t know that there were short and long-term protective health benefits to ovulation that taking the pill would eliminate. I didn’t know it was common to feel depressed and flat while taking it. I felt crazy. Instead of cultivating care and curiosity for my young body and what it could do, I leant not to trust it.

This disregard for menstrual cycles extended to the scientific community such that until the 90’s, clinical trials for new drugs weren’t required to include women at all.

Because menstrual cycles were seen as too complicated, men were considered the biological norm.

It seems that even amid a growing movement of awareness and appreciation for menstrual cycles, this default male setting still persists.

When thousands and thousands of women and menstruators reported changes to their cycle after taking the Covid vaccine, their concerns were initially dismissed by the medical fraternity. Women were waved away and stress was cited as the probable culprit for the mostly temporary changes.

It is true that stress can wreak havoc on a cycle — and who hasn’t felt stressed in new ways since the arrival of the pandemic? But the real kicker, was that there was no proof to speak of; important early clinical trials investigating the side effects of the Covid vaccine failed to consider the impacts on women’s menstrual cycles. This glaring omission at such a critical juncture is menstrual stigma still in action. That women were dismissed before being asked about their experiences after the vaccine is an indictment into how far we haven’t come.

Women were dismissed before being asked about their experiences after the vaccine is an indictment into how far we haven’t come.

In the absence of due diligence, people worried and concerns for post vaccination fertility also proliferated, risking confidence in the vaccine unnecessarily.

Vaccines work by creating an immune response which can cause the body stress. It stands to reason that there might be side effects to our cycles when our immune system is triggered. The latest research was funded by the NIH and published in Obstetrics and Gynecology. It was confirmed that while changes were (on average) minor and temporary, it was true: there was an impact. After looking at three cycles before and after vaccination, on average, the impact on cycle length following vaccination was just under a day.

For people who had both shots within one cycle, the average cycle length extension was 2 days and of these people, there were 10% who experienced cycle delays of 8 days or more. All of these changes were reported to have been resolved within two subsequent cycles and there was no effect found on the length of the bleed itself. Obviously within all of the experiences that create averages, the range for individuals could be considerable but with variations of up to 8 days considered to be within the realm of a normal cycle, these results are generally reassuring. Furthermore, in another study with more than 2000 couples there was no difference found in fertility when comparing unvaccinated and vaccinated couples. Conversely, a Covid infection was associated with a temporary decline in male fertility. So far so good.

Research like this is a positive step after a bungled start and authors of the menstrual study have called for more investigation into how the Covid-19 vaccination could affect other aspects of menstruation such as pain and changes to the bleeding itself. Going forward, bigger sample sizes that also include menstruators with more varied experiences are important.

With access to information and the stains of stigma beginning to fade, women and menstruators are learning to listen to their bodies and to speak up about their experiences. To be wary of doctors who prescribe the pill to fix a period when it merely masks underlying issues. To demand better than the average wait time of eight years to receive an endometriosis diagnosis and subsequent treatments. Weary of being disregarded when it comes to our health, we are finally beginning to trust ourselves. As Lisa Hendrickson-Jack explains in ‘The Fifth Vital Sign’, the menstrual cycle gives us important insights and is a critical marker of our overall health, just like heart rate or body temperature. Understanding your menstrual cycle is basic body literacy that is crucial to wellness.

The changes to menstrual cycles may be no more significant than a sore arm, but that doesn’t mean we don’t deserve to know about them. Small changes can still be significant to people hoping to plan or avoid a pregnancy, for instance. We need vaccines to combat Covid but we also need to be informed.

If there are any silver linings to be had during Covid it’s that we know that the old ‘normal’ wasn’t working for many of us.

Women’s health has long been overlooked, under-researched and under reported and now perhaps the new normal is to consider women’s health from the outset.

Hopefully it will be for the future we are carrying.

Normalise asking people about their cycles whether you are a researcher, a doctor, a partner or even a friend. Normalise noticing your own cycle and how you feel throughout the month. Normalise expecting better.

Lucy Peach, day 28 and vaccinated.


Will Smith, Jada, and Jaden at an event. The Dark Side of Honour may involve scrutiny of celebrity families and their public personas.

The Dark Side of Honour

If someone insulted a family member, would you rush to defend their honour? If you said “yes”, then you’re not alone. In fact, American actor Will Smith did just this when he confronted comedian Chris Rock on stage at the 94th Academy Awards in March 2022.

It happened after Rock directed a joke at Smith’s wife, Jada Pinkett-Smith, that appeared to make light of her alopecia, a medical condition that causes hair loss. Smith mounted the stage, strode up to Rock and slapped him across the face, before returning to his seat shouting “Keep my wife’s name out of your fucking mouth!”

Many onlookers in the room and around the world were shocked at this outburst of violence, even if they thought the joke was offensive and hurtful to Pinkett-Smith. But others interpreted things differently. They saw a chivalrous husband doing what a good husband should do.

One such defence of Smith came from American comedian and actress, Tiffany Haddish.  “As a woman, who has been unprotected, for someone to say, ‘Keep my wife’s name out your mouth, leave my wife alone,’ that’s what your husband is supposed to do, right? Protect you”, she told the media during the awards.

“That meant the world to me. And maybe the world might not like how it went down, but for me, it was the most beautiful thing I’ve ever seen because it made me believe that there are still men out there that love and care about their women, their wives.”

Haddish is speaking about the importance of an old moral concept: honour. It’s one that has been a core feature of many cultures around the world and throughout history, and even where its influence has waned, it still exerts some pull on our hearts, as we can see in the case of Will Smith.

But honour also has a dark side, not least contributing to violence as well as the oppression of women. The question is whether honour ought to play a role in our ethical thinking today, or whether it should be replaced by a more liberal ethic that prioritises reducing harm and injustice.

Reputation is life

At its heart, honour is about protecting one’s reputation as a virtuous and trustworthy individual. Anything that threatens that reputation, whether scurrilous gossip or a verbal insult, can – or even must – be forcefully challenged, violently if necessary.

Honour is particularly prevalent in smaller-scale societies that lack trustworthy institutions that prevent people from lying or cheating others, like law courts or government regulation of business. In smaller societies, it’s often left to individuals to figure out who can be trusted and who should be avoided.

This is where reputation plays a key role. If you have a good reputation, others will be happy to cooperate with you. If you’re found to be an untrustworthy cheat, word will get around that you should be avoided. In a society where cooperation might be essential to your survival, a bad reputation could be tantamount to a death sentence.

This is one reason why insults trigger such an acute response to people who value honour. An insult does two things: first it besmirches the target’s good name, often accusing them of some deviant or dishonourable act; and second it paints them as being weak, which is seen as a kind of moral vice in itself, especially in honour cultures that have norms that equate masculinity with strength.

As the psychologists Richard Nisbett and Dov Cohen describe in their famous study of the honour culture in the Southern United States:

“A key aspect of the culture of honor is the importance placed on the insult and the necessity to respond to it. An insult implies that the target is weak enough to be bullied. Since a reputation for strength is of the essence in the culture of honor, the individual who insults someone must be forced to retract; if the instigator refuses, he must be punished – with violence or even death.”

Even when honour culture has waned in popularity, as it has in the Southern United States, it can continue to influence the way people behave. Nisbett and Cohen describe one experiment that showed that when university students from Southern states were insulted, they were more likely to show signs of elevated hormones related to stress and aggression than students from the Northeastern states.

The price of honour

If an insult is to be met with force rather than shrugged off, then it can easily descend into conflict even over trivial statements. It can also easily lead to violence. Nisbett and Cohen cite evidence that the homicide rate in the Southern United States is significantly higher than other regions.

But there’s another price of honour: the oppression of women. Honour cultures are usually also patriarchal, with men occupying most of the positions of power. In these societies, men often seek to control women, especially their sexuality.

One motivation is to help ensure the paternity of their children, which is difficult without modern medical technology. One way to do so is to only marry a woman who is virgin and then to control her sexuality to guarantee sexual exclusivity. This is one reason why many honour cultures are obsessed with sexual fidelity, primarily of women, and why promiscuous women can be subject to “honour killings” by their own families.

This connects with another motivation for men to control women’s sexuality: alliances. Marriage has been used as a strategic tool for millennia to create bonds between families, usually to serve the interests of the heads of those families, who were predominantly men.

Again, virginity and sexual fidelity make marriable women more attractive as mates for other men, which feeds into an honour culture that seeks to protect the reputation of women as being faithful and chaste. These same cultures often encourage men to violently respond to any perceived slight against their female family members, or to ostracise or enact violence towards women who choose to deviate from the sexually oppressive norms constraining them.

The decline of honour

None of this is to suggest that Will Smith was seeking to control women as a sexual or political resource. But the same sensitivity to honour that motivated him to stand in his wife’s defence can be used to control and disempower women. Indeed, some interpreted Smith’s slap as robbing Pinkett-Smith of her own voice when it came to defending herself.

While honour can be a vehicle to encourage people to take responsibility for their actions, to promote virtues like honesty and loyalty, it can also place a higher priority on protecting one’s reputation – and that of their family (and often the women in their family) – over de-escalating violence and solving injustices through other means.

Honour is also largely redundant in a world with institutions that protect us from miscreants. We no longer live or die by our reputation. This is why we teach children the “sticks and stones” rhyme. Yet it is all too easy in the heat of the moment to let a sensitivity to our reputation carry us away, compromising the values of care and justice that have become dominant in liberal societies.

It is precisely these values that are reflected in Will Smith’s public apology, posted the day after the Academy Awards when some of the heat had died down. “Violence in all of its forms is poisonous and destructive,” he wrote in an Instagram post. “There is no place for violence in a world of love and kindness.”

The question for each of us to answer next time someone insults us or a loved one is what do we value more: a society of reactive violence or a society where we prioritise compassion and justice through more considered responses?

 

Image: / Flickr


Overhead view of a tennis player in action on the court. Game, set and match concept. Leading the game of life.

Game, set and match: 5 principles for leading and living the game of life

Overhead shot of a tennis player in action on a green court, embodying the game of life and principles for living and leading.

Ash Barty’s shock retirement from tennis while seemingly at the peak of her powers left the sporting world reeling.

But from all accounts it was no surprise to those close to her. From what we’ve learnt about her throughout her career, and especially through her retirement announcement, the lack of surprise from those close to her is a testament to Barty’s principles of leadership.   

In times of uncertainty and unpredictability we often look to our folk heroes to provide guidance and inspiration. However, all too often we default to sportspeople as the exemplars for lessons in how to live, cherry picking attributes of heroism and resilience on the field of play only to find our heroes’ winning lustre tarnished when the invariable accounts of various misdeeds or behaviours kept private between teammates invariably surface.  

Exemplary people play a key role in the branch of ethics known as virtue ethics. Its head coach, Ancient Greek philosopher Aristotle, gave exemplars a starting guernsey in his philosophical line up because they are people who can practically demonstrate to others how to live a life well. For Aristotle, ethics is not simply a matter of internalising a rule; but is about doing the right thing at the right time, in the right way and for the right reason. Moral exemplars help show us the way. 

Both on and off the court, Ash Barty is a moral exemplar in the full sense of Aristotle’s term. In her humility, good will and clear-eyed purpose that she demonstrated in her retirement announcement, we can see five fundamental principles for how to lead in our work, and how to live a life inspired by someone worth emulating.

 

1. Relationships are an ends, not merely a means

Throughout her career Barty was consistently clear how highly she valued relationships; not because they helped her achieve sporting success, but because they were important in and for themselves. They were a foundation for her to live a flourishing life, on and off the court. 

Her opening exchange in her interview announcing her retirement with good friend Casey Dellacqua, spoke volumes for the power of relationships and friendships in particular. The refreshingly genuine and heartfelt connection that began the exchange with her good friend, who thanked Barty for ‘trusting me again’ to break the news was as refreshing as it was surprising. Less surprising when we remember that Barty, in a sport notorious for its individualism, referred continuously throughout her career and especially in winning, to the central role of her team, family, friends and community played in it – just as she did in her retirement announcement.  

As all great leaders do, Barty skilfully and genuinely removed herself from the centre wherever possible – no mean feat in an individualistic sport like tennis. Relationships for Barty, as they are for the best leaders, are of intrinsic value in themselves. They are not a means to achieve an outcome, they are an end in themselves.  

And no doubt just as they helped Barty get the best out of herself, she, in turn, enabled the best in the team around her.  

 

2. Leave it all out there – but don’t lose yourself in the process

On the surface Barty lived the cliched sporting principle ‘leave it all out on the field.’ From her epic Wimbledon title win after coming back early from a serious hip injury to reach the final and then holding off Karolina Pliskovain in a four-set thriller through to her epic Australian Open win – which is now all the more astonishing now we know she was running on empty – she demonstrated the drive to give it her all.  

However, the adage to ‘leave it all out there’ alone lacks a second balancing criterion, which any leader who has faced the invariable burnout that comes from shouldering the often self-imposed burden of trying to meet a heroic leadership ideal knows too well from harsh experience: ‘Don’t lose yourself in the process.’  

Good leaders will extend as much compassion and care to themselves as they bestow upon others. Our legacy model of leadership is the heroic individual figure (typically male) who sacrifices all for the cause, including themselves. As we’ve now discovered, Barty had learnt the importance of the other side of the equation earlier in her career than most leaders. Despite having “given absolutely everything” to tennis, Barty had the emotional intelligence, belying her young age, to recognise the impact and effect on her physical and emotional well-being of what she strove so hard to achieve.  

That this is not the first time she has walked away from the sport is testament to the fact that she has been acutely aware of the balance required in managing the physical and emotional limits of achieving success in the broader context of what she values in life and what and how to prioritise them.

 

3. Don’t mistake achievement for purpose 

Barty’s many achievements on the court did not define her purpose. That she was ambitious and aimed high to achieve her goals is not in doubt; winning Wimbledon, her ‘one true dream,’ added along the way to her three-time grand slam championships. But individual successes were never achievements for their own sake. From her own account this was a realisation that occurred in her ‘perspective shift’ in this the ‘second phase of her career.’ Tennis and her achievements in the sport did not define her, just as professions, roles and achievements do no not define the best leaders. Barty was always a person first, player second. Almost to a person, those who had played against her referred to her qualities as friend as much as a player.  

 

4. Make a virtue of a necessity

All too frequently we read of the latest controversy embroiling our sporting heroes. With most sport super charged by money and fuelled by the relentless chase for the fame and status that success brings, the rules of the game, let alone the spirit of the game, are often left behind in the clay (or grass) as players scramble to be the first to reach the top of the pile.

Exemplary individuals are exemplary by definition. While small in stature, Barty stood head and shoulders out from many of her tennis compatriots, male and female alike, through the virtues she displayed on and off the court.  

For Aristotle, virtues provide the foundation for good actions. A virtue is a disposition or character trait to act, think and feel in certain ways. Bad actions display the opposite and are informed by vices. We are shaped by our actions just as much as we are shaped by the situations, we are in. Unfortunately those in professional sport, like those in other hyper-competitive industries, are often too easily shaped by the industry they are.  

Barty, was exemplary in this world. While she had the virtues of courage and resilience – in overcoming injury and career set backs – they are the least interesting of her attributes. They are prerequisites for success in any endeavour.  

Instead, she was exemplary because she chose to develop exceptional virtues that themselves required courage because they flew in the face of all known measures of success in the sport she excelled at. She chose humility over hubris, she chose self-effacement over self aggrandisement, and in a brutally competitive environment she chose wherever possible to play more as friend than foe. And ultimately, in announcing her ‘early’ retirement from the sport which gave her ‘all my dreams plus more,’ she chose those virtues more aligned to her purpose as, in her words, ‘Ash Barty the person, not as Ash Barty the athlete.’

 

5. How you live in the present will be your legacy for the future

The thousands of young kids, particularly girls, who looked on with admiration at those virtues on display and are now inspired to try and emulate her on and off the court may in the end be a more lasting legacy than any of her Grand Slam victories.  

In living ethically one of the biggest challenges is to understand what motivates people to act in the best way. The narratives and stories we tell ourselves and each other, as Linda Zagzebski scholar of moral exemplarism argues, are powerful ways to inspire moral education and improvement because they engage human motives better than abstract ideas, rules or reasons.  

Children, and adults alike, are motivated by emulation. Exemplars, like Barty, provoke admiration in us all and inspire us to strive to embody those same attributes. All leaders, whether on the tennis court, sporting field, shop floor or boardroom, have the capacity to inspire others to emulate the best aspects of themselves in demonstrating how to navigate the complexities we all face in life through the wisdom in their actions. In every, single moment.  

Barty, like all great leaders, is exemplary in demonstrating practically, on and off the court, how to live a life that expresses purpose, that embodies the best values and virtues to realise that purpose, and the courage to hold true to them, especially when they fly in the face of other’s expectations and conventional wisdom.  


Elderly woman outside a Russian bistro with shawarma, coffee sign. Sanctions in Russia impact everyday life.

To Russia, without love: Are sanctions ethical?

Elderly woman outside a shop in Russia. Sanctions may impact everyday life in Russia. Sign says Shaverma, Coffee, Chicken Grill.

The western world has responded to Russia’s unprovoked invasion of Ukraine by imposing a historically large suite of economic sanctions upon them. Are such measures likely to cripple the kremlin, or are they merely wreaking havoc on the lives of innocent civilians?

Following the invasion, Lina, a 21-year-old living in Russia, found herself suddenly locked out of her OnlyFans account. Her loss of livelihood and income as an adult content creator was a direct consequence of comprehensive sanctions imposed upon her country. Taking to Twitter to voice her discontent, Lina wrote “I don’t support this war, but I became its hostage”.

Although OnlyFans has since reinstated Russian owned accounts, this has not stopped ordinary citizens from being caught in the crossfire of a war they do not necessarily condone. The rapidly plummeting value of the ruble coupled with aggressive boycotts has seen the cost of living skyrocket, causing many to question who is truly paying for this war.

Porn stars and geopolitics are worlds apart, as are innocent civilians and armed combatants. Universally recognised international humanitarian law tells us that jus in bello (justice in war) means protecting people not involved in the conflict from unnecessary hardship. The use of economic sanctions as an alternative to boots on ground intervention has challenged this principle, punishing everyone from the oligarchy to sex workers in one fell swoop.

Russia is a relatively impoverished, repressed, socioeconomically divided and bellicose country. The average citizen does not enjoy the same social and economic freedoms as those in the nations that sanction them. Such diplomatic measures might seem unethical because they have the potential to make innocent lives even more miserable – so why is the international community so trigger-happy when it comes to implementing them?

Sanctions in brief

The latent power of sanctions as a tool of foreign policy was revealed through the Blockade of Germany during WWI, where the restriction of maritime goods by naval boats played a crucial role in securing victory for the Allies. Taking this lesson into their stride, the League of Nations (superseded by the United Nations) began threatening the use of an “economic weapon” to reign in troublesome countries such as Italy and Japan, mostly unsuccessfully.

Using a mix of coercive tools ranging from the withdrawal of diplomatic and economic relations to boycotting sporting games, nations (usually acting collectively) set out to back their targeted regime into a corner. Coupled with the external pressure of being unable to access vital resources and capital, sanctions are designed to deteriorate living standards and stoke discontent to the point where governments are faced with the choice of kowtowing to international pressure or risk facing civil war.

Nowadays, sanctions are more ubiquitous than ever, despite having a demonstrably mixed track record.

The trade embargo in Cuba has cost the country over $130bn and has been in place for over 60 years. Nevertheless, the communist government has endured, with sanctions doing little more than providing the government with a scapegoat for its tanking economy. Research suggests that sanctions meet their stated objectives only 34 per cent of the time.

On the other hand, many credit such measures with delivering a fatal blow to apartheid in South Africa and nuclear proliferation in Iran. Even if such sanctions aren’t always successful, their utility can be viewed as largely symbolic, allowing nations to turn ideological enemies and human rights abusers into international outcasts, all without firing a single shot.

The ethics of using sanctions

From a consequentialist perspective – which looks to outcomes rather than intentions when it comes to making a moral judgement – the case for sanctions looks rather grim. To be ethically justified in pursuing such measures, those enacting this policy would want to be guaranteed that their actions are helping, not causing unnecessary hurt.

Perhaps a recognition of this principle was the reason why OnlyFans was so quick to backflip on their boycott. If only those pulling vodka from supermarket shelves and Dostoevsky from university reading lists could make this same calculus. These grandstanding gestures are not the kinds of actions that will meaningfully impact the course of war. If anything, they distract from a lack of meaningful action, erstwhile promoting xenophobic discourse.

It is worth noting that Joe Biden was referring to Putin, not his motherland, when he instructed the world to make the aggressor a “pariah on the international stage”. We would do well to remember the distinction between a country’s elite and their citizens (particularly in countries with low levels of democracy, like Russia) before implementing sanctions that treat them as one and the same.

As acknowledged by the United Nations, arguably the biggest international advocate for multilateral sanctions, sanctions often cause disproportionate economic and humanitarian harm to the very people they seek to protect. Additionally, such actions often cause collateral damage to otherwise uninvolved countries. Underscoring these issues is a lack of historical evidence to support the effectiveness of such measures.

Some may work their way around this point by arguing that such measures would shorten the war through crippling the economy, thereby negating some of the fallout for innocent civilians. However, the facts show otherwise – Sanctions stand the best chance of success when they are short, targeted, and implemented against a democratic government.

The measures in place against the kremlin meet none of these criteria, all but guaranteeing a prolonged amount of suffering for innocent civilians. To this end, imposing sanctions could be considered unethical.

Nevertheless, countries often justify their use of sanctions by claiming that they have a humanitarian duty to act against perceived injustice and moral violations. Accordingly, the ethicality of this decision must be judged to a different standard; if an actor is fulfilling their obligations as a member of the international community, then they are acting morally (a theory known as deontology).

This line of reasoning does not hold when it comes to the sanctions placed on Russia. Firstly, these actions replace a perceived injustice with perhaps an even greater one – the unnecessary involvement of innocent civilians in a conflict that is largely beyond their control. Some may justify this by arguing a responsibility to punish wrongdoers irrespective of the consequences, but the fact that all countries in the world are signatory to the principles of jus in bello vis-à-vis the Geneva Convention indicates a more binding duty. Undeniably, Russia has broken this code of conduct many times over, but moral decisions are not conducted on a tit-for-tat basis.

Secondly, they are not principally sound. Russia is one of the world’s largest suppliers of energy, yet curiously, this industry is largely exempt from most sanctions. We are unlikely to see this change significantly until the world moves away from fossil fuels altogether. Moreover, the international community will fail to cripple the kremlin unless it is willing to endure some short-term sacrifice for a greater duty.

Altogether, if those imposing sanctions are attempting to do so morally, they are failing. History has shown us what happens when we attempt to choke a country economically and politically, and it is ugly. We should be suspicious of the idea that sanctions are the only way for us to respond to misbehaving countries.

This is not to excuse citizens from the crimes of their government, but to call into question why the international community is so willing to use a tool that inevitably punishes the innocent, vulnerable, and often powerless (noting that this economic weapon is so often wielded against autocratic regimes).

The facts cannot be ignored; the elites responsible for the unprovoked invasion of Ukraine will continue to dodge sanctions through the likes of anonymous international bank accounts, foreign sympathisers and, increasingly, cryptocurrency. Meanwhile, people like Lina will shoulder the brunt of this burden.

All is fair in love and war – but some things are fairer than others, like avoiding the use of debunked tactics that mess with innocent lives needlessly. Without considering the ethicality of their behaviour, the international community risks causing an entirely avoidable humanitarian crisis which undermines the very principles that they to defend. We must think twice before we applaud those that are quick to sanction lest we cause more injustices to be committed.


Close-up of the Ukrainian flag featuring blue and yellow colors, relevant to discussions about the Ukraine war and caring about Ukraine more.

Is it wrong to care about Ukraine more than other wars?

Ukraine flag colors. Blue and yellow fabric background, related to caring about Ukraine more than other wars. Support Ukraine.

The invasion of Ukraine by Russian forces in the early hours of 24 February 2022 came as a violent shock to most onlookers.

Even after the visible buildup of Russian forces and weeks of sabre rattling by Russian President Vladimir Putin, the images of rockets striking apartment blocks and tanks rolling through city streets triggered an outpouring of support for Ukraine from people within Australia and around the world.  

But those who dwell on social media might have seen some voices express a different perspective: that the focus on Ukraine is suggestive of a darker underlying bias on behalf of the onlookers; that the conflict has only gained so much attention because the victims of the war are white Europeans.  

The argument suggests that if the victims were non-white, such as those involved in the ongoing wars in Yemen, Syria or Ethiopia, then the media and Western onlookers would be far less engaged. 

So is it wrong to focus our attention acutely on the war in Ukraine while investing less energy on conflicts in other parts of the world, especially if those conflicts affect non-white people? Is it OK to care more about a war in Europe than it is a war in Africa or the Middle East? 

We can unpack the argument in a few different ways. The least charitable interpretation is that it’s an accusation of racism, suggesting that people who care about the war in Ukraine only care because the victims are white. That might be true for some onlookers, but it’s highly doubtful that this applies to the majority of people.  

Rather, there are many reasons why someone in Australia might place great significance on the events unfolding in Ukraine. First of all is the shock factor, particularly given the relative stability and lack of open wars between nations in Europe since the end of the Second World War. This means the war in Ukraine is not just a concern for that region but is of tremendous global significance, with the potential to reshape the geopolitical landscape in a way that could affect people around the world. In this way, the war in Ukraine very much qualifies as being worthy of our attention due to its historical significance. 

There’s also the matter of familiarity, in the sense that Ukraine is a modern, industrialised and democratic nation that shares many political and moral values with countries like Australia. Beyond the human toll, the invasion represents an attack against values that most Australians cherish. 

Many Australians also have friends, family or coworkers with connections to Ukraine or other European countries who are impacted by the war. To them, the war is not just news of distant events but is felt in their immediate circles in a way that other conflicts might not be. Of course, there are many Austrlians who are also affected by conflicts in other parts of the world, such as in Syria and Yemen. 

Finally, on a more mundane level, the war in Ukraine is likely to have a material impact on our lives through its destabilisation of the international economy, as well as on commodity prices such as wheat and oil, in a way that most other ongoing conflicts don’t. 

All this said, while the above can help explain why someone might take a more acute interest in the war in Ukraine, it doesn’t answer the ethical question of whether they should take greater interest in conflicts elsewhere at the same time. It’s possible that these explanations don’t justify an undue focus on one population experiencing conflict rather than another.  

A more charitable interpretation of the argument is that all suffering deserves our attention, all violence deserves our rebuke and all people involved in wars deserve our empathy. This stems from a universalist ethic, such as that promoted by philosophers like Peter Singer. It argues that all people deserve equal concern, no matter their background, ethnicity or nationality. Singer famously argued that if you’d dive into a pond to save a drowning child, even at the cost of muddying your clothes and being late to work, then you ought to be willing to incur a similar cost to save the life of a dying child on the other side of the world. 

From this perspective, the same reasons that justify our empathy towards the suffering of the Ukrainian people should similarly apply to the people of Yemen, Ethiopia, Syria and elsewhere. 

However, a truly universalist ethic is difficult, if not impossible, to fully achieve in practice. Few people would be willing to take the ethic to the extreme, and treat strangers in distant countries with as much care and concern that they reserve for our family. If this is so, then it is difficult to know where to draw the line around who deserves more or less of our concern. 

Furthermore, everybody has a finite budget of time, emotional energy and power to act. It is not possible to be engaged with every conflict, every injustice and every instance of ethical wrongdoing taking place in the world, let alone to be able to act on them. It might be reasonable for people to choose where to invest their limited energy, or to preserve their energy for causes they can positively impact. That doesn’t mean they don’t care about other issues, only that they’ve chosen to do good where they can.

Which brings us to the most charitable interpretation of the argument, which is that any conflict should remind us of the horrors of war, and should motivate us to extend our empathy to people who are suffering anywhere in the world. The saturation media footage of violence and destruction in Ukraine can help us better understand the plight of people living through other conflicts. The plight of embattled civilians in Kyiv can help us better understand and empathise with people living in Aleppo in Syria or Sanaa in Yemen.  

It is unlikely that those promoting this argument on social media would want people to retreat from engaging with all news of conflict or suffering, whether it is in Europe or elsewhere. Rather, we might forgive people for having some bias in where they choose to direct their attention, while reminding them that all people are deserving of ethical consideration. Moral consideration need not be a zero-sum game; elevating our concern for one population doesn’t have to come at the expense of concern for others.  


Zendaya and Hunter Schafer in Euphoria, illuminated by purple lights. The scene captures the essence of breakups and breakdowns in the series.

Breakdowns and breakups: Euphoria and the moral responsibility of artists

Zendaya and Hunter Schafer in Euphoria, looking up with glittery makeup under purple lights. Breakdowns and breakups in Euphoria.

Euphoria has been, for almost two years now, approaching a fever pitch of horror, addiction, heartbreak and self-destruction.

Its assembled cast of characters – most notably Rue (Zendaya), who starts the first season emerging straight out of rehab – sit constantly on the verge of total nervous collapse. They are always one bad party away from cataclysmic suffering, their lives hanging in a painful balance between “just about getting by” and “absolute devastation.”

Indeed, even if its utter melodrama means that Euphoria doesn’t actually reflect how high school is – who could cram in that much explosive melancholy before the lunch bell? – it certainly reflects how high school feels. There are few experiences more tortured and heightened than being a teenager, when your whole skin feels on fire, and possibilities splinter out from in front of your feet at every single moment. There is the sense of the future being unwritten; of your life being terrifyingly in your own hands.

But what does Euphoria’s constant hysteria do to its viewers, particularly its younger ones? If the devastation of adolescence really is that severe, then are artists failing, somehow, if they merely reflect that devastation? Should we ask our art to serve an instructional purpose; to pull us out of the traps we have built for ourselves? Or should art settle into those traps, letting their metal teeth sink into their skin?


Image: Euphoria, HBO

The Long History Of “Evil” Art

The question of the moral responsbility of artists is particularly pertinent in the case of Euphoria because of its emphasis on what have been typically viewed as “illicit” activities, from drug-taking to underage sex. These are – to the great detriment of a truly free society – taboo subjects, deemed inappropriate for discussion in public spaces, and condemned to be whispered, rather than shouted about. 

Indeed, there is a long history of conservatives and moral puritans rallying against artworks that they feel ‘glamorize’ or somehow indulge bad and illegal behaviour. Take, for instance, the Satanic Panic that gripped the United Kingdom in the ‘80s. Shortly after the advent of home video, the market became flooded with what were then termed “video nasties”, a wave of cheaply made horror films that actively marketed themselves for their moral repugnance. The point was how many taboos could be broken; into how much blood and muck and horror that filmmakers could sink themselves, like half-formed and discarded babies being thrown to rest in a mud puddle.

This, to many pro-censorship thinkers at the time, was seen as a kind of moral crime – an unspeakable act, with the ability to influence and addle the minds of Britain’s younger generation. The demand from conservatives was that art be a way of modelling good ethical behaviour, and the worry, expressed furiously in the tabloids, was that any other alternative would lead to the breakdown of society itself.  

So no, the question as to whether art should be instructional is not new; the fear that it might lead the minds of the younger generation astray far from fresh. Euphoria might seem relentlessly modern, with its lived-in cinematic voice, and its restless politics. But it is part of a tradition of artworks that submerge themselves in darkness and despair; vice and what some, most of them on the right, deem the immoral.

The Unspoken Becomes Spoken

The mistake made, however, by those who imagine such art is failing an explicit moral purpose, a kind of sentimental education, rests on an outdated and functionally useless understanding of morality. These critics imagine that there is just one way to live well. They believe in uncrossable boundaries of taboo and immorality; that there are iron-wrought moral rules, and that any art that breaks those rules will lead to some kind of negative and harmful shifting of what is acceptable amongst the citizens of any democratic society.

But why should we believe that morality is so strict? We would do well to move away from an objective, centralised view of morality, where there exists a list of rules, printed in indelible ink somewhere, that are inflexible and pre-ordained. Societally, as well as personally, change is the only constant. If we abide by a set of constructed ethical principles that do not reflect that change, we will be forever torn between a possible future and a weighty past, bogged down in a system of conduct that no longer represents the complexity of what it means to be human. 

If we have any true moral imperative, it is to constantly be in the process of testing and re-shaping our morals. It was John Stuart Mill who developed a similar concept of truth – who believed that we could only remain honest, and democratic, if we were forever challenging that which we had taken for granted. Art is a process of this moral re-shaping. Great art need not shy away from that which we hold to be “good” or “right”, or, on the flipside, “harmful” and “taboo.” 

It is not that art need to be amoral, free from ethical concerns, with artists resisting any urge to provide some form of moral instruction – it is that we need to let go of the idea that this moral instruction can only take the form of propping up old and unchanging notions of goodness. The immoral and the moral are only useful concepts if they teach us something about how to live, and they will only teach us something about how to live if we make sure they are forever being tested and examined.

Finding Yourself


Image: Euphoria, HBO

This is what Euphoria does. By basking in that which has been taken as illicit – in particular, the sex and chemical lives of America’s teenagers – the show makes the unspoken spoken. It draws into focus an outdated and ancient view of the good life, and challenges us to stare our conceptions of self-perpetuation and self-destruction in the face.  

Rue, forever in the process of re-shaping herself in the shadow of her great addiction, makes mistakes. Cassie (Sydney Sweeney), Euphoria’s shaking, panic-addled heart, makes even more. Both of them stray from pre-written social conceptions of the “good girl”, dissolving an ancient and harmful angel/whore dichotomy, and proving that there are no static boundaries between what is admirable and what is abhorrent. 

Just as the show itself skirts back and forth across the line between our notions of the ethical and the immoral, so too do these characters forever find themselves testing the limits of what is good for them, and those around them. They are flawed, vulnerable people. But in these flaws – in this very notion of trembling possibility, the rules of good conduct forever being written in sand – they do provide us with a moral education. Not one that rests on simplistic notions of what we should do, and when. But one that proves that as both a society, and as individuals in that society, we should always be taking that which has been shrouded in darkness and throw it – sometimes painfully – into the light.


Psychedelics and psychiatry concept: Close-up of psilocybin mushrooms on orange background. Hallucinations may help with freedom from the self.

Hallucinations that help: Psychedelics, psychiatry, and freedom from the self

Psychedelic mushrooms in orange tones, related to psychiatry. Hallucinations and freedom from the self concept.

Dr. Chris Letheby, a pioneer in the philosophy of psychedelics, is looking at a chair. He is taking in its individuated properties – its colour, its shape, its location – and all the while, his brain is binding these properties together, making them parts of a collective whole.

This, Letheby explains, is also how we process the self. We know that there are a number of distinct properties that make us who we are: the sensation of being in our bodies, the ability to call to mind our memories or to follow our own trains of thought. But there is a kind of mental glue that holds these sensations together, a steadfast, mostly uncontested belief in the concrete entity to which we refer when we use the word “me.”

“Binding is a theoretical term,” Letheby explains. “It refers to the integration of representational parts into representational wholes. We have all these disparate representations of parts of our bodies and who we were at different points at time and different roles we occupy and different personality traits. And there’s a very high-level process that binds all of these into a unified representation; that makes us believe these are all properties and attributes of one single thing. And different things can be bound to this self model more tightly.”

Freed from the Self

So what happens when these properties become unbound from one another – when we lose a cohesive sense of who we are? This, after all, is the sensation that many experience when taking psychedelic drugs. The “narrative self” – the belief that we are an individuated entity that persists through time – dissolves. We can find ourselves at one with the universe, deeply connected to those around us.

Perhaps this sounds vaguely terrifying – a kind of loss. But as Letheby points out, this “ego dissolution” can have extraordinary therapeutic results in those who suffer from addiction, or experience deep anxiety and depression.

“People can get very harmful, unhealthy, negative forms of self-representation that become very rigidly and deeply entrenched,” Letheby explains.

“This is very clear in addiction. People very often have all sorts of shame and negative views of themselves. And they find it very often impossible to imagine or to really believe that things could be different. They can’t vividly imagine a possible life, a possible future in which they’re not engaging in whatever the addictive behaviours are. It becomes totally bound in the way they are. It’s not experienced as a belief, it’s experienced as reality itself.”

This, Letheby and his collaborator Philip Gerrans write, is key to the ways in which psychedelics can improve our lives. “Psychedelics unbind the self model,” he says. “They decrease the brain’s confidence in a belief like, ‘I am an alcoholic’ or ‘I am a smoker’. And so for the first time in perhaps a very long time [addicts] are able to not just intellectually consider, but to emotionally and experientially imagine a world in which they are not an alcoholic. Or if we think about anxiety and depression, a world in which there is hope and promise.”

A comforting delusion?

Letheby’s work falls into a naturalistic framework: he defers to our best science to make sense of the world around us. This is an unusual position, given some philosophers have described psychedelic experiences as being at direct odds with naturalism. After all, a lot of people who trip experience what have been called “metaphysical hallucinations”: false beliefs about the “actual nature” of the universe that fly in the face of what science gives us reason to believe.

For critics of the psychedelic experience then, these psychedelic hallucinations can be described as little more than comforting falsehoods, foisted upon the sick – whether mentally or physically – and dying. They aren’t revelations. They are tricks of the mind, and their epistemic value remains under question.

But Letheby disagrees. He adopts the notion of “epistemic innocence” from the work of philosopher Lisa Bortolotti, the belief that some falsehoods can actually make us better epistemic agents. “Even if you are a naturalist or a materialist, psychedelic states aren’t as epistemically bad as they have been made out to be,” he says, simply. “Sometimes they do result in false beliefs or unjustified beliefs … But even when psychedelic experiences do lead to people to false beliefs, if they have therapeutic or psychological benefits, they’re likely to have epistemic benefits too.”

To make this argument, Letheby returns again to the archetype of the anxious or depressed person. This individual, when suffering from their illness, commonly retreats from the world, talking less to their friends and family, and thus harming their own epistemic faculties – if you don’t engage with anyone, you can’t be told that you are wrong, can’t be given reasons for updating your beliefs, can’t search out new experiences.

“If psychedelic states are lifting people out of their anxiety, their depression, their addiction and allowing people to be in a better mode of functioning, then my thought is, that’s going to have significant epistemic benefits,” Letheby says. “It’s going to enable people to engage with the world more, be curious, expose their ideas to scrutiny. You can have a cognition that might be somewhat inaccurate, but can have therapeutic benefits, practical benefits, that in turn lead to epistemic benefits.”

As Letheby has repeatedly noted in his work, the study of the psychiatric benefits of psychedelics is in its early phases, but the future looks promising. More and more people are experiencing these hallucinations – these new, critical beliefs that unbind the self – and more and more people are getting well. There is, it seems, a possible world where many of us are freed from the rigid notions of who we are and what we want, unlocked from the cage of the self, and walking, for the first time in a long time, in the open air.


Dr. Tim Dean, Senior Philosopher. Headshot of a man with a beard, wearing a blue shirt and grey sweater, looking off to the side.

Meet Dr Tim Dean, our new Senior Philosopher

Dr. Tim Dean, Senior Philosopher. Headshot of a man with a beard, wearing a blue shirt, looking thoughtfully into the distance.

Ethics is about engaging in conversations to understand different perspectives and ways in which we can approach the world.  

Which means we need a range of people participating in the conversation. 

That’s why we’re excited to share that we have recently appointed Dr Tim Dean as our Senior Philosopher. An award-winning philosopher, writer, speaker and honorary associate with the University of Sydney, Tim has developed and delivered philosophy and emotional intelligence workshops for schools and businesses across Australia and the Asia Pacific, including Meriden and St Mark’s high schools, The School of Life, Small Giants and businesses including Facebook, Commonwealth Bank, Aesop, Merivale and Clayton Utz. 

We sat down with Tim to discuss his views on morality, social media, cancel culture and what ethics means to him.

 

What drew you to the study of philosophy?

Children are natural philosophers, constantly asking “why?” about everything around them. I just never grew out of that tendency, much to the chagrin of my parents and friends. So when I arrived at university, I discovered that philosophy was my natural habitat, furnishing me with tools to ask “why?” better, and revealing the staggering array of answers that other thinkers have offered throughout the ages. It has also helped me to identify a sense of meaning and purpose that drives my work.

What made you pursue the intersection of science and philosophy?

I see science and philosophy as continuous. They are both toolkits for understanding the world around us. In fact, technically, science is a sub-branch of philosophy (even if many scientists might bristle at that idea) that specialises in questions that are able to be investigated using empirical tools, hence its original name of “natural philosophy”. I have been drawn to science as much as philosophy throughout my life, and ended up working as a science writer and editor for over 10 years. And my study of biology and evolution transformed my understanding of morality, which was the subject of my PhD thesis.

How does social media skew our perception of morals?

If you wanted to create a technology that gave a distorted perception of the world, that encouraged bad faith discourse and that promoted friction rather than understanding, you’d be hard pressed to do better than inventing social media. Social media taps into our natural tendencies to create and defend our social identity, it triggers our natural outrage response by feeding us an endless stream of horrific events, it rewards us with greater engagement when we go on the offensive while preventing us from engaging with others in a nuanced way. In short, it pushes our moral buttons, but not in a constructive way. So even though social media can do good, such as by raising awareness of previously marginalised voices and issues, overall I’d call it a net negative for humanity’s moral development.

How do you think the pandemic has changed the way we think about ethics?

The COVID-19 pandemic has both expanded and shrunk our world. On the one hand, lockdowns and border closures have grounded us in our homes and our local communities, which in many cases has been a positive thing, as people get to know their neighbours and look out for each other. But it has also expanded our world as we’ve been stuck behind screens watching a global tragedy unfold, often without any real power to fix it. But it has also made us more sensitive to how our individual actions affect our entire community, and has caused us to think about our obligations to others. In that sense, it has brought ethics to the fore.

Tell us a little about your latest book ‘How We Became Human, And Why We Need to Change’?

I’ve long been fascinated by the story of how we evolved from being a relatively anti-social species of ape a few million years ago to being the massively social species we are today. Morality has played a key part in that story, helping us to have empathy for others, motivating us to punish wrongdoing and giving us a toolkit of moral norms that can guide our community’s behaviour. But in studying this story of moral evolution, I came to realise that many of the moral tendencies we have and many of the moral rules we’ve inherited were designed in a different time, and they often cause more harm than good in today’s world. My book explores several modern problems, like racism, sexism, religious intolerance and political tribalism, and shows how they are all, in part, products of our evolved nature. I also argue that we need to update our moral toolkit if we want to live and thrive in a modern, globalised and diverse world, and that means letting go of past solutions and inventing new ones.

How do you think the concepts of right and wrong will change in the coming years?

The world is changing faster than ever before. It’s also more diverse and fragmented than ever before. This means that the moral rules that we live by and the values that drive us are also changing faster than ever before – often faster than many people can keep up. Moral change will only continue, especially as new generations challenge the assumptions and discard the moral baggage of past generations. We should expect that many things we took for granted will be challenged in the coming decades. I foresee a huge challenge in bringing people along with moral change rather than leaving them behind.

What are your thoughts on the notion of ‘cancel culture’?

There are no easy answers when it comes to the limits of free speech. We value free speech to the degree that it allows us to engage with new ideas, seek the truth and to be able to express ourselves and hear from others. But that speech comes at a cost, particularly when it allows bad faith speech to spread misinformation, to muddy the truth, or dehumanise others. There are some types of speech that ought to be shut down, but we must be careful how the power to shut down speech is used. In the same way that some speech can be in bad faith, so too can be efforts to shut it down. Some instances of “cancelling” might be warranted, but many are a symptom of mob culture that seeks to silence views the mob opposes rather than prevent bad kinds of speech. Sometimes it’s motivated by a sense that a speaker is not just mistaken but morally corrupt, which prevents people from engaging with them and attempting to change their views. This is why one thing I advocate strongly for is rebuilding social capital, or the trust and respect that enables good faith discourse to occur at all. It’s only when we have that trust and respect that we will be able to engage in good faith rather than feel like we need to resort to cancelling or silencing people.

Lastly, the big one – what does ethics mean to you?

Ethics is what makes our species unique. No other creature can live alongside and cooperate with other individuals on the scale that we do. This is all made possible by ethics, which is our ability to consider how we ought to behave towards others and what rules we should live by. It’s our superpower, it’s what has enabled our species to spread across the globe. But understanding and engaging with ethics, figuring out our obligations to others, and adapting our sense of right and wrong to a changing world, is our greatest and most enduring challenge as a species.


Black and white portrait of Jean-Paul Sartre, the Big Thinker, wearing glasses, a suit, and a tie, smiling slightly.

Big Thinker: Jean-Paul Sartre

Black and white portrait of Jean-Paul Sartre, a big thinker, wearing glasses, a suit, and a tie, smiling slightly.

Jean-Paul Sartre (1905–1980) is one of the best known philosophers of the 20th century, and one of few who became a household name. But he wasn’t only a philosopher – he was also a provocative novelist, playwright and political activist.

Sartre was born in Paris in 1905, and lived in France throughout his entire life. He was conscripted during the war, but was spared the front line due to his exotropia, a condition that caused his right eye to wander. Instead, he served as a meteorologist, but was captured by German forces as they invaded France in 1940. He spent several months in a prisoner of war camp, making the most of the time by writing, and then returned to occupied Paris, where he remained throughout the war.

Before, during and after the war, he and his lifelong partner, the philosopher and novelist Simone de Beauvoir, were frequent patrons of the coffee houses around Saint-Germain-des-Prés in Paris. There, they and other leading thinkers of the time, like Albert Camus and Maurice Merleau-Ponty, cemented the cliché of bohemian thinkers smoking cigarettes and debating the nature of existence, freedom and oppression.

Sartre started writing his most popular philosophical work, Being and Nothingness, while still in captivity during the war, and published it in 1943. In it, he elaborated on one of his core themes: phenomenology, the study of experience and consciousness.

Learning from experience

Many philosophers who came before Sartre were sceptical about our ability to get to the truth about reality. Philosophers from Plato through to René Descartes and Immanuel Kant believed that appearances were deceiving, and what we experience of the world might not truly reflect the world as it really is. For this reason, these thinkers tended to dismiss our experience as being unreliable, and thus fairly uninteresting.

But Sartre disagreed. He built on the work of the German phenomenologist Edmund Husserl to focus attention on experience itself. He argued that there was something “true” about our experience that is worthy of examination – something that tells us about how we interact with the world, how we find meaning and how we relate to other people.

The other branch of Sartre’s philosophy was existentialism, which looks at what it means to be beings that exist in the way we do. He said that we exist in two somewhat contradictory states at the same time.

First, we exist as objects in the world, just as any other object, like a tree or chair. He calls this our “facticity” – simply, the sum total of the facts about us.

The second way is as subjects. As conscious beings, we have the freedom and power to change what we are – to go beyond our facticity and become something else. He calls this our “transcendence,” as we’re capable of transcending our facticity.

However, these two states of being don’t sit easily with one another. It’s hard to think of ourselves as both objects and subjects at the same time, and when we do, it can be an unsettling experience. This experience creates a central scene in Sartre’s most famous novel, Nausea (1938).

Freedom and responsibility

But Sartre thought we could escape the nausea of existence. We do this by acknowledging our status as objects, but also embracing our freedom and working to transcend what we are by pursuing “projects.”

Sartre thought this was essential to making our lives meaningful because he believed there was no almighty creator that could tell us how we ought to live our lives. Rather, it’s up to us to decide how we should live, and who we should be.

“Man is nothing else but what he makes of himself.”

This does place a tremendous burden on us, though. Sartre famously admitted that we’re “condemned to be free.” He wrote that “man” was “condemned, because he did not create himself, yet is nevertheless at liberty, and from the moment that he is thrown into this world he is responsible for everything he does.”

This radical freedom also means we are responsible for our own behaviour, and ethics to Sartre amounted to behaving in a way that didn’t oppress the ability of others to express their freedom.

Later in life, Sartre became a vocal political activist, particularly railing against the structural forces that limited our freedom, such as capitalism, colonialism and racism. He embraced many of Marx’s ideas and promoted communism for a while, but eventually became disillusioned with communism and distanced himself from the movement.

He continued to reinforce the power and the freedom that we all have, particularly encouraging the oppressed to fight for their freedom.

By the end of his life in 1980, he was a household name not only for his insightful and witty novels and plays, but also for his existentialist phenomenology, which is not just an abstract philosophy, but a philosophy built for living.


The Three Graces statue exemplifies classical beauty. Marble sculpture showing three nude women embracing, exploring ethics of beauty standards.

Ethics Explainer: Beauty

Three Graces sculpture embodying beauty, representing charm, grace, and elegance. Marble statue exemplifies classical art.

Research shows that physical appearance can affect everything from the grades of students to the sentencing of convicted criminals – are looks and morality somehow related?

Ancient philosophers spoke of beauty as a supreme value, akin to goodness and truth. The word itself alluded to far more than aesthetic appeal, implying nobility and honour – it’s counterpart, ugliness, made all the more shameful in comparison.

From the writings of Plato to Heraclitus, beautiful things were argued to be vital links between finite humans and the infinite divine. Indeed, across various cultures and epochs, beauty was praised as a virtue in and of itself; to be beautiful was to be good and to be good was to be beautiful.

When people first began to ask, ‘what makes something (or someone) beautiful?’, they came up with some weird ideas – think Pythagorean triangles and golden ratios as opposed to pretty colours and chiselled abs. Such aesthetic ideals of order and harmony contrasted with the chaos of the time and are present throughout art history.


Leonardo da Vinci, Vitruvian Man, c.1490 

These days, a more artificial understanding of beauty as a mere observable quality shared by supermodels and idyllic sunsets reigns supreme. 

This is because the rise of modern science necessitated a reappraisal of many important philosophical concepts. Beauty lost relevance as a supreme value of moral significance in a time when empirical knowledge and reason triumphed over religion and emotion.  

 Yet, as the emergence of a unique branch of philosophy, aesthetics, revealed, many still wondered what made something beautiful to look at – even if, in the modern sense, beauty is only skin deep.  

Beauty: in the eye of the beholder?

In the ancient and medieval era, it was widely understood that certain things were beautiful not because of how they were perceived, but rather because of an independent quality that appealed universally and was unequivocally good. According to thinkers such as Aristotle and Thomas Aquinas, this was determined by forces beyond human control and understanding. 

Over time, this idea of beauty as entirely objective became demonstrably flawed. After all, if this truly were the case, then controversy wouldn’t exist over whether things are beautiful or not. For instance, to some, the Mona Lisa is a truly wonderful piece of art – to others, evidence that Da Vinci urgently needed an eye check.  

Leonardo da Vinci, The Mona Lisa, 1503, Photographed at The Louvre, present day 

Consequently, definitions of beauty that accounted for these differences in opinion began to gain credence. David Hume famously quipped that beauty “exists merely in the mind which contemplates”. To him and many others, the enjoyable experience associated with the consumption of beautiful things was derived from personal taste, making the concept inherently subjective.  

This idea of beauty as a fundamentally pleasurable emotional response is perhaps the closest thing we have to a consensus among philosophers with otherwise divergent understandings of the concept. 

Returning to the debate at hand: if beauty is not at least somewhat universal, then why do hundreds and thousands of people every year visit art galleries and cosmetic surgeons in pursuit of it? How can advertising companies sell us products on the premise that they will make us more beautiful if everyone has a different idea of what that looks like? Neither subjectivist nor objectivist accounts of the concept seem to adequately explain reality.  

According to philosophers such as Immanuel Kant and Francis Hutcheson, the answer must lie somewhere in the middle. Essentially, they argue that a mind that can distance itself from its own individual beliefs can also recognize if something is beautiful in a general, objective sense. Hume suggests that this seemingly universal standard of beauty arises when the tastes of multiple, credible experts align. And yet, whether or not this so-called beautiful thing evokes feelings of pleasure is ultimately contingent upon the subjective interpretation of the viewer themselves. 

Looking good vs being good

If this seemingly endless debate has only reinforced your belief that beauty is a trivial concern, then you are not alone! During modernity and postmodernity, philosophers largely abandoned the concept in pursuit of more pressing matters – read: nuclear bombs and existential dread. Artists also expressed their disdain for beauty, perceived as a largely inaccessible relic of tired ways of thinking, through an expression of the anti-aesthetic. 

Marcel Duchamp, Fountain, 1917

Nevertheless, we should not dismiss the important role beauty plays in our day-to-day life. Whilst its association with morality has long been out of vogue among philosophers, this is not true of broader society. Psychological studies continually observe a ‘halo effect’ around beautiful people and things that see us interpret them in a more favourable light, leading them to be paid higher wages and receive better loans than their less attractive peers.  

Social media makes it easy to feel that we are not good enough, particularly when it comes to looks. Perhaps uncoincidentally, we are, on average, increasing our relative spending on cosmetics, clothing, and other beauty-related goods and services.

Turning to philosophy may help us avoid getting caught in a hamster wheel of constant comparison. From a classical perspective, the best way to achieve beauty is to be a good person. Or maybe you side with the subjectivists, who tell us that being beautiful is meaningless anyway. Irrespective, beauty is complicated, ever-important, and wonderful – so long as we do not let it unfairly cloud our judgements. 

 

Step through the mirror and examine what makes someone (or something) beautiful and how this impacts all our lives. Join us for the Ethics of Beauty on Thur 29 Feb 2024 at 6:30pm. Tickets available here.