In the face of such generosity, how can racism still exist?

Is there any polite or moderate way to condemn racism? I think not. Nor should there be. As the world has witnessed, on countless occasions, racism kills. It does so for the worst of all possible reasons – by denying the equal humanity of some people simply because of the colour of their skin.

The evil caused by racism is not ‘theoretical’. We do not need to speculate about the horrors that it has unleashed. We have only to listen to the evidence of the enslaved, the dispossessed and the murdered to know what follows when one group of people is thought to be ‘less fully human’ than another.

Some people are upset by the words ‘Black Lives Matter’. They assert an alternative proposition that, ‘All Lives Matter’. Well, of course they do. But that has never been denied by the BLM movement. BLM does not claim that only black lives matter. They do not say that black lives matter more than any other.

They simply state that black lives also matter – in a way that racism denies. And they are right. They might also ask, ‘where were the people chanting ‘All Lives Matter’ when the ‘original sin’ of racism was being visited on the world?’. Why has the ‘All Lives Matter’ brigade only found its voice now that the spotlight has been turned on the oppressors by the oppressed?

I come from a privileged background. So, I can barely imagine what it must be like to be on the wrong end of the racist scourge. I can only guess at my reaction – probably a burning rage at the sheer injustice of my treatment. Like the Rev’d. Dr. Martin Luther King Jr – I would demand to be judged for the quality of my character rather than the colour of my skin. Denied that right, I would let loose my rage on an unjust world and those who represent the system that denied me the most basic form of dignity.

So, it eclipses all understanding to find that, in my experience, the vast majority of Indigenous Australians who have experienced racism are, in fact, amongst the most generous and accepting of people. Yes, there are angry firebrands. However, rather than replicate the wrongs they have suffered or become like those who have denied their humanity, most of those affected choose to repudiate racism by accepting others for who they are and not how they seem.

I speak of this from direct experience. A few days after my seventeenth birthday, I arrived on Groote Eylandt – the home of the Anindilyakwa people of East Arnhem Land and the Gulf of Carpentaria. This was the mid-1970s and the racism directed towards the local mob was common, open and shameless. I doubt that those involved would consider themselves as deliberately being racist. If anything, their racism was almost ‘casual’ in character – a product of ignorance, prejudice and ingrained habits of mind.

It’s hard to explain exactly how and why my experience was so different – perhaps it was my young age or a lucky accident … I really do not know. Whatever the reasons, a few of the Aboriginal men took me under their wing. Friendships developed and eventually I was given a skin name and inducted into a network of kinship ties that I value to this day. The point is that if you were to meet me ‘in the flesh’ you would simply see a middle-aged, white male. As far as I know, I have no genetic ties to the people of Groote. Yet, their acceptance of me has been complete and unconditional.

I have often questioned my experience – wondering if I might have invented a narrative to match an idealized version of myself. However, improbable as it might seem, the connections are real. I will never forget spending an evening with two members of the Amagula Clan (a brother and sister) who explained their kinship connection to me (I carry a Lalara name). Eventually, they simply placed their hands over my heart – to tell me that the colour of my skin, my ‘outward form’, did not matter. That this is not what they saw when they looked at me … but something altogether different. Both are dead – dying far earlier than would have been the case if Australia had been settled on more just terms.

My experience is not unique. Indeed, I believe that our First Nations people are willing to embrace anyone who cares to be open to their doing so. All that is asked is that there be a recognition of simple truths about our relationship to each other and to all that belongs to and is part of the country of which we form equal parts.

In the face of such generosity of spirit – how can we possibly allow racism to persist?

IMAGE CREDIT: The image displayed in this article is a painting by Alfred Lalara (deceased), a talented Groote Eylandt artist. The title is Angurugu River.

You can contact The Ethics Centre about any of the issues discussed in this article. We offer free counselling for individuals via Ethi-callprofessional fee-for-service consulting, leadership and development services; and as a non-profit charity we rely heavily on donations to continue our work, which can be made via our websiteThank you.


The ethics of tearing down monuments

In the UK and US and other nations around the world, public monuments dedicated to people who have profited from or perpetuated slavery and racism are being torn down by demonstrators and public authorities who sympathise with the justice of their cause.

Statues of Christopher Columbus, Edward Colston, King Leopold II and Confederate Gen. Robert E. Lee are amongst those toppled in protest.

What are we to make of these acts?  In particular, who should decide the fate of such monuments – and according to what criteria?

By their very nature, statues are intended to honour those they depict. They elevate both the likeness and the reputation of their subject – conferring a kind of immortality denied to those of us who simply fade away in both form and memory.

So, the decision to raise a statue in a public place is a serious matter. The choice reveals much about the ethical sensibilities of those who commission the work. Such a work is a public declaration that a particular person, through their character and deeds, is deserving of public commemoration.

There are six criteria that should be used to evaluate the public standing of a particular life. These can be applied at the time of commissioning a monument or retrospectively when determining if such a commemoration is justified.

  1. They must not be associated with any gateway acts

Are there aspects of the person’s conduct that are so heinous as to rule them out, irrespective of any other achievement that might merit celebration? For example, one would not honour a genocidal mass murderer, even if the rest of their life was marked by the most profoundly positive achievements. There are some deeds that are so wrong as to be beyond rectification.

  1. Their achievements must be exceptionally noteworthy

Did they significantly exceed the achievements of others in relevantly similar circumstances? For example, we should note that most statues recognise the achievements of people who were born into conditions of relative privilege. The outstanding achievements of the marginalised and oppressed are, for the most part, barely noticed, let alone celebrated.

  1. Their work must have served the public good

Did the person pursue ends that were noble and directed to the public good? For example, was the person driven by greed and a desire for personal enrichment – but just happened to increase the common good along the way? 

  1. The means by which they achieved their work must be ethical

Were the means employed by the person ethically acceptable? For example, did the person benefit some by denying the intrinsic dignity of others (through enslavement, etc)?

  1. They must be the principal driver of the outcomes associated with their deeds

    Is the person responsible for the good and evil that flowed from their deeds? Are they a principal driver of change? Or have others taken their ideas and work and used them for good or ill? It is important that we neither praise nor blame people for outcomes that they would never have intended but were the inadvertent product of their work. In those cases, we should not gloss over the truth of what happened. But if they otherwise deserve to be honoured for their achievements, then these should not be deemed ‘tainted’ by the deeds of others.

  2. The monument must contribute positively to the public commons

    Would the creation of the monument be a positive contribution to the public commons, or is it likely to become a site of unproductive strife and dissension? In considering this, does the statue perform a role beyond celebrating a particular person and their life? Is it emblematic of some deeper truth in history that should be acknowledged and debated? Not every public monument should be a source of joy and consensus. Some play a useful role if they prompt debate and even remorse.

It will be noted that five of the six criteria relate to the life of the individual who is commemorated. Only the sixth criterion looks beyond the person to the wider good of society. However, this is an important consideration given that we are thinking, here, specifically about statues displayed in public places.

The retrospective application of this criteria is precisely what is happening ‘on the streets’ at the moment. The trouble is that the popular response is often more visceral than considered – and this sparks deeper concerns amongst citizens who are ready to embrace change … but only if it is principled and orderly.

Of course, asking frustrated and angry people to be ‘principled and orderly’ in their response to oppression is unlikely to produce a positive response. That’s why I think it important for civic authorities to take responsibility for addressing such questions, and to do so proactively.

This was recently demonstrated by the Borough of Tower Hamlets that removed the statue of slave owner Robert Milligan from its plinth at West India Quay in London’s Docklands. As the Mayor of London, Sadiq Khan, noted: “it’s a sad truth that much of our wealth was derived from the slave trade – but this does not have to be celebrated in our public spaces”.

What does all of this mean for Australia? There will be considerable debate about what statues should be removed. I will leave it to others to apply the criteria outlined above. However, the issue is not just about the statues we take down.

What of those we fail to erect? Who have we failed to honour? For example, have we missed an opportunity to recognise people like Aboriginal warrior Pemulwuy whose resistance to European occupation was every bit as heroic as that of the British Queen Boudica. Two warrior-leaders – the latter celebrated; the other not. The absence is eloquent.

You can contact The Ethics Centre about any of the issues discussed in this article. We offer free counselling for individuals via Ethi-callprofessional fee-for-service consulting, leadership and development services; and as a non-profit charity we rely heavily on donations to continue our work, which can be made via our website. Thank you.


A new guide for SME's to connect with purpose

Purpose, values and principles are the bedrock of every thriving organisation. With many facing a reset right now, we’ve released a guide to help small to medium sized businesses create a road map for good decisions and robust culture.

In the world of architecture, even the most magnificent building is only as strong as its foundations. The same can be said for organisations. In these times of constant change, a strong ethical culture is essential to achieving superior, long-term performance – driving behaviour, innovation, and every decision from hiring, through to partnerships and customer service.

The foundations for a high-performance culture are made up of three principal components: Purpose, Values and Principles.

Each is necessary. Each plays a specific role. Each complements the other to make a stable foundation for the whole. Together, they make up what we call an Ethics Framework.

PURPOSE (WHY) – An organisation’s reason for being.

Purpose explains the WHY; it is the reason an organisation exists and what it was set up to do or achieve. It’s a defining expression of what your organisation stands for in the world and why it matters.

VALUES (WHAT) – What is good.

Values shape the WHAT; they are the things that an organisation believes are good and worth pursuing. Values guide actions, activities and behaviours within an organisations by identifying what is of merit.

PRINCIPLES (HOW) – What is right.

Principles determine the HOW; helping to guide how an organisation obtains the things it thinks are good. If Values tell an organisation what to pursue, Principles tell them how they should go about getting those things.

The Ethics Centre has spent the past thirty years helping organisations to build and strengthen their ethical foundations. In many cases, we have been able to work directly with organisations. However, not every organisation has either the time or the funds needed to invest in specialist advice.

So, the Centre was pleased to accept a grant from The Australian Securities and Investments Commission’s Community Benefit Fund for the purpose of creating a ‘DIY Guide’ for ethics frameworks – with a special focus on the needs of small to medium-sized businesses. It goes beyond broad theory to offer practical, step-by-step guidance to anyone wanting to define and apply their own Purpose, Values and Principles.

The publication of this guide comes at an especially important time. The current pandemic is testing organisations as never before.

Indeed, COVID-19 is every bit as dangerous as an earthquake – except, in this case, it is the ethical foundations of organisations that will determine whether they stand or fall. In a time of crisis, weak foundations are susceptible to crumble, opening up an organisation to the risk it will make ‘bad’ decisions that will ultimately cost it dearly.

The Ethics Centre believes that prevention is better than cure. Our hope is that the practical guidance offered by this guide will provide owners and managers with the tools they need to build stronger, better businesses.


FODI launches free interactive digital series

FODI Digital, announced today, is an exciting series of free, online conversations to be live-streamed on May 9 and 10.

The line-up will feature a selection of the international and Australian speakers originally slated for the live festival that was cancelled, by government order, as the COVID-19 lockdown came into effect last month.

“The theme for 2020’s live festival was Dangerous Realities and we seem to well and truly have encountered one. Critical thinking is essential, especially as we isolate further from our communities, families and global neighbours.” said Festival Director, Danielle Harvey.

Executive Director of The Ethics Centre and Co-Founder of FODI Simon Longstaff says FODI digital is a timely invitation to think critically.

“We may submit to a lockdown of our bodies, but never our minds. If ever there was a time to test the boundaries of our thinking … it is today!”

The series of online conversations takes inspiration from the original FODI 2020 theme of ‘Dangerous Realities’, with online sessions being streamed via the festival website. The series will interrogate the reality of the current pandemic and its wider implications for our world and society.

Audiences can contribute questions live while the discussions take place.

For Festival Director Danielle Harvey, there’s never been a more important time for these critical conversations. “Decisions are being made at every level that will shape how we live our lives both now and in the future.

“While we can’t present the program in the way originally planned, these digital conversations will address topics that really need to be put under the microscope. COVID-19 will hopefully end at some point, and understanding what kind of world we will then be entering is essential.”

Sessions include:

  • The Truth About China – Former Prime Minister Kevin Rudd is joined by journalists Peter Hartcher and Vicky Xiuzhong Xu, with Human Rights Watch researcher Yaqiu Wang, and strategist Jason Yat-Sen Li, in a wide-ranging discussion about China;
  • The Future Is History – Russian-American journalist, high-profile LGBTQI activist and outspoken critic of Vladimir Putin and Donald Trump, Masha Gessen, shares her thoughts on Russia and the coming US elections;
  • Snap Back To Reality – Philosopher Simon Longstaff leads a discussion with social researcher Rebecca Huntley, political journalist Stan Grant, and fellow philosopher Tim Soutphommasane, on the social shifts, policy and economic consequences that await us in a post-COVID-19 world;
  • States of Surveillance – Futurist Mark Pesce, 3A Institute data expert Ellen Broad, and founder of Old Ways, New Angie Abdilla discuss the issue of digital surveillance for virus tracking and the potential threat posed by the ‘normalisation’ of government surveillance;
  • Misinformation Is Infectious – First Draft’s Claire Wardle, tech journalist Ariel Bogle discuss COVID-19-related conspiracy theories and what they tell us about technology’s role in the spread of damaging misinformation;
  • Stolen Inheritance – Australian youth leaders, Daisy Jeffrey, Audrey Mason-Hyde and Dylan Storer discuss their concerns for the world they will inherit: a world of debt, educational disadvantage, diminished job opportunities, climate catastrophe and … future pandemics;
  • The Ethics of the Pandemic – Philosophers Matt Beard, Eleanor Gordon-Smith and Bryan Mukandi take a step back from the day-to-day dilemmas of the pandemic to try to understand what’s really going on, the lessons we learn and the hidden costs of the choices we make;
  • Political Correct-Mess – Conservative Australian commentator Kevin Donnelly, journalist Chris Kenny, and journalist Osman Faruqi join journalist Sarah Dingle to dissect political correctness and ask, “Has it gone too far?”;
  • Ageing is a Disease – Biologist David Sinclair talks about cracking and reversing the ageing process, which may help the elderly in their fight against a range of diseases and viruses.

The event will live stream straight from The Festival of Dangerous Ideas website across May 9-10. Visit www.festivalofdangerousideas.com to view the program.

You can contact The Ethics Centre about any of the issues discussed in this article. We offer free counselling for individuals via Ethi-callprofessional fee-for-service consulting, leadership and development services; and as a non-profit charity we rely heavily on donations to continue our work, which can be made via our websiteThank you.


The Festival of Dangerous Ideas has been regrettably cancelled

It was at the last Festival of Dangerous Ideas in November 2018, that our keynote speaker – celebrated writer, actor and bon vivant Stephen Fry – made the prophetic statement, “It’s not dangerous ideas that should concern us, it’s dangerous realities.”

We liked the line so much we used it as the theme for our tenth festival, scheduled to take place at Sydney Town Hall on 3-5 April. But as of today, we’re devastated to advise that the Festival won’t be happening. Like thousands of other events, ours may no longer proceed following the NSW Government’s (Minister of Health) ban of non-essential gatherings of 500 people or more.

Faced with the rapidly evolving situation around COVID-19 and relying on the best available medical advice, this is a possibility we’ve been grappling with, and agonising over, for the last two weeks – until the point where the choice was taken from our hands.

Although this decision is an incredible blow, the health of our audience, staff, speakers, artists and the wider public, is what matters most.

For some ticket holders, this cancellation will probably come as a relief. There’s already a high level of anxiety in the community about attending events of any kind. In the greater scheme of things, missing a couple of festival sessions – or a night at the theatre – is no more than a minor inconvenience. It might also be experienced as a reprieve for the speakers who were booked to travel halfway around the world to attend the Festival; navigating travel bans and the risk of illness, flight delays or mandatory quarantine periods to do so.

FODI takes many months – and thousands of hours – of creativity and painstaking human effort to become reality. If you had attended the festival, you would have heard from over 50 speakers, including exiled activist Edward Snowden (no stranger to self-isolation), climate change journalist, David Wallace-Wells, the celebrated Harvard professor, Michael Sandel, and technology critic, Evgeny Morozov. You would have heard Lindy Chamberlain-Creighton was to talk about her experience in one of the greatest miscarriages of justice in Australian history. And you would have encountered the extraordinary contrarian, Roxane Gay.

Beyond talks – and in the realm of the arts – you could have engaged with a remarkable new work called Unforgivable, featuring youth activists and a young 18-person strong indigenous choir. There was also going to be an opportunity for anyone to interact with PIG – a giant transparent piggybank into which people could donate (or withdraw) money in the full glare of public scrutiny. PIG was to have sat outside the QVB in the heart of Sydney for an entire week, prompting  conversation about generosity and the hierarchy of human needs. It’s a conversation that has taken on a new relevance, today.

Major events like ours operate on a financial knife-edge. Just breaking even is a challenge in the best of times. So, the cancellation of FODI is not only heart-breaking. It also risks being financially crippling. Given this, we are asking our supporters, sponsors and ticket holders to consider donating their contributions to The Ethics Centre. Every cent will help us survive this financial upheaval and carry on our work.

If you would like to support The Ethics Centre, you can do so here.

Personally, our team is dealing with a deep sense of disappointment – that something we’ve been working towards for a long time, is now never going to happen.

That said, although we are down, we are definitely not out! FODI will be back – its tenth anniversary merely postponed until better times. It’s the original festival for stroppy people who want to push the boundaries. And it remains the best!

We thank all of our speakers, staff, supporters and ticket holders for their patience and understanding.

This dangerous reality arrived ahead of schedule.


Respect for persons lost in proposed legislation 

The Ethics Centre is a strong supporter of human rights. As such, we agree with the principal purpose of the draft Religious Discrimination Bill (2019) legislation – which is to outlaw discrimination against all persons on the basis of their religion. However, we also argue that the exposure draft is deficient in a number of important ways.

We recently made a submission articulating these concerns in response to the second exposure draft of the proposed legislation.

Core to the submission is our belief that human rights form a whole and are indivisible. That is, we are disinclined to support legislation that creates broad, general exceptions to the principle of non-discrimination. This is especially so when the proposed exceptions risk abrogating the human rights of one group in favour of another.

It’s important to make it clear that the Centre’s approach is not based on a naïve belief that human rights cohere without tension. We know that this is not the case – and understand that religion is, by its very nature, a special case.

This flows from the fact that every religion makes rival, exclusive and absolute truth claims that resist any form of independent evaluation.

Add to this religion’s appeal to transcendent authority, its inclination to order the lives of its adherents and the emotional and spiritual investment it requires of individual and communal belief – and it’s not surprising that difficulties arise not only between religions but in connection with the expression of other human rights.

Our submission seeks to affirm the universal principle of ‘respect for persons’ and to propose criteria for limiting (without totally restricting) the extent to which religious belief can be used as a justification for discrimination.

‘Respect for persons’ is the ethical requirement that we each recognise the intrinsic dignity of every other person – irrespective of their, gender, sex, race, religion, age … or any other non-relevant discriminator. It is this principle that underpins all human rights – and cannot be set aside without undermining the whole edifice.

Given this, we argue that any exception to the prohibition of discrimination that is accorded to people of faith must be severely restricted. That is, lawful discrimination, by people of faith, must only be allowed to the extent strictly necessary to avoid material harm to the religious sensibilities of those affected.

In short: we set a very high bar for those seeking to discriminate against others in the name of religion.

For example, there is a good case for allowing a religious school to discriminate against a person seeking employment as its Principal while concurrently rejecting the religious beliefs that inform the school’s defining ethos.

However, there is no good reason for applying such a test to the employment of a member of the same school’s maintenance team. Nor is there any justification for discriminating against a person based, say, on their sexual orientation if, in all other respects, the person aligns with the religious beliefs of the school – as understood by a significant number of believers.

This brings us to another aspect of the Centre’s submission – that discrimination based on religion only be allowed where there is broad consensus, amongst the faithful, that a belief is a legitimate expression of their religion. This should help avoid giving protection to those who occupy the extreme fringes of religious belief.

Finally, none of the above should be read as justifying restrictions on religious belief. On the contrary, we support the right of people to believe whatever they like. Furthermore, we encourage people to act in accordance with a well-informed (and well-formed) conscience.

We also urge people to realise that to act in good conscience entails the possibility of being punished if your conduct is found to be contrary to law. Such is the case of conscientious objectors who resist conscription into the armed forces, or Roman Catholic priests who choose to respect the ‘seal of the confessional’ even if the law compels them to disclose specified admissions by penitents.

This is the balance that a society needs to maintain: respecting the moral courage of those whose religious beliefs compel them to act in a manner that society must prohibit for the sake of all.

For those who are interested, The Ethics Centre’s submission on the proposed legislation will be published by the Commonwealth Attorney General’s Department in due course.


The youth are rising. Will we listen?

When we settled on Town Hall as the venue for the Festival of Dangerous Ideas (FODI) 2020, my first instinct was to consider a choir. The venue lends itself to this so perfectly and the image of a choir – a group of unified voices – struck me as an excellent symbol for the activism that is defining our times.

I attended Spinifex Gum in Melbourne last year, and instantly knew that this was the choral work for the festival this year. The music and voices were incredibly beautiful but what struck me most was the authenticity of the young women in Marliya Choir. The song cycle created by Felix Riebel and Lyn Gardner for Marliya Choir embarks on a truly emotional journey through anger, sadness, indignation and hope.

A microcosm of a much larger phenomenon, Marliya’s work shows us that within these groups of unified voices the power of youth is palpable.

Every city, suburb and school has their own Greta Thurnbergs: young people acutely aware of the dangerous reality we are now living in, who are facing the future knowing that without immediate and significant change their future selves will risk incredible hardship.

In 2012, FODI presented a session with Shiv Malik and Ed Howker on the coming inter-generational war, and it seems this war has well and truly begun. While a few years ago the provocations were mostly around economic power, the stakes have quickly risen. Now power, the environment, quality of life, and the future of the planet are all firmly on the table. This has escalated faster than our speakers in 2012 were predicting.

For a decade now the FODI stage has been a place for discussing uncomfortable truths. And it doesn’t get more uncomfortable than thinking about the future world and systems the young will inherit.

What value do we place on a world we won’t be participating in?

Our speakers alongside Marliya Choir will be tackling big issues from their perspective: mental health, gender, climate change, indigenous incarceration, and governance.

First Nation Youth Activist Dujuan Hoosan, School Strike for Climate’s Daisy Jeffery, TEDx speaker Audrey Mason-Hyde , mental health advocate Seethal Bency and journalist Dylan Storer add their voices to this choir of young Australians asking us to pay attention.

Aged from 12 to 21, their courage in stepping up to speak in such a large forum is to be commended and supported.

With a further FODI twist, you get to choose how much you wish to pay for this session. You choose how important you think it is to listen to our youth. What value do you put on the opinions of the young compared to our established pundits?

Unforgivable is a new commission, combining the music from the incredible Spinifex Gum show I saw, with new songs from the choir and some of the boldest young Australian leaders, all coming together to share their hopes and fears about the future.

It is an invitation to come and to listen. To consider if you share the same vision of the future these young leaders see. Unforgivable is an opportunity to see just what’s at stake in the war that is raging between young and old.

These are not tomorrow’s leaders, these young people are trying to lead now.

Tickets to Unforgivable, at the Festival of Dangerous Ideas on Saturday 4 April are on sale now. 


Extending the education pathway

In the course of 2019, The Ethics Centre reviewed and adopted a new strategy for the five years to 2024.

The key insight to emerge from the strategic planning process was that the Centre should focus on growing its impact through innovation, partnerships, platforms and pathways.

We focus here on just one of those factors – ‘pathways’ and, in particular, the education pathway.

The Ethics Centre is not new to the education game. To this day, the establishment of Primary Ethics – which teaches tens of thousands of primary students every week in NSW – is one of our most significant achievements.

As Primary Ethics continues to break new ground, we feel it’s time to bring our collective skills to bear along the broader education pathway.

With this in mind, we’re delighted to report that The Ethics Centre and NSW Department of Education and Training have signed a partnership to develop curriculum resources and materials to support the teaching and learning of ethical deliberation skills in NSW schools, including within existing key learning areas.

This exciting project will see us working with and through the Department’s Catalyst Innovation Lab alongside gifted teachers and curriculum experts – rather than merely seeking to influence from the outside.

In addition, we have also formed a further partnership with one of the Centre’s Ethics Alliance members, Knox Grammar School. This will involve the establishment of an ‘Ethicist-in-residence’ at the school, the application of new approaches to exploring ethical challenges faced by young adults, and the development of a pilot program where students in their final years of secondary education undertake an ethics fellowship at the Centre.

In due course, we hope that the work pioneered in these two partnerships and others will produce scalable platforms that can be extended across Australia. Detailed plans come next, and we believe the potential for impact along this pathway is significant.

We believe ethics education is a central component of lifelong learning – extending from the earliest days of schooling through secondary schooling, higher education and into the workplace.

The broadening of the education pathway therefore provides new opportunities for The Ethics Centre and Primary Ethics to work together – sharing our complementary skills and experience in service of our shared objectives, for the common good.

If you have an interest in supporting this work, at any point along the pathway, then please contact Dr Simon Longstaff at The Ethics Centre, or Evan Hannah, who leads the team at Primary Ethics.

 

Dr Simon Longstaff is Executive Director of The Ethics Centre: www.ethics.org.au

Evan Hannah can be contacted via Primary Ethics at: www.primaryethics.com.au


Violence and technology: a shared fate

Don’t be distracted by the exploding sheds, steamrolled silverware and factory pressed field of poppies.

Many of the best works in Cornelia Parker’s exhibition at the Museum of Contemporary Art (MCA) are small and unassuming. They are the quiet pieces that ask us to contemplate the nature of the technology we use in acts of violence.

A small pile of dust, some short leads of wire, a child’s doll split in two. These found object artworks – sculptures, just not those carved into marble or clay – are less about the state you see them in, but the journey they have taken.

On closer inspection (and with a little gallery guidance) we find intentional transformations of objects often associated with brutal violence: a gun, its bullets, the blade of a guillotine.

But don’t be alarmed. There is a dark sense of humour at play here. The disemboweled doll, a ginger-haired child in his newsboy cap and overalls, has a cartoon quality to his expression that echoes less of screams of pain than the shock of a bee sting. The boy has been severed at the waist by a guillotine. The very same guillotine that beheaded the infamous Queen of France, Marie Antoinette.

We understand a guillotine as a tool of violence and power, designed to distribute French revolutionary justice at speed to behead the head of state. Here Parker has used the same tool that once transformed European history, to split a stuffed toy of Oliver Twist. Its title suggests a shared fate, that this piece of technology link the iconic Dickensian poor boy and the poster woman for opulence.


Shared Fate (Oliver), Cornelia Parker (2008)

The works on display in the gallery often ask us to consider what these tools of violence are used for, and our role in using them.

Sawn Up Sawn Off Shotgun (2015) has a similar tale of transformation. The story goes: a factory manufactured a shotgun, a criminal cut off its barrel to make it deadlier. He used it to murder an innocent person. It was collected as evidence by police to convict the man, before being decommissioned by being cut into smaller segments. It sits lifeless in front of us now in this quartered state.

In what way was the gun designed to kill? How did the modifications by each person impact its deadliness? And how does its use reflect on the ethics and values of those who designed, manufactured and modified this once-deadly artefact? It’s a neat example that calls to mind some of The Ethics Centre’s the principles for the ethics of design.

The design of the original shotgun, manufactured and distributed legally, embodied a set of values. Options include: the ‘good’ of farmers protecting their livestock from predators or the ‘good’ sporting competition using firearms. However, it was also a feature of the shotgun that beyond shooting ducks and foxes, it had the capacity to take a human life including during the commission of crimes. To what extent was that violent possibility actively noted and considered? Did the designer and manufacturer take any steps to protect against unintended uses?

Of course, we know also that the shotgun was modified and used beyond its intended purpose. By cutting off the barrel, the gun was deliberately modified to aid concealment and increase its deadly effect at close range. Whatever values might have been explicit in the original design are subverted by the modification where the explicit aim becomes to maim and kill in confined spaces.

This is what we consider the post-phenomenology of technology. We describe this in Ethics by Design: Principles for Good Technology as “…when a hitman picks up a firearm, he sets the purpose of the gun as a murder weapon. However, he also uses the gun to constitute himself as a murderer.”

We are told that the user in this case used this shotgun for just that purpose and in doing so made himself a murderer.

In its final transformation the design is changed once more. Using the same means as the criminal, cutting the shotgun again, the police officers have rendered it effectively useless. It no longer possesses the affordances of a weapon: no trigger to pull, no barrel to aim. It is a disembodied mess of its former designs, purpose and values. Here then the police constitute themselves as peace-keepers, because by destroying the deadly weapon they embody law and order.


Embryo Firearms (1995) Cornelia Parker.

If you take away from this the mantra that ‘guns don’t kill people, people kill people’ then there is another piece we are challenged to consider. Embryo Firearms (1995) presents two solid lumps of metal in the crude shape of pistols. At this point in their manufacturing they are absolutely harmless, resembling the type of gun you might cut from wood as a prop. These ‘guns’ are mere symbols – no more dangerous than any other lump of metal of equivalent heft.

We are informed though that this metal was intended to become a Colt firearm; one of millions produced each year.

The fact that any resulting weapon of this production process could be used for multiple purposes does not mean that it is ethically ‘neutral’.  While guns themselves don’t have agency or intentions, their design and function shapes the user’s agency and open up a range of possible value-laden activities.

In their embryonic state these handguns provide as much agency as any slab of metal. We know at some point though, as the barrel is hollowed out, the firing pin is placed and the trigger is pulled, a tool of violent potential is born.

Transformation of intended design and purpose is taking place throughout Cornelia Parker’s works. Bullets are reduced to metal threads used to create geometric patterns, murder weapons are reduced to harmless dust via chemical precipitation, and our expectations about technology, art and violence are flipped on their heads.

The Ethics Centre is presenting The Ethics of Art and Violence a special event inspired by the work of acclaimed British artist Cornelia Parker currently on exhibition at the MCA. For more about the event click here


Five dangerous ideas to ponder over the break

If you’re gifted with downtime this holiday season, we’ve curated some big ideas for you to read, watch or listen to. These top picks will challenge your thinking over the holiday break.  

  1. The lost the art disagreement

In his keynote at the last Festival of Dangerous Ideas, Stephen Fry told us that “a Grand Canyon has opened up in our world and the crack grows wider every day. As it widens, enemies speak more and more incontinently about the other side.” Within this great fissure lies the lost art of disagreement. Hear how Fry suggests we begin to navigate through a world of seemingly opposing ideas.

  1. Curb immigration, curb growth

Our cities are overcrowded, and our ecosystems are degrading at a rapid rate. Is population growth to blame? This year’s first IQ2 Debate: Curb Immigration, heard from environmental scientist Dr Jonathan Sobels, journalist Satyajet Marar, counter terrorism expert Dr Anne Aly and urban planner Professor Nicole Gurran. Watch the debate and hear their perspective on issues from urban planning and government policy, to environmental impacts and economic advantages.

  1. An age of anger

Anarchy, resentment and the urge to smash the system seem to be spreading. What caused us to become so angry? How can we understand and navigate interactions with those who are? Author and academic Pankaj Mishra explains why society seems to be so quick to become outraged, and how transformative thinking might solve the epidemic.

  1. Politics and populism

We are seeing a rise of nationalism, racism and authoritarian regimes across the world. Will democracy survive the new decade? At last year’s Festival of Dangerous Ideas Niall Ferguson contemplated the future of populist movements. Pankaj Mishra, Angela Nagle and Tim Soutphommasane joined a panel to explore if freedom is just too heavy a burden in the new world in the ‘Rehearsal for Fascism’.

  1. Masculinity is not so fragile

Following the fallout of the #MeToo movement, many men feel that masculinity is unfairly under attack. David Leser, Zac Seidler, Raewyn Connell and Cath Lumby joined our IQ2 debate: Masculinity is it really so fragile, to share their views on modern masculinity and unpack the dangers or virtues of male normative behaviour.

 

The Festival of Dangerous Ideas returns in 2020, bringing a host of big thinkers and new perspectives to the dangerous issues we face. Gift vouchers are on sale now.