Employee activism: Diverse team fist bumping over a wooden desk with laptops and phones, symbolizing business adapting quickly to change.

Employee activism is forcing business to adapt quickly

Employee activism

It was not that long ago that publicly disagreeing with your employer’s business strategy or staging a protest without the protection of a union, would have been a sackable offence.

But not today – if you are among the business “elite”.

Last year, 4,000 Google employees signed a letter of protest about an artificial intelligence project with the Department of Defense. Google agreed not to renew the contract. No-one was fired.

Also at Google, employees won concessions after 20,000 of them walked out protesting the company’s handling of sexual harassment cases. Everyone kept their jobs.

Consulting firms Deloitte and McKinsey & Company and Microsoft have come under pressure from employees to end their work with the US Department of Immigration and Customs Enforcement (ICE), because of concerns about the separation of children from their illegal immigrant parents.

Amazon workers demanded the company stop selling its Rekognition facial recognition software to law enforcement.

Examples like these show that collective action at work can still take place, despite the decline of unionism, if the employees are considered valuable enough and the employer cares about its social standing.

The power shift

Charles Wookey, CEO of not-for-profit organisation A Blueprint for Better Business says workers in these kinds of protests have “significant agency”.

“Coders and other technology specialists can demand high pay and have some power, as they hold skills in which the demand far outstrips the supply,” he told CEO Magazine.

Individual protesters and whistle-blowers, however, do not enjoy the same freedom to protest. Without a mass of colleagues behind them, they can face legal sanction or be fired for violating the company’s code of conduct – as was Google engineer James Damore when he wrote a memo criticising the company’s affirmative action policies in 2017.

Head of Society and Innovation at the World Economic Forum, Nicholas Davis, says technology has enabled employees to organise via message boards and email.

“These factors have empowered employee activism, organisation and, indeed, massive walkouts –not just around tech, by the way, but around gender and about rights and values in other areas,” he said at a forum for The Ethics Alliance in March.

Change coming from within

Davis, a former lawyer from Sydney, now based in Geneva, says even companies with stellar reputations in human rights, such as Salesforce, can face protests from within – in this case, also due to its work with ICE.

“There were protesters at [Salesforce annual conference] Dreamforce saying: ‘Guys, you’re providing your technology to customs and border control to separate kids from their parents?,” he said.

Staff engagement and transparency

Salesforce responded by creating Silicon Valley’s first-ever Office of Ethical and Humane Use of Technology as a vehicle to engage employees and stakeholders.

“I think the most important thing is to treat it as an opportunity for employee engagement,” says Davis, adding that listening to employee concerns is a large part of dealing with these clashes.

“Ninety per cent of the problem was not [what they were doing] so much as the lack of response to employee concerns,” he says. Employers should talk about why the company is doing the work in question and respond promptly.

“After 72 hours, people think you are not taking this seriously and they say ‘I can get another job, you know’, start tweeting, contact someone in the ABC, the story is out and then suddenly there is a different crisis conversation.”

Davis says it is difficult to have a conversation about corporate social activism in Australia, where business leaders say they are getting resistance from shareholders.

“There’s a lot more space to talk about, debate, and being politically engaged as a management and leadership team on these issues. And there is a wider variety of ability to invest and partner on these topics than I perceive in Australia,” says Davis, who is also an adjunct professor with Swinburne University’s Institute for Social Innovation.

“It’s not an issue of courage. I think it’s an issue with openness and demand and shifting culture in those markets. This is a hard conversation to have in Australia. It seems more structurally difficult,” he says.

“From where I stand, Australia has far greater fractures in terms of the distance between the public, private and civil society sectors than any other country I work in regularly. The levels of distrust here in this country are far higher than average globally, which makes for huge challenges if we are to have productive conversations across sectors.”

 

This article was originally written for The Ethics Alliance. Find out more about this corporate membership program. Already a member? Log in to the membership portal for more content and tools here.


Overhead shot of four rowers in a racing shell on dark water. Crew team rowing in sync, oars extended. Competitive rowing, water sports, teamwork, and athletic performance.

What ethics should athletes live by?

Overhead shot of four rowers in a racing shell on dark water. Crew team rowing in sync, oars extended. Competitive rowing, water sports, teamwork, and athletic performance.

Athletes are bound by multiple codes – including the formal rules of the games they play and the informal conventions that define what is deemed to be acceptable conduct.

Professional athletes are often bound by a more stringent code that governs many aspects of their public and private lives.  In an era of social media and phone cameras, lucrative sponsorships and media rights, online sports betting and performance enhancing drugs, there is very little that isn’t regulated, measured or scrutinised.

The culture of sport

The formal rules of any game establish the minimum standards that bind players and officials equally in order to ensure a fair contest. Not surprisingly, the formal rules are relative to the sports that they define: you can tackle someone to the ground in a rugby match (provided they’re holding the ball), but it would be deemed unacceptable in tennis.

But there are also conventions and informal obligations that define the culture of sport. For example, most sports establish informal boundaries that seek to capture a spirit of good sportsmanship.  The cricketer who refuses to “walk” after losing their wicket  – or who delivers a ball under-arm – may not be breaking any formal rule, but they’ll be offending the so-called spirit of cricket.

The sanctions for such an offence may be informal, but may blight that player’s career.

 

A question of trust

In sport, the bottom line is trust. Sportspeople are stewards for the games they play – with an obligation not to destroy the integrity of the sports in which they participate. Athletes tend to be intensely competitive, seeking victory for themselves, for their team or sometimes their nation.

Professional sports sell themselves to the public on the basis that the contests are real and, hopefully, fair. Every time two teams or competitors walk out onto the field of play, they place so much at stake – far more than just the result of one game.

That is why evidence of match fixing, doping or cheating is so destructive – it destroys public trust in the veracity of the competition that people pay to watch. It damages the reputation of the sport. And it is ultimately self-defeating – always leaving doubt in the dishonest victor’s mind, denying forever the satisfaction of a honest win.


Big Thinker: bell hooks

Big Thinker: bell hooks

Big Thinker: bell hooks

An outspoken professor, author, activist and cultural critic, bell hooks (1952-2021) drew attention to how feminism privileges white women’s struggles, while advocating for a more holistic way of understanding oppression.

Born Gloria Jean Watkins, bell hooks was a child who spoke back. Growing up in a segregated community of the south-central US state Kentucky, she fought against the ways in which her family and society sought to relegate her into a docile, black female identity. This refusal to be complicit in perpetuating her own oppression would define her life and career as a leader in black feminist thought.

It was when she first spoke back in public that she initially identified with her self-claimed moniker. An adult had dismissed her with a comparison to Bell Hooks, her maternal grandmother, in whose bold tongue and defiant attitude she found inspiration. She decapitalised the initials in order for others to focus on the substance of her ideas, rather than herself as a person.

hooks would become a prolific author and commentator. With notable titles including Talking Back, Ain’t I a Woman? and From Margin to Centre, her work scrutinises and challenges the ways in which media, culture and society uphold dominant oppressive structures. 

 

Interlocking oppressions

A popular version of second wave feminism posited that all systems of oppression stemmed from patriarchy. This, hooks rejected. Instead, she introduced the idea that different types of oppression are interlocking and power is relational depending upon where you’re located on the matrix of class, sex, race and gender – which is not unlike the ideas underpinning the currently popular intersectional feminism.

hooks invented the term ‘imperialist white supremacist capitalist patriarchy’ to emphasise the multidimensionality of these power relations. She continues to use it today.

At the time, hooks’ paradigm was considered radical in that it undermined the notion there was a fundamentally common female experience. Many assumed this was vital for feminist solidarity to be forged and political unity maintained. Sisterhood was more complicated than that, hooks said – and to deny the uniqueness of each woman’s status and circumstance was another form of oppression.

Bold and to the point

While coming from academia, hooks strives to make her ideas easily accessible to a broad audience. Her writing style is free of jargon and often humorous, and she regularly appears in documentaries, open venues and television talk shows.

hooks is also renowned for focusing a sharp critical lens on popular culture, showing a strong opposition to political correctness. She’s criticised Spike Lee’s films, media coverage of the OJ Simpson trial and the lauded basketball documentary Hoop Dreams.

She also hasn’t held back her thoughts on prominent feminists.

hooks criticised Madonna for repudiating feminist principles by chasing stardom, and fetishising black culture in her film clips and live shows while reinforcing stereotypes of black men as violent primitives in a 1996 interview.

Twenty years later, she called the pop queen of lady power Beyoncé an ‘anti-feminist terrorist’, citing concern over the influence sexualised images of her have on young girls.

hooks also expressed disappointment Michelle Obama positioned herself as the nation’s ‘chief mum’, saying that by effacing her identity as an Ivy League educated lawyer, she was appeasing white hatred.

Oppositional gaze

Laura Mulvey introduced the theory of the ‘male gaze’ in the ’70s. It explains how images – particularly Hollywood mainstream images – are created to reproduce dominant male heteronormative ways of looking. hooks, who was fascinated with film as the most ‘efficient’ ideological propaganda tool, coined an associated term on black spectatorship: the ‘oppositional gaze’.

Looking has always been a political act, hooks argued. For subordinates in relations of power, looks can be “confrontational, gestures of resistance” which challenge authority. Had a black slave looked directly at a white person of status, they risked severe punishment – even death. Yet “attempts to repress our/black people’s right to gaze had produced in us an overwhelming longing to look, a rebellious desire, an oppositional gaze,” writes hooks.

“By courageously looking, we defiantly declared: ‘Not only will I stare. I want my look to change reality.’”

Black spectatorship of early Hollywood cinema was processed through this oppositional gaze. It was abundantly clear to these viewers, hooks writes, that film reproduced white supremacy. They saw nothing of themselves reflected in this white-washed fantasy realm. Black independent cinema emerged as an expression of resistance.

At the same time, hooks saw television and film as a site where black viewers were able to subject white representations to an interrogative gaze. Carried out in the privacy of the home or in a darkened cinema, this action also carried no risk of reprisal. That black men could look at white female bodies without fear was hugely significant – it was only 1955 when 14-year-old African American Emmett Till was lynched after being accused of offending a white woman in a Mississippi grocery store.

But while black male spectators “could enter an imaginative space of phallocentric power,” the experience of the black female spectator was vastly different, hooks writes. In both white and black productions, the male gaze still overdetermined screen images of women, and frequently idolised white female stars as the supreme objects of desire.

This continued the “violent erasure of black womanhood” in screen culture, making identification with any of the depicted subjects disenabling. While this denied black women the typical joys of watching, the fact that they “looked from a location that disrupted” meant that they could become “enlightened witnesses” through critical spectatorship.

Modern feminism in crisis

Despite the advances of women in the workplace, hooks nonetheless sees today’s feminism in a state of crisis. Firstly, she believes that we still haven’t addressed egalitarianism in the home, leaving women belittled and frustrated in heteronormative relationships.

She also believes that feminism today has lost its radical potential, in that it has converged too closely with radical individualism. Feminism does not mean that as a woman “you can do whatever you want, that you can have it all”, she says. Instead, if you’re to live inside a feminist framework, you need to undertake specific everyday actions. For this reason, hooks believes there are very few true living feminists.

Still, she remains a firm advocate of feminist politics, saying “My militant commitment to feminism remains strong…”

…and the main reason is that feminism has been the contemporary social movement that has most embraced self-interrogation. When we, women of color, began to tell white women that females were not a homogenous group, that we had to face the reality of racial difference, many white women stepped up to the plate. I’m a feminist in solidarity with white women today for that reason, because I saw these women grow in their willingness to open their minds and change the whole direction of feminist thought, writing and action.

This continues to be one of the most remarkable, awesome aspects of the contemporary feminist movement. The left has not done this, radical black men have not done this, where someone comes in and says, “Look, what you’re pushing, the ideology, is all messed up. You’ve got to shift your perspective.” Feminism made that paradigm shift, though not without hostility, not without some women feeling we were forcing race on them. This change still amazes me.


Film Review: If Beale Street Could Talk

Film Review: If Beale Street Could Talk

James Baldwin was one of the great American writers of the twentieth century.

His elegant, articulate and keenly perceptive work bore witness to the hostile, day-to-day realities in which African Americans lived, and the psychological implications of racism for society as a whole.

His fifth novel, If Beale Street Could Talk, is no exception. Forty-four years after it was published, Moonlight director Barry Jenkins has adapted it for the screen.

 

A different type of love story

A hypnotic, visually sumptuous and intimate love story, Beale Street has little of the structure of a traditional romance. The film begins, for instance, with the generic arc of courtship already complete. We first see the two young protagonists – Tish Rivers and her boyfriend Alfonzo ‘Fonny’ Hunt – walking slowly together in a park, their affections clear and perfectly mirrored. Growing up as childhood friends in the Bronx, there was never a time they did not love each other.

The story instead bears testimony to the resilience of love, and the strength it endows those who have faith in it. Here, we witness its many forms arrayed against a vast, malicious and coldly impersonal system which is rigged to destroy black lives and fracture the most precious of bonds.

Barely a minute into screen time, the plot throws Fonny (Stephan James) behind a glass wall. He’s in jail after being accused of rape. To his accuser and certainly the police, his innocence is irrelevant. As a black man, his identity in the white cultural imagination is as a violent savage – he was always-already condemned, regardless of his actions. It is through this transparent barrier that Tish (KiKi Layne) tells him that she is carrying his child.

When the past and present merge

Following this revelation, the story diverges in two interweaving streams of past and present. One, filled with hope and secret joys, sees the young couple come to understand each other as man and woman, while nursing dreams of a future together. In the second narrative, hope is not a simple impulse but an inviolable duty, as their baby swells in Tish’s womb, Fonny’s case stagnates and despair threatens. Each scene is freighted with the viewer’s knowledge that the lovers’ destiny is not their own.

Tish’s tale

This second narrative is also very much Tish’s story, and shifts its focus to a different kind of love. Beale Street is most affecting in its portrait of the Rivers family, who support Tish wholly and will do whatever they must to fight for her and the new life within her. Regina King won a Golden Globe for her portrayal of Tish’s mother Sharon, who embodies a fierce, calm and indominable maternal courage. Her father Joseph (played with a rich, growling warmth by Colman Domingo) and older sister Ernestine (Teyonah Parris) readily take on the role of advocate and defender.

Their unity has its foil in Fonny’s family, the Hunts, who refuse to partake in any struggle they did not ask for. Headed by a spiteful and Godfearing mother, who curses her unborn grandchild and rationalises prison as a place in which Fonny can find the Lord, theirs is a pride born of self-serving weakness. The Rivers’ contrasting pride is one born of unassailable dignity and a determination to act, in spite of the odds arrayed against them.

“What do you think is going to happen?” asks Mr Hunt when Joseph lays out a plan for them to steal from their workplaces to help their children.

“What we make happen.”

“Easy to say,” Hunt protests.

“Not if you mean it,” Joseph levelly responds.

Emotional explotation

Through these characters, Beale Street puts forward the case for love as the single most steadfast bastion against the dehumanising machine of systemic oppression. Those characters without this vital force are vulnerable to emotional exploitation – betraying family and friends to protect themselves. Hunt’s mother sacrifices her son rather than align herself with his fate.

Fonny’s old friend Daniel also deserts him when his words could have saved him, his integrity broken by the terror of returning to a prison that broke him. And Fonny’s accuser is so traumatised, she is locked in a prison of her own pain, insensible and insensitive the suffering of others.

None of these individuals are free. Living in a constant wash of fear without refuge or reprieve has deprived them of their integrity, transforming them into actively complicit agents in the perpetuation of a racist structure. This, Baldwin’s story reveals, is perhaps the most wretched and insidiously effective mechanism of tyranny.

Racial tensions

Daniel is sure that white man is the devil. But Beale Street itself doesn’t espouse this view. At crucial junctures, white allies take risks to intercede against social, economic, police and court racial injustice. A Jewish real estate agent grants the lovers a path to an affordable home. An old storekeeper stands up to a reptilian policeman. And Fonny’s lawyer is a ‘white boy just out of college’.

At two hours, the film is languid and poetic, with gorgeous cinematography by James Laxton. The deliberate slow pacing and the use of frequent close-ups demands of the viewer they recognise the central (and very beautiful) characters as subjects. In a culture which frequently effaces black bodies, fetishises them, or arbitrarily fashions them into villains, these images are quietly radical. The film plays out between the steady gaze of the two lovers, and plays within the gaze of an audience that can’t look away.

Quietly significant too, is the film’s inclusion of moments which are superfluous to the plot, but vital to the immersive legacy of Beale Street. One, impossible to forget: Tish’s parents swaying before a jazz record in the family loungeroom, holding each other close, smiling in the new knowledge of themselves as grandparents to be.

Final thoughts

Opening in Australia on Valentine’s Day, Jenkins’ film is a tender dream of two lovers trapped in a too-real nightmare. It is not difficult to remember that this nightmare still torments the freedoms of racial minorities in America, ‘the land of the free’, and other nations too – whether they characterise themselves as progressive democracies or not.


Black and white image of three children running in a field. Adoption without parental consent: are we putting children first?

Adoption without parental consent: kidnapping or putting children first?

Adoption without parental consent

Adoption without parental consent: kidnapping or putting children first?

Australia’s two biggest states are moving in opposite directions when it comes to adoption. While New South Wales is accused of tearing families apart, is Victoria right to deny children a voice?

A new stolen generation is coming to you soon.

Or so you would think if you read the reaction to recent NSW reforms aimed at making adoption easier.

NSW Parliament has passed new laws placing a two year time limit on a child staying in foster care. After this time, the state can pursue adoption if a child can’t safely return home, even if birth parents don’t agree.

Critical articles across media raised the spectre of another stolen generation.

An open letter signed by 60 community groups said the NSW Government was “on a dangerous path to ruining lives and tearing families apart”. Indigenous writer Nayuka Gorrie tweeted, “Adoption without parental consent is kidnapping”.

But should a parent really have the right to block the adoption of the child they neglected?

Laws prohibit journalists from identifying people involved in child protection cases so media coverage rarely includes the views of children, even after they turn 18. The laws exist to protect vulnerable minors, but such voices could add some balance to the debate and explain why NSW is ahead in putting children first.

Foster care crisis

Out-of-home care adoption – where legal parenting rights are transferred from birth parents to foster parents – is extremely rare in Australia. Last year, there were 147 children foster care adoptions. That’s a tiny fraction of the 47,000 Australian children living in out-of-home care.

Previously, kids could be placed in state care simply because they were born to a single mother or an Aboriginal woman.

These days, child protection workers only remove children if their lives are in danger due to repeated abuse or neglect.

While foster care is supposed to be a temporary arrangement, children on average spend 12 years in care, often bouncing from one temporary home to another.

It’s no surprise more than a third of foster children end up homeless soon after leaving care.

 

Permanent care instead of adoption 

While NSW is trying to make adoption easier, Victoria is not. None of the more than 10,000 children in Victorian state care were adopted last year.

Victorian children who can’t return home are placed in ‘permanent care’, where they remain a ward of the state but are housed by the same foster carers until age 18.

Paul McDonald, CEO of Anglicare Victoria, describes permanent care as a “win-win-win” for children, birth parents and foster carers. He argues it provides stability for children without changing their legal status “so dramatically”.

Ignoring children’s voices

Former AFL player Brad Murphy, who grew up in Victorian permanent care, begs to differ. “From a child’s perspective, you don’t always feel secure in permanent care,” he said. “I longed for adoption. I wanted to belong to my foster parents, I wanted the same surname.”

Victoria didn’t allow him to be adopted by his loving foster carers because his birth father wouldn’t provide consent.

Murphy believes the Victoria Government should give children a say. “When I was 3 years old, I was calling my foster carer ‘Mum’, as I do now at age 33. I always knew what I wanted”.

The other problem with denying children an adoption choice is they continue to belong to the state. “Government were making all the decisions in my life. And like everything with government, it’s never done quickly,” Murphy said.

He often missed out on school camps and excursions because bureaucrats didn’t sign off permission.

Brad was placed in foster care at 16 months of age. Soon after, his mother ‘did a runner’ to Western Australia. His father was in jail for most of his childhood.

“I was never going back to my birth parents. If birth parents don’t make any effort to change their ways, why should the child suffer any longer?”

Case for reform

There are other parents, though, who want to change their ways but support is scarce. Housing, counselling and rehab facilities across Australia are lacking for low income families.

Some argue we should devote more resources toward keeping vulnerable families together, rather than promoting adoption reform.

There is no reason why we can’t do both. Help families where change is possible, but give children a choice when it’s not.

Though separating children from birth parents can prove traumatic, so is constant abuse. Some kids are terrified of their parents and want stability and the feeling of belonging with their new family.

In NSW, caseworkers must ask children what they want, if they’re old enough to understand. Prospective adoptive parents must educate kids about their history and culture. Birth parents can remain connected to children when it’s safe and in the child’s interests.

Overseas studies show adopted children have better life outcomes than those who remain in long term foster care.

Adoption won’t work for everyone, but it could benefit many kids.

Those criticising NSW reforms should also ask the Victorian government why it continues to deny children the basic human right to be heard.

Are you facing an ethical dilemma? We can help make things easier. Our Ethi-call service is a free national helpline available to everyone. Operating for over 25 years, and delivered by highly trained counsellors, Ethi-call is the only service of its kind in the world. Book your appointment here

Oliver Jacques is a freelance journalist and writer.


5 Movies that creepily foretold today’s greatest ethical dilemmas

5 Movies that creepily foretold today’s greatest ethical dilemmas

5 Movies that creepily foretold today’s greatest ethical dilemmas

Climate change. Nuclear war. Artificial intelligence. A new pandemic.

According to the non-profit organisation 80,000 Hours, these are the greatest threats to humanity today. Yet the big movie studios have been calling it for decades and were pondering the ethics behind these threats long ago.

1. Planet of the Apes (1968)

 

Seeing Charlie Heston scream in despair at a shattered Statue of Liberty still spooks the most apathetic viewer. And it’s as shocking a warning against nuclear weapons now as it was in the middle of the Cold War 50 years ago.

In Planet of the Apes, humans are being hunted. The primates they once experimented on have grown into intelligent, complex, political creatures. Humanity has regressed into primitive vermin to either be killed outright, enslaved, or used in scientific experiments. The strict ape hierarchy demands utility over compassion, holding a mirror up to the same vices that led humanity to destruction.

—————

2. 2001: A Space Odyssey (1968)

 

When a survey of living computer science researchers shows half think there’s a greater than 50 percent chance of “high-level machine intelligence” – one that reaches then exceeds human capabilities – it’s right to be concerned.

2001: A Space Odyssey begins with a jaunty trip to Jupiter. An optimistic team is led aboard by HAL 9000, the ship’s computer, but begin to suspect there’s more to the trip than they’ve been told.

After all, there are two sides to the utilitarian coin. What is murder to us is just programming to a robot.

—————

3. The Matrix (1999)

 

If reality is a simulation by super intelligent sentient machines, what does any self-respecting hacker do? Start a rebellion.

The Matrix goes even further than 2001: A Space Odyssey. Here, the machines are Descartes’ evil demon, unsatisfied with just killing us. Instead, they mine us for energy to survive, and keep us subservient on a diet of virtual reality. A world of love, work, boring parties, and paying bills occupy us while they use us as slaves.

The point of tension in The Matrix centres around the theory of Plato’s Cave. If you know what everyone is experiencing is an illusion, should you tell them?

—————

4. 28 Days Later (2002)

 

28 Days Later paints a bleak picture of a world unprepared to deal with the effects of an aggressive pandemic. And it’s not as unbelievable as it may seem. According to 80,000 Hours, the money invested into pandemic research isn’t nearly as much as we need.

From HIV-AIDS, Ebola, and Zika, we’ve seen countries drag their feet over who pays to contain one, or struggle to move people and supplies to where they’re needed.

“When you’re in the middle of a crisis and you have to ask for money”, says Dr. Beth Cameron at the Nuclear Threat Initiative, “you’re already too late”.

—————

5. Children of Men (2006)

 

What is arguably more important than any of these things is hope. And that’s what our last movie recommendation is about.

After two decades of unexplained female infertility, war, and anarchy, human civilisation is on the brink of collapse. Civil servant Theo Faron has lost all hope as the last generation of his species. Then he meets Kee – an illegal immigrant and the first woman to be pregnant in eighteen years.

The hope for a better future, for a future that is more just and more compassionate, adds intangible meaning to our struggles today. It becomes reasonable to struggle, to suffer, and even to die for this kind of hope.

What makes the hope of today different is that we are now closer to “hypotheticals” than we have ever been.

Are we prepared to turn this hope into action? Effective altruism offers one way to find out.


Silhouette of a person looking at a colorful sunset sky. Existentialism concept, ethics explainer.

Ethics Explainer: Existentialism

Existentialism: Silhouette of a person gazing at the night sky with a crescent moon. Ethics and philosophy concept.

If you’ve ever pondered the meaning of existence or questioned your purpose in life, you’ve partaken in existentialist philosophy.

It would be hard to find someone who hasn’t asked themselves the big questions. What is the meaning of life? What is my purpose? Why do I exist? For thousands of years, these questions were happily answered by the belief your purpose in life was assigned prior to your creation. The existentialists, however, disagreed.

 

Existentialism is the philosophical belief we are each responsible for creating purpose or meaning in our own lives. Our individual purpose and meaning is not given to us by Gods, governments, teachers or other authorities.

In order to fully understand the thinking that underpins existentialism, we must first explore the idea it contradicts – essentialism.

Essentialism

Essentialism was founded by the Greek philosopher Aristotle who posited everything had an essence, including us. An essence is “a certain set of core properties that are necessary, or essential for a thing to be what it is”. A book’s essence, for example, is its pages. It could have pictures or words or be blank, be paperback or hardcover, tell a fictional story or provide factual information. Without pages though, it would cease to be a book. Aristotle claimed essence was created prior to existence. For people, this means we’re born with a predetermined purpose.

This idea seems to imply, whether you’re aware of it or not, that your purpose in life has been determined prior to your birth. And as you live your life, the decisions you make on a daily basis are contributing to your ultimate purpose, whatever that happens to be.

This was an immensely popular belief for thousands of years and gave considerable weight to religious thought that placed emphasis on an omnipotent God who created each being with a predetermined plan in mind.

If you agreed with this thinking, then you really didn’t have to challenge the meaning of life or search for your purpose. Your God already provided it for you.

Existence precedes essence

While philosophers including Søren Kierkegaard, Fyodor Dostoyevsky and Friedrich Nietzsche questioned essentialism in the 19th century, existentialism was popularised by Jean-Paul Sartre in the mid-20th century following the horrific events of World War II.

As people questioned how something as catastrophically terrible as the Holocaust could have a predetermined purpose, existentialism provided a possible answer that perhaps it is the individual who determines their essence, not an omnipotent being.

The existentialist movement asked, “What if we exist first?”

At the time it was a revolutionary thought. You were created as a blank slate, tabula rasa, and it is up to you to discover your life’s purpose or meaning.

While not necessarily atheist, existentialists believe there is no divine intervention, fate or outside forces actively pushing you in particular directions. Every decision you make is yours. You create your own purpose through your actions.

The burden of too much freedom

This personal responsibility to shape your own life’s meaning carries significant anxiety-inducing weight. Many of us experience the so-called existential crisis where we find ourselves questioning our choices, career, relationships and the point of it all. We have so many options. How do we pick the right ones to create a meaningful and fulfilling life?

“Man is condemned to be free; because once thrown into the world, he is responsible for everything he does” – John-Paul Sartre

Freedom is usually presented positively but Sartre posed that your level of freedom is so great it’s “painful”. To fully comprehend your freedom, you have to accept that only you are responsible for creating or failing to create your personal purpose. Without rules or order to guide you, you have so much choice that freedom is overwhelming.

The absurd

Life can be silly. But this isn’t quite what existentialists mean when they talk about the absurd. They define absurdity as the search for answers in an answerless world. It’s the idea of being born into a meaningless place that then requires you to make meaning.

The absurd posits there is no one truth, no inherent rules or guidelines. This means you have to develop your own moral code to live by. Sartre cautioned looking to authority for guidance and answers because no one has them and there is no one truth.

Living authentically and bad faith

Coined by Sartre, the phrase “living authentically” means to live with the understanding of your responsibility to control your freedom despite the absurd. Any purpose or meaning in your life is created by you.

If you choose to live by someone else’s rules, be that anywhere between religion and the wishes of your parents, then you are refusing to accept the absurd. Sartre named this refusal “bad faith”, as you are choosing to live by someone else’s definition of meaning and purpose – not your own.

So, what’s the meaning of life?

If you’re now thinking like an existentialist, then the answer to this question is both elementary and infinitely complex. You have the answer, you just have to own it.


Gift giving: Hands holding a wrapped gift with candy cane design and red string. Is it ethical to splash cash on gifts?

Is it ethical to splash lots of cash on gifts?

Gift giving: Hands holding a wrapped gift with candy cane design and red string. Is it ethical to splash cash on gifts?

Whether you’re a tearer, a folder, a scruncher, or a chucker, there’s nothing like opening a wrapped gift that’s especially suited to you.

Amid the hugs and backslaps it’s hard to say who it’s more satisfying for – the giver or the receiver.

But when little Millie gets the new PlayStation while Amir’s staring at his plastic water gun, the thin film of politeness peels away. We don’t just wonder why we have the gifts we do. We wonder how much they cost.

This holiday season, we’re exploring the ethical dimensions of splurging on gifts. Are there unspoken rules for those with deeper pockets? Is it killing the spirit of generosity to peer at the price tag? Or is keeping mum about money letting us pretend we don’t owe things to each other all the time?

Christmas conundrums? Book a free appointment with Ethi-call. A non-partisan, highly trained professional will help you navigate any ethical minefields this holiday season.

There are so many different kinds of purposes tied to gift giving on Christmas, or any large celebration. We like to think of these sorts of gifts as intrinsically good, making them different from bribes given for personal gain.

For some, gifts are an informal way to foster love and support in mutual relationships. They encourage closeness and dependencies between social circles to reveal links our individualism tends to hide.

They’re known to shape our moral character and encourage selfless generosity, even to remove feelings of emotional debt that have accumulated throughout the year. Though we speak of gifts as just ways to “show love and appreciation”, our reasons are often more layered than that.

This doesn’t have to be self-indulgent navel-gazing. Examining the purpose of a gift matters because it encourages us to consider if that special, one-of-a-kind purchase is the only way to fulfil it. What duties or consequences should you consider before making that jump?

 

The duties of gifting

If you are feeling the end of year pinch, you have a duty to yourself to make sure the gift giving season doesn’t put you into financial strife. But if that conflicts with the duty to be fair to your friends and family, ask yourself what matters more. After all, gifts are often an exchange, and appreciating someone’s thoughtfulness can come with offering a similarly tasteful gift of your own.

If the gift is for a friend or peer, we might worry about setting an expectation or precedent we can’t fulfil. If it’s for someone who would struggle to fork out a similar amount of money for a gift, would this leave them feeling uncomfortably tied to you? And if you want to spread the holiday cheer, this leaves your pool of lucky recipients fairly limited.

Nor can the growing consciousness around our impact on the environment be ignored. Are these gifts worth the cost to landfills, unethical supply chains, and our collective duty to preserve the health of the land we live on?

But let’s not dwell on the negative. There are heaps of positive consequences too. Don’t forget the good that comes from making the people around you feel extra special and appreciated. If you struggle with miserliness, or excessive penny pinching, this could be a win-win way to encourage generosity in you, and make someone else very happy. It’s always worth thinking of how your actions reflect your character.

When all is said and done, the holidays are a time to rest. The softening pleasures of food, drink, company and play don’t have to get in the way of a well examined life. In fact, slowing down our frenetic, demanding lives to allow time to recuperate may be just what we need most: the modest admission that we cannot do everything perfectly. Good enough is good enough.

That’s the spirit!


What is the biggest challenge for today’s Jewish community?

The historical struggle at the heart of Hanukkah

What is the biggest challenge for today’s Jewish community?

Before there were candles and doughnuts, there was a Greek king and some very pissed off Jews.

Right now, Jews all around the world are observing Hanukkah. It began on the 2nd of December and will last until the 10th.

Even though it’s nicknamed “The Festival of Lights” for its distinctive candles, Hanukkah is also a nod to military rebellion. Here’s how the story goes.

It’s the second century BCE. The Greek Selucid Empire is in power and Antiochus, the king, wants the Jewish community to finally abandon their traditions and fully embrace wider Greek culture.

Some Jews had already assimilated. But for Antiochus to have total control over the empire, the pocket of devout ones need to as well. Since they’re not giving up without a fight, he decides imperial force is necessary.

Antiochus vandalises their most sacred temple and bans Jews from praying or performing ritual sacrifice there. An altar to Zeus is propped up, pigs are sacrificed on it, Sabbath is forbidden and circumcision is banned. Dissenters are killed. Judaism is outlawed by the state.

Predictably, there is large scale revolt. The Maccabees, a Jewish warrior family, violently seize the temple back. Once they and their allies purify it to their standards and replace the pagan icons with their own, they finally light the menorah, the sacred lampstand in the temple.

There’s only just enough oil to light the candles for one day. But according to legend, these candles miraculously stayed lit for eight entire days, marking them as a victorious time of “joy and honour”.

This is why on Hanukkah, Jews traditionally eat festive foods fried in oil and light their own lamps. Each day, they eat potato fritters called latkes and jelly doughnuts called soufjanyiot, sing special songs, play dreidel games and recite prayers. People give presents and money, and kids get chocolate coins. It’s an eight-day feast of leisure.

But it wasn’t always like that. Some rabbis have understandably been uncomfortable with Hanukkah’s military undertones. Others have pointed out that celebrating the conflict between Jewish secularism and fundamentalism is a little odd.

But with the advent of Zionism and the state of Israel, Hanukkah has taken on new life. From a minor holiday that emphasised the miracle of the oil, Hanukkah today is seen as a symbol of resistance against injustice and oppression.

It’s now been nearly eight decades since the Holocaust. There is a menorah in Midtown Manhattan dedicated to the victims of the Pittsburgh synagogue mass shooting. There is another in front of Brandenburg Gate where the Nazi flags once hung.

Amid rising concern over anti-Semitism, illiberalism in Israel, and contradictions of ‘Jewish Christmas’, maybe it’s the historical struggle at the heart of Hanukkah that is the most Jewish thing of all.


Abstract view of yellow cube houses. Ethics Explainer: Hope concept. Modern architecture with geometric shapes and windows.

Ethics Explainer: Hope

Abstract architecture of Cube Houses in Rotterdam, Netherlands. Yellow & gray buildings form geometric shapes against a bright sky. Ethics Explainer: Hope.

We hope for fine weather on weekends and the best for our buddies – an obvious statement that hardly screams ethics.

But within our everyday desires for good things, lies a duty to each other and ourselves to only act on reasonably held hopes.

The ethics of hope

One of Immanuel Kant’s simple but resonant maxims is ‘ought implies can’. In other words, if you believe someone has an ethical responsibility to do something, it must be possible. No person is under any obligation to do what is impossible. You might call me a bad person for failing to fly through the sky and save someone falling from a great height. But your condemnation will be rejected as ill-founded for the simple reason only fictional characters can perform that feat.

Many other things – including extremely difficult things – are reasonably expected of others. A person might promise to climb Mount Everest (or at least make a serious attempt) prior to their 50thbirthday. This might present the greatest challenge imaginable. Yet we know scaling the heights of Everest is possible. As such, the person who made this promise is bound to honour their commitment.

Of course, at the time of making such a promise, no person can know with absolute certainty they will be able to meet the obligation they have taken on. There are just too many variables outside of their control that can frustrate their best laid plans. Weather conditions might lead to the closure of the mountain. The need to provide personal care to a loved one could extend well beyond any anticipated period. Given this, our ethical commitments are almost always tinged with a measure of hope.

What is hope?

Hope is an expectation that some desirable circumstance will arise. Hope sometimes blends into something closer to ‘faith’ – where belief about a state of affairs cannot be proven. However, for most people, most of the time, ‘hope’ is a reasonable expectation.

For example, if a person makes commitments that critically depend on other people keeping their promises, that person cannot know for certain they can honour their word. Yet, if these people are known and trusted, perhaps based on past experience, then a hopeful dependence on their performance would be reasonable.

The same can be said of other commitments, such as promising to meet for a picnic on a particular day. You might make the plan in the hopeful expectation of fine weather and do so with good grounds based on a checked forecast predicting clear skies.

There are two things to be noted here. First, some aspects of hope depend (for their reasonableness) on the ethical commitments of other people (for example, to keep promises). It follows there will often be a reciprocal ethical aspect to the practice of ‘reasonable’ hoping.

Second, it’s not enough to be naively hopeful. Instead, one needs to take reasonable efforts to ensure there is some basis for relying on a hoped-for circumstance. This is especially so if the hoped-for circumstance is of critical importance to matters of grave ethical significance – such as making a promise to someone.

Given this, there may be good grounds to calibrate commitments in line with the degree to which you might reasonably hope for a particular circumstance to prevail. For example, rather than making an open commitment to meet for a particular picnic on a particular day it might be better to qualify the point by saying, “I promise to meet you if the weather is fine”.

 ‘It’s not enough to be naively hopeful.’

We often see the absence of this kind of forethought when it comes to the promises made by politicians during elections. They will make promises – probably based on hopeful projections about the future – only to find themselves accused of lying or having acted in bad faith when the promise is not honoured.

It’s insufficient for the politician to say they merely ‘hoped’ to be able to keep their word and that they now find their situation to be unexpectedly different. It would have been far better and far more responsible to qualify the promise in line with what might explicitly and reasonably be hoped for.

Two final comments. First, it should be understood a person often has some control over whether or not their hopes can be realised. As such, each person is responsible for those of their actions that impinge on the way they meet their obligations – we are not simply ‘bystanders’ who can idly hope for certain outcomes without lifting a finger to make them manifest.

Second, given our inability to know what the future holds, hope always plays a role in the process of making ethical commitments. The key thing is to be reasonable in what we hope for and to calibrate our commitments accordingly.