Who gets heard? Media literacy and the politics of platforming

Who gets heard? Media literacy and the politics of platforming
Opinion + AnalysisSociety + CulturePolitics + Human Rights
BY Aubrey Blanche 20 NOV 2025
In an age where emotionally charged information travels faster than ever, the ability to critically evaluate what we read, watch, and share is the cornerstone of responsible citizenship. It’s essential that we’re able to strengthen our media literacy skills to detect bias, maintain trust and safeguard the integrity of public discourse.
Since the rise of generative AI, we have become inundated with content. It’s easier to generate and disseminate information than ever before. When content is cheap, it’s curation and discernment that becomes ever more critical.
And this matters – how information travels influences policy, the bounds of acceptable discourse, and ultimately how our society functions. This means that each of us, whether a social media user, producer of a major national news program, or just someone chatting with a friend, has an obligation to ensure that the truth we share contributes to human flourishing.
What is verifiable?
The reality is that a huge amount of the information we have access to is, well, fake. Media literacy equips people to recognise bias, detect misinformation, and understand the motives behind content creation. Without these skills, we and those around us become vulnerable to manipulation, whether through sensational headlines, deepfakes, or algorithm-driven echo chambers.
Verifying information before sharing is a critical part of media literacy. Every click and share amplifies a message, whether true or false. For example, deepfakes of Scott Morrison and other politicians have been used to perpetuate investment scams. When inaccurate information spreads unchecked, it can fuel polarisation, erode trust in institutions, and even endanger lives. Taking a moment to analyse the source, check for corroboration in other trusted places, and question the credibility of a claim is a small act with enormous impact. It transforms passive consumers into active participants in a healthier information ecosystem.
Whose truth?
What we see as objective is intrinsically shaped by the voices we are exposed to, and how often. This is as true for our social media feeds as it is for the nightly news. The messages that reach us are all in some way biased, meaning that they possess some kind of embedded agenda. But what we most often mean when we talk about bias, is a systematic and repeated filtering or skewing of information to conform to a particular or narrow agenda or worldview.
Because of this, we should be wary of potential bias when issues are covered by individuals or organisations with financial or political interests at stake. For example, jurisdictions around the world are currently wrestling with questions of how training large language models (LLMs) relates to fair use of copyrighted work. In Australia, the government recently ruled out a special exception for AI models to be trained on Australian works without explicit permission or payment. While there was public consultation conducted, prominent voices didn’t all agree with protecting the labor and output of creators as a priority.
Before the federal government made the determination, powerful members of the technology industry were consulted by journalists for their views on how the interests of AI labs and creators should be considered. These voices included those whose financial holdings include investments in the type of AI companies (and their methods) being discussed. Platforming voices with these interests has important implications for setting the terms of the debate as potentially more pro-technology, rather than encouraging a balance of perspectives.
While this specific issue is critical because it’s an issue that affects all of us, it also illustrates a way that we can practice media responsibly.
When we are sharing information, we should consider the interests and ideological alignment of those who are sharing.
Where possible, we should seek to provide a balanced set of perspectives, and ideally one in which any conflicts of interest are clear and disclosed.
Who gets platformed?
There is no free marketplace of ideas. The question of what voices and perspectives are platformed and held up as truth, whether in the media or on our feeds, greatly impacts our our own narratives of events. For example, since October 2023, more than 67,000 Gazans have been killed by Israeli forces. While the genocide has received significant media coverage, the perspectives of people impacted haven’t been equitably represented in mainstream media sources. Recently, a study found that only one Palestinian guest had been booked to share their views on major US Sunday news shows (which set the national agenda) in the last 2 years. In the same period, 48 Israeli guests had been given airtime.
If we assume that Israeli guests do not have a monopoly on the truth, this pattern looks alarming. While this study didn’t speak to the views of the guests, a reasonable person would assume that such a skew in the identities and affiliations represented present a rather one-sided view of events on the ground.
In this case, the platforming also speaks to the relative power of the perspectives. Despite the Palestinian community having the greatest lived experience of harm, their voices are effectively silenced. As we consider from whom we share information, we should always consider the following questions:
- Which individuals or groups have greater access to institutions – media or otherwise – to share their experience?
- In the case of conflict, are opposing forces equally powerful (eg in terms of financial resources, alliances, etc)?
- Who is marginalised, and what is the impact of not platforming that voice?
In today’s media environment, we are flooded with information. This means that the responsibly each of us must take in our sphere of influence has increased proportionally. In order to act as responsible members of our community, we must question which voices we’re highlighting.

BY Aubrey Blanche
Aubrey Blanche is a responsible governance executive with 15 years of impact. An expert in issues of workplace fairness and the ethics of artificial intelligence, her experience spans HR, ESG, communications, and go-to-market strategy. She seeks to question and reimagine the systems that surround us to ensure that all can build a better world. A regular speaker and writer on issues of responsible business, finance, and technology, Blanche has appeared on stages and in media outlets all over the world. As Director of Ethical Advisory & Strategic Partnerships, she leads our engagements with organisational partners looking to bring ethics to the centre of their operations.
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Should we be afraid of consensus? Pluribus and the horrors of mainstream happiness

Should we be afraid of consensus? Pluribus and the horrors of mainstream happiness
Opinion + AnalysisSociety + Culture
BY Joseph Earp 12 NOV 2025
Partway through Dostoyevsky’s The Brothers Karamazov, the author neatly summarises one of the more troubling questions that undercuts civilisation: is it ethical for widespread happiness to come at the expense of the discontent of select individuals? Or, to put it simply: do the needs of the many outweigh the needs of the few?
“Let’s assume that you were called upon to build the edifice of human destiny so that men would finally be happy”, the troubled Ivan Karamazov says. “If you knew that, in order to attain this, you would have to torture just one single creature, would you agree to do it?”
That one question has been probed and explored time and time again in the years since Karamazov was published, most notably in Ursula LeGuin’s sci-fi story The Ones Who Walk Away from Omelas, in which the happiness of a flourishing city depends totally on the torture of a young girl. But it has perhaps never been as thoroughly – not to mention amusingly – explored to the extent that it is in Pluribus, the new sci-fi show from Breaking Bad creator Vince Gilligan.
In Gilligan’s re-telling, near-global happiness is an external force: a virus of sorts, which turns the world’s population into a hive mind of mutually contented drones. The one miserable, unlucky individual whose perpetual unhappiness sets her apart from the mainstream: Carol Sturka (Rhea Seehorn), who appears to be immune to the virus. Or rather, temporarily immune, given much of the early episodes of the show follows the rising, blackly comic threat of the hive mind searching for ways to make Carol one of them.
“Once you see how wonderful it is….” a member of the hive mind tells Carol early on, speaking to her directly from her television set. The hive promises happiness, peace and the end of all human conflict. What they also represent: the tyranny of mainstream thought, an enforced and established consensus where majority rules, no matter how discontented outliers might be. And where happiness itself is dangerously considered the main goal of all human existence.
The problem with happiness
One of Gilligan’s masterstrokes is to set Carol out of the mainstream even before the virus spreads. When we meet her, she’s a beloved romantasy author who can’t stand either the mindless content that she churns out, or the horde of rabid fans who adore her. In the first episode, her business/life partner Helen (Miriam Shor) mocks Carol’s dislike of adulation, teasing that she’s a perpetual miser, illogically rejecting the good time that’s being offered to her.
But when the mainstream offers mere happiness, we should reject it, as both Gilligan and Dostoyevsky seem to suggest. A life of contentment and fitting in with the crowd isn’t an ethical good in and of itself. As the rise of increasingly deranged social media slop proves – the kind of quick dopamine fix provided by TikTok – there’s so much more to life than merely being entertained.
The person who sits in their room all day watching Instagram reels could conceivably be very happy, but wouldn’t we all suggest that they might want more? Should they in fact pursue something greater and more important than simply having a good time?
This is the threat posed by Pluribus’ hive. In an ideal world, happiness should be a kind of side effect of good, not something to be pursued blindly for its own sake. As in, happiness should be what happens when we achieve virtuous behaviours – when we care for others, or pursue a flourishing life. And it certainly should not be enforced by the mainstream at the expense of individual freedoms and wants.
Even as Pluribus’ plot progresses, and it is revealed that Carol’s unhappiness is a very literal threat to the hive – when she lashes out at them, members of the hive abruptly die – the needs of those who sit in the mainstream should never be held above the deep unhappiness of those who also must operate within the world. Not only because enforcing the desires of the collective onto the individual is a harm in itself, but because sometimes – maybe even often – the desires of the collective aren’t particularly desirable.
In praise of conflict
Pluribus slowly encourages us to be suspicious of the idea that the hive are actually as happy as they claim to be. Do we really think that happiness is only a flood of dopamine throughout our body? If so, then as the philosopher Robert Nozick once asked, wouldn’t we therefore choose to step into a machine that did nothing but probe our dopamine receptors for all eternity, living an artificial life where we submit to being little more than switches that can be flipped in order to produce joy?
It doesn’t seem like many of us consider happiness only that. Happiness is what happens when we go to the other side of hardship; when we set ourselves goals and then achieve them. Ultimately, it’s a response to conflict and unhappiness, not the absence of conflict and unhappiness altogether.
Enforced mainstream happiness isn’t just ethically harmful for those who have it enforced upon them; it might be harmful to those who actively want it.
In the age of AI, these issues have never been more timely. In fact, Gilligan himself seems aware of this: each episode of Pluribus ends with a message, hidden in the credits, that reads, “this show was made by humans”.
We live in an era where tech companies constantly promise us that AI will bring ease, contentment, and the ability to fit in with our co-workers, friends and family – with the collective. Even if AI can do our jobs for us, or write tricky text messages to our loved ones, decreasing our discomfort, why would we even want that?
Now more than ever, we should follow Carol’s lead and become perpetual sourpusses. As it turns out, being a grump might be one of the most ethical things of all.

BY Joseph Earp
Joseph Earp is a poet, journalist and philosophy student. He is currently undertaking his PhD at the University of Sydney, studying the work of David Hume.
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The ‘good ones’ aren’t always kind

The ‘good ones’ aren’t always kind
Opinion + AnalysisRelationshipsSociety + Culture
BY Isha Desai 27 OCT 2025
I’m sitting on a low brick wall at a party next to my date. Twenty-something boys and girls mill around, drink in hand, most of them in couples. One man clocks the boy sitting next to me, approaching us with a wide grin: “he’s a good one”.
The man is talking to me. Minutes later a girl rushes over, taking my hand in hers with a squeeze: “he’s one of the nice ones”. It would take another four months of dating before I realise that being a ‘good guy’ is very different from being a kind one.
The terms ‘good guy’ or ‘nice guy’ have been in my consciousness for two decades: a blanket seal of approval given to people (typically men) who display surface-level qualities of respect, decency and likeability.
In The Will to Change: Men, Masculinity, and Love, bell hooks characterises this as a mask. The ‘good guy’ mold can distort participation in oppressive patriarchal systems. One of the largest ethical implications of this term is that it paints men as a binary. They are either a ‘good guy’ or they are a ‘bad guy’. It creates cognitive dissonance when a ‘good guy’ is complicit in the exact structures they claim to reject. The implication of this is a lack of accountability, a sense of confusion and feeling attacked when these men are presented with information that misaligns with their internalised and reaffirmed sense of self.
I always wondered, why is simply being ‘good’ heralded as praise for men? As if the expectation is that they are bad, and when they surprise us with respect they jump to a pedestal as “one of the good ones”.
In October 2024, Graham Norton was joined by Saoirse Ronan, Paul Mescal, Eddie Redmayne and Denzel Washington on his panel talk show. When discussing the concept of using a phone as a self-defence tool, Paul Mescal quipped, “Who’s actually going to think about that? If someone attacked me, I’m not going to go – phone.” Mescal humorously reached into his back pocket as the audience burst into laughter. The men added various comments until Saoirse Ronan cut through their voices, “That’s what girls have to think about all the time. Am I right ladies?” The audience quickly changed tone, cheering her for speaking up whilst the men nodded quietly.
This twenty-second exchange went viral. Publications from Vogue, The Guardian and the BBC all praised Ronan’s truthful outspokenness. However, many drew attention to the men on the show, in particular Paul Mescal. An often-characterised soft boi, Paul Mescal is known for his sensitivity, emotional depth and embracing of feminine traits. He later praised that Saoirse Ronan was “spot on” for calling out women’s safety. But it served as an important reminder that the societally termed ‘good bloke’ is not exempt from bad moments.
Australian philosopher Kate Manne shows us the worst consequences of the ‘golden boy’ trope. In Down Girl: The Logic of Misogyny, she introduces the term ‘himpathy’, used to describe excessive sympathy towards male perpetrators of sexual violence. She describes the reluctance to believe women who testify against established ‘golden boys’, citing the 2015 People v Turner case as her primary study. In 2015, Chanel Miller (formerly Emily Doe) accused Standford freshman Brock Turner of five counts of felony sexual assault. In this case, testimony from a female friend that Brock Turner was “caring, sweet and respectful to her” corroborated the Judge’s assessment of Turner’s character.
Manne reveals himpathy’s dangerous ethical implication: “Good guys aren’t rapists. Brock Turner is a good guy. Therefore, Brock Turner is not a rapist”. The case culminated in six months of jail time and three years of probation; however, Turner was released from jail after three months on good behaviour.
In the manosphere, ‘Nice Guy Syndrome’ has also been used to describe people who are nice with the aim of obtaining or maintaining a sexual relationship with another person. In this case, being ‘good’ is currency for an ulterior agenda where the person exhibiting ‘nice guy’ qualities builds a sense of entitlement that they are owed a romantic or sexual relationship. When the other person rejects them, the ‘nice guy’ can become disdainful or irrationally angry because they were not given what they are ‘owed’. Whilst the ‘good guy’ mold and ‘nice guy syndrome’ are inextricably linked, many individuals equate being good with being kind, when they are sometimes two very different things.
When engaging with an average well-intentioned man, the ethical implications are often nuanced. Dr Glenn R. Schiraldi outlines childhood adversity including neglect, abandonment or abuse as root causes of the insecurity that leads to being passive and overly dependent on others/women for approval. This can create the ‘good guy’ who would rather maintain a likeable façade than engage in conflict.
I’ve often sat with friends after hearing stories where a ‘good guy’ didn’t have the emotional maturity to initiate a hard conversation for fear of appearing unlikeable. And we always came back to the same questions. Having good intentions should not be disincentivised, but where does being good fall and being kind succeed? What does it mean to be kind?
The first time the difference between being good and being kind was articulated to me was in The Imperfects Podcast, where psychologist Dr Emily Musgrove framed it as choosing truth versus harmony. When we want to do the ‘good’ thing, we choose the option that will keep the relationship in harmony. However, in the long term, we don’t achieve harmony through continually sacrificing the hard truth over having a harmonious relationship. Sometimes, delivering a hard truth is kinder than maintaining short term harmony.
I was in my early twenties when I learnt that being kind meant you might have to let someone down. I was in my mid-twenties when I realised that a man being ‘good’ to me didn’t mean he was being ‘kind’ to me. This principle applies to everyone but is one that prevails amongst men that care more about having a ‘good guy’ reputation than leading with integrity.
The fizziness of my cider travels straight to my brain as my legs dangle over the concrete pavement. I giggle, laugh and tipsily dance until the early hours of the morning, meeting his friends for the first time. What no one had told me was how he would keep important secrets from me for fear of hurting my feelings, which would only hurt me more. How he would withdraw when he wasn’t happy with me and how I would respond in frustration, confused and demanding answers. How he would carry antiquated views that would never come to full light because after all, he was a good guy.
We need to eliminate the ‘good guy’ trope as a seal of approval. We need to end the binary that people are either good or bad and start operating on the foundation that everyone is a person with the potential to be good and bad in moments. Instead of being ‘nice’, we should strive to be authentic, truthful and kind, even in the moments where it doesn’t make us look good.
The ‘good ones’ aren’t always kind by Isha Desai is the winning essay in our Young Writers’ 2025 Competition (18-30 age category). Find out more about the competition here.

BY Isha Desai
Isha Desai is a writer, researcher and analyst, graduated from the University of Sydney in Politics and International Relations. She was the 2024 Indo Pacific Fellow for Young Australians in International Affairs (YAIA) and currently works in social impact policy at Penguin Random House ANZ.
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Big Thinker: Ayn Rand

Big Thinker: Ayn Rand
Big thinkerSociety + CultureBusiness + Leadership
BY The Ethics Centre 7 OCT 2025
Ayn Rand (born Alissa Rosenbaum, 1905-1982) was a Russian-born American writer & philosopher best known for her work on Objectivism, a philosophy she called “the virtue of selfishness”.
From a young age, Rand proved to be gifted, and after teaching herself to read at age 6, she decided she wanted to be a fiction writer by age 9.
During her teenage years, she witnessed both the Kerensky Revolution in February of 1917, which saw Tsar Nicholas II removed from power, and the Bolshevik Revolution in October of 1917. The victory of the Communist party brought the confiscation of her father’s pharmacy, driving her family to near starvation and away from their home. These experiences likely laid the groundwork for her contempt for the idea of the collective good.
In 1924, Rand graduated from the University of Petrograd, studying history, literature and philosophy. She was approved for a visa to visit family in the US, and she decided to stay and pursue a career in play and fiction writing, using it as a medium to express her philosophical beliefs.
Objectivism
“My philosophy, in essence, is the concept of man as a heroic being, with his own happiness as the moral purpose of his life, with productive achievement as his noblest activity, and reason as his only absolute.” – Appendix of Atlas Shrugged
Rand developed her core philosophical idea of Objectivism, which maintains that there is no greater moral goal than achieving one’s happiness. To achieve this happiness, however, we are required to be rational and logical about the facts of reality, including the facts about our human nature and needs.
Objectivism has four pillars:
- Objective reality – there is a world that exists independent of how we each perceive it
- Direct realism – the only way we can make sense of this objective world is through logic and rationality
- Ethical egoism – an action is morally right if it promotes our own self-interest (rejecting the altruistic beliefs that we should act in the interest of other people)
- Capitalism – a political system that respects the individual rights and interests of the individual person, rather than a collective.
Given her beliefs on individualism and the morality of selfishness, Rand found that the only political system that was compatible was Laissez-Faire Capitalism. Protecting individual freedom with as little regulation and government interference would ensure that people can be rationally selfish.
A person subscribing to Objectivism will make decisions based on what is rational to them, not out of obligation to friends or family or their community. Rand believes that these people end up contributing more to the world around them, because they are more creative, learned, and can challenge the status quo.
Writing
She explored these concepts in her most well-known pieces of fiction: The Fountainhead, published in 1943, and Atlas Shrugged, published in 1957. The Fountainhead follows Howard Roark, an anti-establishment architect who refuses to conform to traditional styles and popular taste. She introduces the reader to the concept of “second-handedness”, which she defines living through others’ and their ideas, rather than through independent thought and reason.
The character Roark personifies Rand’s Objectivist ideals, of rational independence, productivity and integrity. Her magnum opus, Atlas Shrugged, builds on these ideas of rational, selfish, creative individuals as the “prime movers” of a society. Set in a dystopian America, where productivity, creativity, and entrepreneurship stagnate due to over-regulation and an “overly altruistic society”, the novel describes this as disincentivising ambitious, money-driven people.
Even though Atlas Shrugged quickly became a bestseller, its reception was controversial. It has tended to be applauded by conservatives, while dismissed as “silly,’ “rambling” and “philosophically flawed” by liberals.
Controversy
Ayn Rand remains a controversial figure, given her pro-capitalist, individual-centred definition of an ideal society. So much of how we understand ethics is around what we can do for other people and the societies we live in, using various frameworks to understand how we can maximise positive outcomes, or discern the best action. Objectivism turns this on its head, claiming that the best thing we can do for ourselves and the world is act within our own rational self-interest.
“Why do they always teach us that it’s easy and evil to do what we want and that we need discipline to restrain ourselves? It’s the hardest thing in the world–to do what we want. And it takes the greatest kind of courage. I mean, what we really want.”
Rand’s work remains hotly debated and contested, although today it is being read in a vastly different context. Tech billionaires and CEOs such as Peter Thiel and Steve Jobs are said to have used her philosophy as their “guiding stars,” and her work tends to gain traction during times of political and economic instability, such as during the 2008 financial crisis. Ultimately, whether embraced as inspiration or rejected as ideology, Rand’s legacy continues to grapple with the extent to which individual freedom drives a society forward.

BY The Ethics Centre
The Ethics Centre is a not-for-profit organisation developing innovative programs, services and experiences, designed to bring ethics to the centre of professional and personal life.
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Free speech is not enough to have a good conversation

Free speech is not enough to have a good conversation
Opinion + AnalysisPolitics + Human RightsSociety + Culture
BY Tim Dean 23 SEP 2025
When I facilitate a Circle of Chairs conversation at The Ethics Centre, I always pause before starting and remind myself that I’m about to enter a potentially dangerous space. There are few domains that are as hotly contested and emotionally charged as ethics.
In this space, people might have their deepest values questioned, their most cherished views challenged, and they are likely to encounter people who hold radically different moral and political beliefs to their own.
Yet, after stepping into many Circles, I can’t think of a single time when I haven’t stepped out having witnessed a rich, deep and often challenging conversation that has left everyone feeling closer together as humans, even if they remain far apart in their views.
This is because we don’t just encourage any kind of speech in a Circle of Chairs. We do acknowledge the importance of free speech, not least because it’s our best means of challenging conventional wisdom, correcting errors and seeking the truth. But we also recognise that just protecting free speech sets a perilously low bar for the quality of discourse.
Now seems like a good time to talk about how we talk to each other. Especially so in the wake of conservative commentator, Charlie Kirk’s, assassination in the United States. That horrific event, coupled with two late night talk show hosts being taken off air in recent months, ostensibly due to comments made that have offended the Trump administration and its ideological allies, has sparked numerous conversations about the nature of good faith debate and the limits of free speech.
But if we just limit ourselves to removing speech that is directly harmful, hateful or incites violence, it still leaves a lot of room for speech that can be deceptive, offensive, divisive and dehumanising. Which is why at The Ethics Centre, we treat free speech as a baseline and add other norms on top that serve to promote constructive discourse.
These norms enable people to engage with views that are vastly different to their own – including arguing for their own perspectives and challenging those they believe are wrong – without things slipping into vitriol or worse.
I wonder if these norms might be useful when it comes to think about how we ought to speak to each other. And I stress: these are norms, not laws. They are expectations around how to behave. They’re not intended to be used to silence or punish those who fail to conform to them. They are offered as a guide for those who want to break out of the cycles of polarising and vilifying speech that we see all too often today.
Respect
The first norm is in some ways the simplest, but also the most important: respect. It states that we should always recognise others’ inherent humanity, no matter how obtuse or perverse their beliefs.
What this means is that we might choose not to say something if we think doing so will disrespect or injure their dignity as a person. We already do this in many domains of our lives. If someone has just lost a loved one, we might refrain from criticising the deceased, even if we have a genuine grievance. Likewise, we might choose not to say something we believe is true if it might dehumanise or objectify someone. As they say, “honesty without compassion is cruelty”.
This doesn’t mean we shouldn’t strongly challenge others’ beliefs, especially if we feel they are false or harmful. Sometimes, we should do so even if it might offend them. But there’s a pragmatic element: without mutual respect, our challenges will likely fall on deaf ears, triggering defensiveness rather than encouraging openness.
Showing respect to someone you disagree with is a powerful tool to build the kind of trust that is necessary to have them actually listen to what you have to say. And the more trust and respect you build, the less chance you have of being seen to be disrespectful, and the more frank you can afford to be when you speak.
Good faith
The second norm is to always speak in good faith. This has two elements. The first is that we speak with good intention, with the aim to understand, find the truth and make the world a better place, rather than speaking to intimidate, self-aggrandise or hide an insecurity. The second element is that we speak with intellectual honesty, acknowledging our fallibility and being open to the possibility of being wrong.
We all know it’s all too easy to slip into bad faith, especially when emotions run high or we feel threatened. We might utter a barbed comment, or defend a position we don’t really understand, or we dig in our heels so we don’t look dumb. We also know what it’s like to encounter bad faith, like when you dismantle someone’s argument only to discover they haven’t changed their mind. It’s infuriating, and it can rapidly devolve a conversation into mutual bad faith attacks. You know, like what we see on social media.
Charity
The third norm is charity, which is just the flip side of good faith. Charity means we assume good faith on behalf of the person we’re speaking to rather than assuming the worst about them and their beliefs. It means filling in the blanks with the best possible version of their argument instead of jumping to attack the weakest possible version.
Charity also means giving people an on-ramp back to good faith if we do discover they are speaking in bad faith. Rather than writing them off, we try to show respect and find some mote of common ground – a shared value or belief – and build on that until we can better understand where we diverge, and talk about that.
These norms don’t guarantee all speech will be constructive. They’re not always easy to implement – especially in the unregulated wilderness of social media. But see them as being more aspirational, a kind of soft expectation that we place on ourselves and hope to demonstrate to others through the way we speak.
When we’re mindful of them, they can change conversations. I’ve seen it happen many times. I’ve seen political opponents really listen to each other and acknowledge that the other has a point. I’ve seen a climate denier and an environmental activist hug after a long conversation. I’ve seen an anti-vaxxer thank a science journalist for disagreeing without calling them names. It won’t always go like that. But in a world where we’re thrust into proximity with those we disagree with, where the threat of political violence will always hover in the wings, ready to take the stage when speech fails, I’m convinced these three norms can make a difference.

BY Tim Dean
Dr Tim Dean is a public philosopher, speaker and writer. He is Philosopher in Residence and Manos Chair in Ethics at The Ethics Centre.
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What happens when the progressive idea of cultural ‘safety’ turns on itself?

What happens when the progressive idea of cultural ‘safety’ turns on itself?
Opinion + AnalysisSociety + CulturePolitics + Human Rights
BY Hugh Breakey 4 SEP 2025
In mid-August, controversy enveloped the Bendigo Writers Festival. Just days before it began, festival organisers sent a code of conduct to its speakers – a code that drove more than 50 authors to make the difficult decision to pull out.
The code was intended to ensure the event’s safety, with a requirement to “avoid language or topics that could be considered inflammatory, divisive, or disrespectful”. Yet distressed speakers argued it made them feel culturally unsafe. Speakers on panels presented by La Trobe university were also required to employ a contested definition of antisemitism.
The incident is the most recent in a series of controversies in which progressive writers and artists have faced restrictions and cancellations, with organisations citing “safety” as the reason. They include libraries cancelling invited speakers and asking writers to avoid discussing Gaza, Palestine and Israel.
How did speech rules developed and promoted by the progressive left – rules promoting cultural safety and safe spaces – become tools that could be wielded against it?
Applying ‘safety’ to speech
Over recent years, “safety” – including in terms like “safe spaces” and “cultural safety” – has become a commonly raised ethical concern. Safe-speech norms often arise in the context of public deliberation, education and political speech.
“Safe spaces” are places where marginalised groups are protected against harassment, oppression and discrimination, including through speech like microaggressions, unthinking stereotypes and misgendering. Within safe spaces, protected groups are encouraged and empowered to speak about their experiences and needs.
Similarly, “cultural safety” refers to environments where there is no challenge or denial of people’s identities, allowing them to be genuinely heard. This can be crucial for First Nations communities, especially in health and legal contexts.
Safe-speech norms are therefore complex. They involve the freedom to speak, but also freedom from speech.
This way of thinking takes a broad view of the kinds of speech that can be interpreted as harmful or violent. Harmful speech does not just include hate speech and incitement. It also includes speech with unintended consequences and speech that challenges a person’s perceived identity.
These safe-speech norms, increasingly adopted in universities and other broadly progressive organisations, should be distinguished from “psychological safety”. This earlier concept refers to creating environments – such as workplaces – where it is safe to speak up, including to raise concerns or ask questions.
While psychological safety is a general norm protecting all parties, the more recent safe-speech norms protect specific marginalised groups. They aim to push back against larger systemic forces like racism or misogyny that would otherwise render those groups oppressed or unsafe. In some cases, the prioritisation of safety has led to deplatforming of speakers at universities.
With this special focus on oppressed minorities and heightened sensitivity to speech’s negative impacts, applying these norms has become a familiar part of progressive social justice efforts (sometimes pejoratively called “wokism”). Now, conservatives and others are employing the language of cultural safety to close down discussion of topics such as the war in Gaza.
Are safe-speech norms controversial?
By constraining what can be said, safe speech norms impinge on other potentially relevant ethical norms, such as those of public deliberation. These “town square” norms aim to encourage a diversity of views and allow space for a robust dialogue between different perspectives.
Public deliberation norms might be defended as part of the human right to free speech, or because arguing and deliberating with other people can be an important way of respecting them.
Alternatively, public deliberation can be defended by appeal to democracy, which requires more than merely casting votes. Citizens must be able to hear and voice different perspectives and arguments.
Those in favour of free speech and the public square will look suspiciously at safe-speech norms, worrying that they give rise to the well known risks of political censorship. Thinkers like Jonathan Haidt and Greg Lukianoff explicitly criticise “safetyism”, arguing the prioritisation of emotional safety inappropriately coddles young people.
Supporters of safe-speech norms might respond in different ways to these objections. One response might be that safety doesn’t intrude very much on dialogue anyway (at least, not on the type of dialogue worth having). Another response might be to challenge the value of public debate itself, seeing any system that does not explicitly work to support the marginalised as inherently oppressive.
Yet another response might be to query whether writers festivals are an apt place for public debate. Most speakers want an enjoyable experience and to promote their book (even when such books explore contentious ideas). Many in the audience will be supportive of the authors’ ideas and positions. Some will even be fans. Maybe it’s not so bad if most festival sessions are “love-ins”.
Prohibited vs. protected
In order to protect and empower specific marginalised groups, safe-speech norms both support and restrain speech. So long as the views of these protected groups are relatively aligned with each other, these norms work coherently. The speech that is being prohibited doesn’t overlap with the speech that is being protected.
But what happens when members of two marginalised groups have stridently opposed views and the words they use to decry injustice are called unsafe by their opponents? Once this happens, the speech that one group needs to be protected is the same speech that the other group needs prohibited.
Perhaps it was inevitable that the internal contradictions of safe-speech norms would eventually create such problems. In Australia, like many countries, this was triggered by the October 7 Hamas atrocity and Israel’s unrelenting and brutal military response. Jews and Palestinians are both vulnerable minorities who face the well known bigotries of antisemitism and Islamophobia respectively. They both can reasonably demand the protection of safe-speech norms.
However, is each side interested in respecting the other’s right to such norms? Author and academic Randa Abdel-Fattah has reportedly alleged on social media, that if you are a Zionist, “you have no claim or right to cultural safety”. In turn, she says she has been harrassed and threatened over her views on the war in Gaza, and public institutions hosting her “have been targeted with letters defaming me and demanding I be disinvited”.
Perhaps the time has come to acknowledge that safe speech norms were never as straightforward or innocuous as they first appeared. They require a form of censorship that not only involves choosing political sides, but inevitably making fine-grained judgements between which opposing minority deserves protection at the expense of the other.
Indeed, safe speech norms may themselves be exclusionary. The US organisation “Third Way” advocates for moderation and centre left policies. In a recent memo it said research among focus groups had consistently found ordinary people interpreted key terms from progressive political language as alienating and arrogant.
According to Third Way, the term “safe space” (among others) communicates the sense that, “I’m more empathetic than you, and you are callous to hurting others’ feelings.”
With all this in mind, I find it hard to disagree with author Waleed Aly’s recent reflection that “in arenas dedicated to public debate, safety makes a poor organising principle”. Efforts to support and include marginalised voices are laudable. However, safe-speech norms are a deeply problematic – and perhaps ultimately contradictory – tool to use in pursuing that worthy goal.
This article was originally published in The Conversation.

BY Hugh Breakey
Hugh is Deputy Director at Griffith University’s Institute for Ethics, Governance and Law. His research spans the philosophical subdisciplines of political philosophy, normative ethics, moral psychology, governance studies and applied philosophy. His works explore the ethical challenges arising in such diverse fields as peacekeeping, institutional governance, climate change, sustainable tourism, safety industries, private property, medicine, and international law, published in journals including The Philosophical Quarterly, The Modern Law Review and Political Studies. He has taught philosophy and ethics at the University of Queensland, Queensland University of Technology and Bond University. Since 2013, Hugh has served as President of the Australian Association for Professional and Applied Ethics.
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AI and rediscovering our humanity

AI and rediscovering our humanity
Opinion + AnalysisScience + TechnologyBusiness + LeadershipSociety + Culture
BY Simon Longstaff 2 SEP 2025
With each passing day, advances in artificial intelligence (AI) bring us closer to a world of general automation.
In many cases, this will be the realisation of utopian dreams that stretch back millennia – imagined worlds, like the Garden of Eden, in which all of humanity’s needs are provided for without reliance on the ‘sweat of our brows’. Indeed, it was with the explicit hope that humans would recover our dominion over nature that, in 1620, Sir Francis Bacon published his Novum Organum. It was here that Bacon laid the foundations for modern science – the fountainhead of AI, robotics and a stack of related technologies that are set to revolutionise the way we live.
It is easy to underestimate the impact that AI will have on the way people will work and live in societies able to afford its services. Since the Industrial Revolution, there has been a tendency to make humans accommodate the demands of industry. In many cases, this has led to people being treated as just another ‘resource’ to be deployed in service of profitable enterprise – often regarded as little more than ‘cogs in the machine’. In turn, this has prompted an affirmation of the ‘dignity of labour’, the rise of Labor unions and with the extension of the voting franchise in liberal democracies, to legislation regulating working hours, standards of safety, etc. Even so, in an economy that relies on humans to provide the majority of labour required to drive a productive economy, too much work still exposes people to dirt, danger and mind-numbing drudgery.
We should celebrate the reassignment of such work to machines that cannot ‘suffer’ as we do. However, the economic drivers behind the widescale adoption of AI will not stop at alleviating human suffering arising out of burdensome employment. The pressing need for greater efficiency and effectiveness will also lead to a wholesale displacement of people from any task that can be done better by an expert system. Many of those tasks have been well-remunerated, ‘white collar’ jobs in professions and industries like banking, insurance, and so on. So, the change to come will probably have an even larger effect on the middle class rather than working class people. And that will be a very significant challenge to liberal democracies around the world.
Change to the extent I foresee, does not need to be a source of disquiet. With effective planning and broad community engagement, it should be possible to use increasingly powerful technologies in a constructive manner that is for the common good. However, to achieve this, I think we will need to rediscover what is unique about the human condition. That is, what is it that cannot be done by a machine – no matter how sophisticated? It is beyond the scope of this article to offer a comprehensive answer to this question. However, I can offer a starting point by way of an example.
As things stand today, AI can diagnose the presence of some cancers with a speed and effectiveness that exceeds anything that can be done by a human doctor. In fact, radiologists, pathologists, etc are amongst the earliest of those who will be made redundant by the application of expert systems. However, what AI cannot do replace a human when it comes to conveying to a patient news of an illness. This is because the consoling touch of a doctor has a special meaning due to the doctor knowing what it means to be mortal. A machine might be able to offer a convincing simulation of such understanding – but it cannot really know. That is because the machine inhabits a digital world whereas we humans are wholly analogue. No matter how close a digital approximation of the analogue might be, it is never complete. So, one obvious place where humans might retain their edge is in the area of personal care – where the performance of even an apparently routine function might take on special meaning precisely because another human has chosen to care. Something as simple as a touch, a smile, or the willingness to listen could be transformative.
Moving from the profound to the apparently trivial, more generally one can imagine a growing preference for things that bear the mark of their human maker. For example, such preferences are revealed in purchases of goods made by artisanal brewers, bakers, etc. Even the humble potato has been affected by this trend – as evidenced by the rise of the ‘hand-cut chip’.
In order to ‘unlock’ latent human potential, we may need to make a much sharper distinction between ‘work’ and ‘jobs’.
That is, there may be a considerable amount of work that people can do – even if there are very few opportunities to be employed in a job for that purpose. This is not an unfamiliar state of affairs. For many centuries, people (usually women) have performed the work of child-rearing without being employed to do so. Elders and artists, in diverse communities, have done the work of sustaining culture – without their doing so being part of a ‘job’ in any traditional sense. The need for a ‘job’ is not so that we can engage in meaningful work. Rather, jobs are needed primarily in order to earn the income we need to go about our lives.
And this gives rise to what may turn out to be the greatest challenge posed by the widescale adoption of AI. How, as a society, will we fund the work that only humans can do once the vast majority of jobs are being done by machines?

BY Simon Longstaff
Simon Longstaff began his working life on Groote Eylandt in the Northern Territory of Australia. He is proud of his kinship ties to the Anindilyakwa people. After a period studying law in Sydney and teaching in Tasmania, he pursued postgraduate studies as a Member of Magdalene College, Cambridge. In 1991, Simon commenced his work as the first Executive Director of The Ethics Centre. In 2013, he was made an officer of the Order of Australia (AO) for “distinguished service to the community through the promotion of ethical standards in governance and business, to improving corporate responsibility, and to philosophy.” Simon is an Adjunct Professor of the Australian Graduate School of Management at UNSW, a Fellow of CPA Australia, the Royal Society of NSW and the Australian Risk Policy Institute.
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David and Margaret spent their careers showing us exactly how to disagree

David and Margaret spent their careers showing us exactly how to disagree
Opinion + AnalysisSociety + Culture
BY Joseph Earp 19 AUG 2025
When David Stratton – critic, TV presenter and hero to a generation of movie lovers – died last week at 85, he was immediately honoured as one of this country’s true soldiers of cinema: a relentless advocate who spent his life championing the artform he loved.
Cinema had a loyal, passionate and fiercely intelligent friend in David Stratton. He was a man who worked hard to make loving movies seem serious and worthwhile – so much more than just a hobby.
But over the course of his long and varied career, Stratton didn’t just kindly, patiently and honestly explain his passions. Along with his onscreen co-host Margaret Pomeranz, he also taught us a deeply valuable ethical lesson, time and time again: a lesson in the fine art of disagreement.
What do Lars Von Trier and Vin Diesel have in common?
Pomeranz and Stratton were, from the very start of their time together, opposites. Pomeranz, who began her career in television as a producer, and was encouraged to move in front of the camera by Stratton, prized a curiously outrageous form of entertainment far more than Stratton.
Stratton loved to laugh, make no mistake, but he drew a line at anything he considered tacky. Pomeranz, by contrast, loved that stuff. When they butted heads, it was over films like Team America: World Police (Pomeranz loved it; Stratton hated it); Sex And The City 2 (Pomeranz said it contained a “jacket she’d kill for” and gave it three stars; Stratton called it “offensive”).
These differences in opinion weren’t just a casual “let’s agree to disagree” partings of ways. Once, memorably, Pomeranz gave Lars Von Trier’s Dancer in The Dark five stars, while Stratton gave it zero. When Pomeranz stood up for Vin Diesel, a performer Stratton hated, Stratton lightly poked fun at her, saying she wanted Diesel to “save her.” Possibly their biggest disagreement was over the classic Australian film Romper Stomper, starring Russell Crowe as a wild-eyed neo-Nazi. Stratton not only thought the film was terrible, he thought it was actively ethically harmful. Pomeranz gave it five stars.
Sometimes these disagreements got a little heated. Stratton could be dismissive; Pomeranz seemed occasionally exasperated with him. But the pair never lost respect for one another, no matter how far apart their tastes pulled them – and, importantly, they never started throwing barbs at each other. Their disagreement was localised to the thing they were disagreeing about, not ad hominem snipes at the other’s character.
Pomeranz herself acknowledged this, in a recent tribute written to honour her friend and colleague. “I think it’s extraordinary that, over all the time that David and I worked together, we never had a falling out”, she wrote. Disagreements between the two were common. But true breaks in the relationship – true threats to their working together – never were.
The power of disagreement
Sometimes, disagreement is cast as an impediment to societal functioning. We can all be guilty of occasionally speaking as though disagreement is the enemy – as though for us to all flourish, we should all get along, all the time. That’s not to say that there are some matters where disagreement should be encouraged – the power of disagreement is not a free card to put every matter up for debate, no matter how harmful.
But the history of philosophy shows us there’s power in sometimes parting opinion. Plato, for instance, presented almost all of his arguments in the form of debates, with characters going back and forth amongst each other on what is the correct behaviour. Plato’s “dialogues”, and thus, his entire ethical worldview, were fashioned out of disagreement.
It is in disagreement, after all, that we get to honour one of the beautiful things about our world – difference, uniqueness, and the full richness of human experience.
It would be a very boring, and perhaps even insidious, world if we all thought the same thing. After all, a forced unity of opinion is one of the hallmarks of fascism.
Disagreements, if handled and conducted well, can also guide us away from extremes. In some matters, truth lies in the middle of two poles. So it went on The Movie Show at least – I am not convinced we always agreed with our favourite from the pair. As viewers, our own tastes fluctuated between the extremes of Pomeranz and Stratton. In their disagreements, we could pick and choose elements of their tastes, and construct our own.
And again, these were debates that never descended into name-calling, or anger. In this, Pomeranz and Stratton taught us another ethical lesson – that we can treat someone disagreeing with us as someone offering us kindness. Having to justify and argue for our own positions helps us better understand them. And it helps us better understand the world around us; the people around us.
Laying my own cards on the table, I’ve always been more of a Pomeranz person (I love Von Trier, Romper Stomper, and Team America). But that’s just the thing. No matter how much I, a viewer raised on The Movie Show, found myself grumpily disagreeing with Stratton, it never made me dislike him. And when he passed, the loss I felt was not just the loss of a man I had always admired. It was the loss of a defender of art and a good sparring partner – no matter that it was one-sided sparring, through the TV. Disagreement done well is a gift. And no one more generously gave out that gift than David Stratton.

BY Joseph Earp
Joseph Earp is a poet, journalist and philosophy student. He is currently undertaking his PhD at the University of Sydney, studying the work of David Hume.
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That’s not me: How deepfakes threaten our autonomy

That’s not me: How deepfakes threaten our autonomy
Opinion + AnalysisScience + TechnologySociety + Culture
BY Daniel Finlay 19 AUG 2025
In early 2025, 60 female students from a Melbourne high school had fake, sexually explicit images of themselves shared around their school and community.
Less than a year prior, a teenage boy from another Melbourne high school created and spread fake nude photos of 50 female students and was let off with only a warning.
These fake photos are also known as deepfakes, a type of AI-augmented photo, video or audio that fabricates someone’s image. The harmful uses of this kind of technology are countless as the technology becomes more accessible and more convincing: porn without consent, financial loss through identity fraud, the harm to a political campaign or even democracy through political manipulation.
While these are significant harms, they also already exist without the aid of deepfakes. Deepfakes add something specific to the mix, something that isn’t necessarily being accounted for both in the reaction to and prevention of harm. This technology threatens our sense of autonomy and identity on a scale that’s difficult to match.
An existential threat
Autonomy is our ability to think and act authentically and in our best interests. Imagine a girl growing up with friends and family. As she gets older, she starts to wonder if she’s attracted to women as well as men, but she’s grown up in a very conservative family and around generally conservative people who aren’t approving of same-sex relations. The opinions of her family and friends have always surrounded her, so she’s developed conflicting beliefs and feelings, and her social environment is one where it’s difficult to find anyone to talk to about that conflict.
Many would say that in this situation, the girl’s autonomy is severely diminished because of her upbringing and social environment. She may have the freedom of choice, but her psychology has been shaped by so many external forces that it’s difficult to say she has a comprehensive ability to self-govern in a way that looks after her self-interests.
Deepfakes have the capacity to threaten our autonomy in a more direct way. They can discredit our own perceptions and experiences, making us question our memory and reality. If you’re confronted with a very convincing video of yourself doing something, it can be pretty hard to convince people it never happened – videos are often seen as undeniable evidence. And more frighteningly, it might be hard to convince yourself; maybe you just forgot…
Deepfakes make us fear losing control of who we are, how we’re perceived, what we’re understood to have said, done or felt.
Like a dog seeing itself in the mirror, we are not psychologically equipped to deal with them.
This is especially true when the deepfakes are pornographic, as is the case for the vast majority of deepfakes posted to the internet. Victims of these types of deepfakes are almost exclusively women and many have commented on the depth of the wrongness that’s felt when they’re confronted with these scenes:
“You feel so violated…I was sexually assaulted as a child, and it was the same feeling. Like, where you feel guilty, you feel dirty, you feel like, ‘what just happened?’ And it’s bizarre that it makes that resurface. I genuinely didn’t realise it would.”
Think of the way it feels to be misunderstood, to have your words or actions be completely misinterpreted, maybe having the exact opposite effect you intended. Now multiply that feeling by the possibility that the words and actions were never even your own, and yet are being comprehended as yours by everyone else. That is the helplessness that comes with losing our autonomy.
The courage to change the narrative
Legislation is often seen as the goal for major social issues, a goal that some relationships and sex education experts see as a major problem. The government is a slow beast. It was only in 2024 that the first ban on non-consensual visual deepfakes was enacted, and only in 2025 that this ban was extended to the creation, sharing or threatening of any sexually explicit deepfake material.
Advocates like Grace Tame have argued that outlawing the sharing of deepfake pornography isn’t enough: we need to outlaw the tools that create it. But these legal battles are complicated and slow. We need parallel education-focused campaigns to support the legal components.
One of the major underlying problems is a lack of respectful relationships and consent education. Almost 1 in 10 young people don’t think that deepfakes are harmful because they aren’t real and don’t cause physical harm. Perspective-taking skills are sorely needed. The ability to empathise, to fully put yourself in someone else’s shoes and make decisions based on respect for someone’s autonomy is the only thing that can stamp out the prevalence of disrespect and abuse.
On an individual level, making a change means speaking with our friends and family, people we trust or who trust us, about the negative effects of this technology to prevent misuse. That doesn’t mean a lecture, it means being genuinely curious about how the people you know use AI. And it means talking about why things are wrong.
We desperately need a culture, education and community change that puts empathy first. We need a social order that doesn’t just encourage but demands perspective taking, to undergird the slow reform of law. It can’t just be left to advocates to fight against the tide of unregulated technological abuse – we should all find the moral courage to play our role in shifting the dial.

BY Daniel Finlay
Daniel is a philosopher, writer and editor. He works at The Ethics Centre as Youth Engagement Coordinator, supporting and developing the futures of young Australians through exposure to ethics.
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The ethical honey trap of nostalgia

Marvel’s in trouble. The once box office-dominating brand has hit every branch on the way down as of late, from cancelled shows to thinning audiences. So, consider it a sign of the times that the folks behind the behemoth have attempted to enliven their cinematic futures not by looking forward, but instead casting their gaze way back.
The Fantastic Four, the third attempt to make the family of superheroes work on the big screen, jettisons the usual digital sheen of superhero properties in favour of old-fashioned nostalgia. Set in an alternate, 1950s-style world, the film’s visual style and production values have been heralded as a bold break from the norm – which is funny, given how deliberately re–trotted they are.
Not only has ‘50s fantasy been done before in, y’know, the ‘50s, but we’ve already had multiple recycles of that trend, from the glossy world of Mad Men to the screwball textures of films like Down With Love. Marvel’s “new” style is not just a throwback. It’s a throwback of a throwback.
The antidote to irony
The film’s not alone in that open nostalgia, either. James Gunn’s Superman reboot attempts to make the gung-ho, gee-wizz character work by similarly leaning into an old-school fantasy, where journalism is heralded as truth-telling, and unabashed optimism is the name of the day. Then there’s Lena Dunham’s new rom-com series Too Much, which offsets its decidedly modern story with near constant references to Jane Austen-inflected romance, openly lusting after a bygone world where manners ruled the day, and sincerity was the default response.

This sudden rush of nostalgia can be read, above everything else, as a society trying to shake itself free of cynicism and layers of irony. The 90s saw post-modern go mainstream, with every cinematic hero affecting a wise-cracking, subversive mode, and over the decade and a bit after, that irony only got more layered. Eventually, you end up with someone like Deadpool, who can’t take a breath without acknowledging that he’s a character in a movie.
It was the writer David Foster Wallace who saw where this was all going to take us, writing over 20 years ago that “irony and ridicule are entertaining and effective, and that, at the same time, they are agents of a great despair and stasis in US”. Irony reduces and destroys, and is inherently oppositional in nature – not just aesthetically, but ethically, leaving us paralysed by our own smartness and subversion, without any energy left over to actually do anything.
And our need to do something is only greater than ever – as the world gets darker and more dangerous, it makes sense that we would turn back to the forward thinking and action of the ‘50s. The Fantastic Four and Superman come from a time where heroes actually believed that the world was a good place, and fought to make it even better. Being nostalgic for them means being nostalgic for proactive ethical agents, who, rather than spending their time brooding and moaning, fought for something. In short, it means being nostalgic for hope.
Nostalgia’s trap
But if we seek to distance ourselves from the dangerous trap of irony, then we should be careful to not run too open-armed into nostalgia. Nostalgia, after all, is its own kind of trap. Rather than making something genuinely new – something that responds to the world as it actually is – nostalgia is inherently regressive.
Philosopher Mark Fisher wrote about exactly this, seeing nostalgia as part of the “slow cancellation of the future”; the eradication of possibility and free-thinking. No wonder that conservatives the world over, Donald Trump chief among them, have aggressively nostalgic worldviews: nostalgia, when used improperly, can be a form of ethical despair and stasis too.
The nostalgia trap is laid bare in another film released this year – Danny Boyle’s 28 Years Later. In the film, an isolated community trying to get by in a post-apocalyptic world, find their strength in visions of nostalgic Britain. In one montage, early in the film, two of our heroes making their way across a dangerous landscape are intercut with images of British soldiers at Agincourt, all scored to a Rudyard Kipling poem – Kipling being that hero of early British imperialism. The heroes in Boyle’s film try to survive and draw their strength from remembering how things used to be. And in turn, they end up trapped, locked into regressive and cruel worldviews that damage them.
That thesis is made shockingly clear in the last five minutes of the film, where the young hero (spoiler alert), finds himself saved by a roaming gang all made up of thugs dressed like disgraced pedophile Jimmy Savile. The young hero accepts them, open-armed. The kind of nostalgia that he has been raised on has no room for nuance. It’s essentially flattening, making a sort of caricature of England’s past.
In this way, Boyle criticises the nullifying effects of nostalgia: it casts the entire past as something to return to, without remembering its horrors and its shortcomings. If all we ever want to be is what we once were, then we will never truly change.
Nostalgia might be useful to energise us, but only if it’s used selectively and critically – if we aim to be better than what we once were, not merely the same.
As with so many things, we find our way forward through the mid-ground. Not just recreating the 50s, but taking what we want from it – the hope, the energy, the sense of optimism – and jettisoning what we don’t. The way to avoid the cancellation of the future, after all, is by believing that the future exists – that there’s still room, even now, to use the past to create something that has never occurred before.

BY Joseph Earp
Joseph Earp is a poet, journalist and philosophy student. He is currently undertaking his PhD at the University of Sydney, studying the work of David Hume.
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