A win for The Ethics Centre

A win for The Ethics Centre
Opinion + AnalysisBusiness + LeadershipSociety + Culture
BY The Ethics Centre 17 NOV 2017
The Ethics Centre was announced the 2017 winner of the Optus MyBusiness Awards Training Education Provider of the Year, for our innovative business ethics education program.
The prestigious annual event is Australia’s longest running awards program for SMEs. 150 finalists attended the award ceremony at Sydney’s Westin Hotel where the winners were announced across 28 award categories.
The Ethical Professional Program is our core professional education program, centred on applied ethics, quality decision making, professional practice and leadership. Exclusively devised for financial advisors, brokers, bankers and those who work alongside them, it has been rolled out across the financial service sector.
Participants who have completed the program tell us it helped them build stronger relationships with colleagues and clients, link everyday decisions back to their organisation’s strategy and purpose, and deal with complex issues as they arise.
The program consistently achieves high net promoter scores and positive feedback that indicates participants not only leave with new skills but enjoy the process too – not something you hear every day about ethics education!
We take our role as a leading provider of ethics education very seriously. As events in the world continue to shock, scare and surprise us, and our trust in core institutions appears to plummet, it can seem as if people care less and less about ethics. Our experience tells us otherwise. The people and organisations we work with across our ethics, leadership and learning programs are hungry to explore what they value, the principles they hold on to, and how to make their way through some of the most difficult ethical challenges we face today.
Our organisation has been involved in learning and education for over 25 years and are thrilled to be recognised for the transformative programs we deliver in ethics education.
As an independent non-profit specialising in ethics, we’ve been asked by many organisations, industries and governments, both locally and internationally, to provide a different kind of education and training experience.
Each of our education and training programs challenge participants to think differently – to critically examine other opinions, be consistent in their judgements, and make responsible and considered decisions. They provide the skills and tools to understand and resolve the multitude of difficult ethical challenges we all face as part of our personal and professional lives.
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The Ethics Centre is a not-for-profit organisation developing innovative programs, services and experiences, designed to bring ethics to the centre of professional and personal life.
Big Thinker: Socrates

Socrates (470 BCE—399 BCE) is widely considered to be one of the founders of Western philosophy.
Stonemason, soldier, citizen, philosophy’s first ‘martyr’, Socrates helped shape one of the major intellectual foundations on which Western civilisation has been built. Yet, no work of philosophy bears his name as the author. All we know of him is derived from the work of others – especially Plato, Xenophon and Aristophanes.
The rise of ethics
Prior to Socrates, ancient philosophy tended to focus on questions that today might be considered the domain of physics. ‘Pre-Socratic’ philosophers tended to focus on fundamental questions about the nature of the universe – like the building blocks of matter or the nature of time and motion.
When Socrates came along, he proposed a completely different set of questions for philosophical deliberation. He drew attention away from questions about how the world is and towards questions about how we are to be in the world. While he made valuable contributions to the evolution of thought about epistemology and politics, it is this turn toward ethics that introduced a fresh practical dimension to philosophy.
Earlier philosophical debates of Thales, Anaximander and Democritus, for example, were all theoretical. Human knowledge and understanding might have advanced, but nothing in the world was directly changed by their deliberations.
Socrates’ focus on ethics was intended to generate practical outcomes. He expected philosophical work might lead to a change in both attitudes and (importantly) actions of people. In turn, this was intended to produce effects in the world. Although we have only come to see Socrates through the eyes of others, his friends (like Plato and Xenophon) and foes (like Aristophanes) agree he wished to have an impact on the people around him and the kind of society they were creating as a result of their choices.
What friends and foes disagreed on was Socrates’ motivation. His critics lumped him in with the Sophists who were looked down on as philosophical guns for hire.
A new focus on ethics repositioned philosophy as something relevant to everyday life. Socrates’ core question, ‘What ought one to do?’ does not apply in a limited set of circumstances. It is a question of general application to any situation where a choice is to be exercised – and is applicable to every person, whatever their station in life.
In some sense, this is what made Socrates such a troublesome – or dangerous – person. In one fell swoop, he brought philosophy into the agora (the marketplace), making it relevant and accessible to people of all ages and degrees.
This upset hierarchies and orthodoxies. As we know, a gadfly is rarely welcome. Socrates was eventually executed for crimes of ‘impiety’ and ‘corrupting the youth’ – in short, for teaching and encouraging them to question established norms and think for themselves.
The virtue of ‘constructive ignorance’
On being asked who the wisest person in Athens was, the Oracle of Delphi nominated Socrates. Socrates was astounded – he believed himself to know nothing. To prove his relative ignorance, Socrates sought to find wiser folk amongst the citizens of Athens, questioning them at length about the nature of things like justice and love.
His questioning had practical implications. At that time in democratic Athens, citizens were actively involved in enacting laws or judgements in the courts.
In the end, Socrates came to believe the Oracle of Delphi was correct – but only because his superior wisdom lay in his realising the limits of his knowledge.
Along the way to this realisation, Socrates developed the process of elenchus (the ‘Socratic method’). It is a distinctive form of questioning designed to open space for insight and self-knowledge. The idea we have much to learn about ourselves and the world might suggest we are ignorant. Such a view could position the Socratic method of questioning as a mean spirited exercise. Those subjected to it did not necessarily enjoy the experience or see it in a positive light. This no doubt contributed to the belief Socrates was an impious trouble maker.
The importance of the examined life
Although Socrates contributed many insights that are still drawn upon today (but not necessarily accepted), one of his most famous and profound is his claim that ‘the unexamined life is not worth living’.
This claim goes beyond being a recommendation we should think before we act – which may be a prudent thing to do. Socrates is attempting to draw our attention to a deeper truth about the human condition. He encourages us to participate in a form of being that has the capacity to transcend the requirements of instinct and desire in order to make conscious – that is, ethical – choices. Socrates claimed if we fail to do this, we live a lesser life.
One of the effects of examination is, according to Socrates, the development of phronesis (practical wisdom) which is the foundation for virtue. For Socrates (and later for Aristotle – in a slightly different form), the possession of virtue is not just a matter of interior orientation. It is essential to being able to see the world as it is and be able to make good decisions.
Like Aristotle, Socrates sees vice as the source of defective vision. Socrates thought people make bad choices and do bad things out of ignorance. He thought if people could only ‘see’ what is good, they would choose it.
This all finally comes together in the way Socrates challenged the status quo. To live an examined life is to reject things ought to be done just because they have always been done.
Instead, Socrates is an early exponent of an inner voice that (in Socrates’ case) is supposed to have warned him against making an error. Socrates called this voice his ‘daimōnic sign’ – something Aquinas would call ‘conscience’ over a thousand years later.
It may be difficult to distinguish the real Socrates from the versions of the man created by others – which were either celebratory or lampooning. But this we know. When given the chance to escape and avoid the sentence of death imposed on him by the Athenians, Socrates chose to stay. In defence of his ideas and in conformance with his ideals Socrates drank the hemlock and died.
He can hardly have imagined the impact he would have on the world.
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10 films to make you highbrow this summer

10 films to make you highbrow this summer
Opinion + AnalysisSociety + Culture
BY The Ethics Centre 7 SEP 2017
It’s not a waste of time if it’s about philosophy, right? Here are The Ethics Centre’s top 10 non-blockbuster picks for you to sit back, relax and imbibe on your holiday.
1. Examined Life
This philosophy fan’s wet dream brings heavyweights like Judith Butler, Slavoj Žižek and Cornell West together. The doco takes philosophy out of academia and onto the streets.
2. American Anarchist
There’s no putting the genie back into this bottle. A 66 year old teacher of special needs children grapples with the violent reach of the bomb manual he wrote at age 19.
3. Kedi
Filmed at whisker-height, this documentary-cum-urban love letter to Turkey’s stray cats is a lyrical and surprisingly philosophical tribute to the healing power of pets. Meow!
4. Alice
We dare you to look away from one frame of this Czech stop motion! Dissatisfied with the fairy tale film versions of Lewis Carroll’s Alice in Wonderland, the creator made this dreamlike visual spectacular.
5. Taste of Cherry
A haggard man trawling Tehran looking for someone to help bury him after he takes his own life finds different meditations on life, God, and the taste of cherry. Don’t judge it by its trailer!
6. In the Mood for Love
A lush and delicate tragedy of restraint. Two neighbours, heartbroken by their adulterous spouses, fall in love with each other.
7. A Serious Man
A troubled man seeks the advice of three wildly differing rabbis in this modern take on the Book of Job. Another quirky Coen Brothers film. What is the meaning of life?
8.Never Let Me Go
In a harrowing sci-fi dystopia, an idyllic town gives children a perfect childhood to prepare for a short-lived future as organ donors. Makes you think about farm animals in a new light.
9. The Wind Will Carry Us
A busy filmmaker set to capture the obscure, ancient burial ceremony of a 100 year old Kurdish woman is disappointed when she takes longer to die than expected.
10. Like Father, Like Son
This Japanese film transforms the typically sensationalist story of children switched at birth into a gentle and composed musing on the bonds that create families – and how we break them.
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The Ethics Centre is a not-for-profit organisation developing innovative programs, services and experiences, designed to bring ethics to the centre of professional and personal life.
Big Thinker: Simone de Beauvoir

Big Thinker: Simone de Beauvoir
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BY The Ethics Centre 18 MAY 2017
Simone de Beauvoir (1908—1986) was a French author, feminist and existential philosopher. Her unconventional life was a working experiment of her ideas – that one creates the meaning of life through free and authentic choices.
In a cruel confirmation of the sexism she criticised, Beauvoir’s work is often seen as less important than that of her partner, Jean Paul Sartre. Given the conclusions she drew were hugely influential, let’s revisit her ideas for a refresher course.
Women aren’t born, they’re made
Beauvoir’s most famous quote comes from her best-known work, The Second Sex: “One is not born, but rather becomes, a woman”.
By this she means there is no essential definition of womanhood. Women can be anything, but social norms work hard to fit them into a particular kind of femininity. These social norms are patriarchal and born out of the male gaze.
The Second Sex argues that it’s men who define what women should be. Because men have always held more power in society, the world looks the way men want it to look. An obvious example is female beauty.
Beauvoir holds that through norms around removing body hair, makeup and uncomfortable fashion, women restrict their freedom to serve the male gaze.
This objectification of women goes deeper, until they aren’t seen as fully human. Men are seen as active, free agents who are in control of their lives. Women are described passively. They need to be protected, controlled or rescued.
It’s true, she thinks, that women aren’t always seen as passive objects, but this only happens when they impersonate men.
“Man is defined as a human being and woman as a female – whenever she behaves as a human being she is said to imitate the male.”
For Beauvoir, women are always cast into the role of the Other. Who they are matters less than who they’re not: men. This is an enormous problem for the existentialist, for whom the purpose of life is to freely choose who they want to be.
Everyone has to create themselves
As an existentialist, Beauvoir believed people need to live authentically. They need to choose for themselves who they want to be and how they want to live. The more pressure society – and other people – place on you, the harder it is to make an authentic choice.
Existentialists believe no matter the amount of external pressure, it is still possible to make a free choice about who we want to be. They say we can never lose our freedom, though a range of forces can make it harder to exercise. Plus, some people choose to hide from their freedom in various ways.
Some of us hide from our freedom by living in bad faith, embracing the definitions other people put on us. Men are free to reject the male gaze and stop imposing their desires onto women but many don’t. It’s easier, Beauvoir thinks, to accept the social norms we’re born into. To live freely and authentically is the greater struggle.
The importance of freedom led Beauvoir to suggest liberated women should not try to force other women to live their lives in a similar way. If a small group of women choose to reject the male gaze and define womanhood in their own way, that’s great.
But respecting other people means allowing them to live freely. If other women don’t want to join the feminist mission, Beauvoir believed they should not be forced or pressured to do so. This is important advice in an age where online shaming is often used to force people to conform to popular social views.
We’re as ageist as we are sexist
Later in life, Beauvoir applied her arguments about women in The Second Sex to the plight of the elderly. In The Coming of Age, she argued that we make assumptions and generalisations about the elderly and ageing, just like we do about women.
To her, it is as wrong to ‘other’ women because they are different from men, as it is to ‘other’ the elderly because they are different from the young. Feminist philosopher Deborah Bergoffen explains Beauvoir’s view: “As we age, the body is transformed from an instrument that engages the world into a hindrance that makes our access to the world difficult”.
Like women in The Second Sex, the elderly remain free to define themselves. They can reject the idea that physical decline makes them unable to function as authentic human beings.
In The Coming of Age, we see some of the foundations of today’s discussions about ageism and ableism. Beauvoir urges us to come back to a simple truth: the facts of our existence – what our bodies are like, for example – don’t have to define us.
More importantly, it’s wrong to define other people only by the facts of their existence.
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The Ethics Centre is a not-for-profit organisation developing innovative programs, services and experiences, designed to bring ethics to the centre of professional and personal life.
What Harry Potter teaches you about ethics

What Harry Potter teaches you about ethics
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BY The Ethics Centre 8 MAY 2017
If you’ve read the Harry Potter series – and let’s face it, many of us have – you will have gained insight into a number of things: the value of friendship, the nature of heroism, the redeeming power of love… the list goes on.
But amidst all the magic, there’s one lesson you might have missed – a lesson which is crucial to the way we think and talk about ethics. In Harry Potter and the Philosopher’s Stone, Harry is able to secure the titular stone and keep it away from the villainous Voldemort for one simple reason. Even though the stone is powerful, Harry has no desire to use it.
Genius wizard Dumbledore protects the stone with an enchantment. Any person who wanted to use the stone to become immortal would never be able to access it. Only someone who wanted the stone for the right reasons would be successful. The benefits, in other words, were only available to people who didn’t want them.
If your only reasons for committing to ethics are external – because of what ethics will give you – then your motivation will come and go.
Working in ethics, it’s tempting to present the external benefits the ethical life provides to people. In convincing people to set aside self interest and do what’s right, we sometimes appeal to people’s self interest. We use the very logic we’re trying to unwind.
For example, we convince a business to take ethics seriously because it’ll enable them to recruit and keep better staff (it does). We tell a person that living ethically is more likely to make them popular, employable and happy, which it might.
The problem is, if we’re serious about getting people to live ethically, even if we win the argument, we’ve failed in achieving our goal. As soon as someone commits to acting ethically for instrumental reasons – to make money, become popular or whatever – they’re no longer doing it because they think it’s right, they’re doing it because they think it’s effective.
This is a problem. If your only reasons for committing to ethics are external – because of what ethics will give you – then your motivation will come and go. The moment ethics doesn’t help you keep staff or stay popular, your reasons for committing to living an ethical disappear.
Genuine ethical behaviour isn’t only about doing the right thing, it’s about doing it for the right reasons. It means doing what’s ethical because it’s ethical, not because it’ll give us some other advantages.
The debates around torture are a good example of this. Recently, many opponents to torture have argued ‘torture doesn’t work’, so we shouldn’t do it. But this suggests that if torture did work, we wouldn’t have any problem with it. The logic of the argument supports abandoning torture but it also supports undertaking further research to find forms of torture that do work.
But the ethical argument against torture isn’t that it doesn’t work, it’s that even if it did work, it would be wrong. In whatever walk of life you apply it, ethical demands are at their strongest when they force you to choose between what’s beneficial and what’s right.
When someone starts to use the language of ethics to pursue their own ends, they often reveal themselves through hypocrisy. Often, they abandon their so-called values when the costs get too high.
It’s easy to do the right thing when it benefits you. Ethics asks you to set aside what’s convenient, profitable or comfortable and do what’s right. Genuine ethical behaviour isn’t only about doing the right thing, it’s about doing it for the right reasons. It means doing what’s ethical because it’s ethical, not because it’ll give us some other advantages.
In short, ethics is a totally different language to that of self interest, efficiency or effectiveness. It uses different arguments, demands a different kind of thinking and asks us to reconsider our priorities.
It’s only those who are authentically committed to ethics for its own sake who inspire support and trust in the long term.
The reason this is tricky for ethicists is because ethics is a Philosopher’s Stone of sorts. It does offer lots of benefits. But like the enchanted stone in Harry Potter, these benefits are only available to the people for whom ethics isn’t about achieving them.
People value authenticity and loathe hypocrisy. When someone starts to use the language of ethics to pursue their own ends, they often reveal themselves through hypocrisy. Often they abandon their so called values when the costs get too high. When this happens, the good will and support offered by others will disappear.
It’s only those who are authentically committed to ethics for its own sake who inspire support and trust in the long term. Like the magic stone, the benefits of ethics don’t come to those who seek them, they are given to those who deserve them.
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Big Thinker: Kwame Anthony Appiah

Big Thinker: Kwame Anthony Appiah
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BY The Ethics Centre 2 MAY 2017
Kwame Anthony Appiah (1954-current) is a British born, American-Ghanaian philosopher.
He is best known for his work on cosmopolitanism, a philosophy that holds all human beings as members of a single, global community. A professor of philosophy and law at New York University, he also writes the popular everyday advice column ‘The Ethicist’ in the New York Times.
We’re responsible for every human being
Because Appiah is a cosmopolitan (meaning “citizen of the world”), he believes we have just as much moral responsibility to our neighbours as we do those halfway across the world. Our obligations to other people transcend national borders, the same way they bypass political ideas and religious beliefs.
However, these obligations shouldn’t mean treating yourself unjustly. Appiah doesn’t advocate for giving everything away so you are worse off than the people you are trying to help.
By focussing too much on eliminating everything bad from the world, Appiah worries we’d fulfil our duties to others at the expense of our duties to ourselves. We’d let go of everything that makes life worth living and meaningful.
He also thinks we’re more productive when we work together. He sees our duties to others as collective rather than individual. The best way to help other people is to unite and ensure nations can provide citizens with what they need to live a good life. This means working with international aid organisations and governments. We’re all in this together.
What unites us is stronger than what divides us
For Appiah, the other basic principle of cosmopolitanism is valuing people’s differences.
“Because there are so many human possibilities worth exploring, we neither expect nor demand that every person or every society should converge on a single mode of life.”
It’s not enough to campaign for international human rights for everyone. These matter, but we should also care about the specific things that give people’s lives meaning – culture, religion, art and so on.
Besides, underneath cultural differences are often shared values and practices. Whether it’s art, friendship, norms of respect or a belief in good and evil, the things that seem so different are often based in ideas we all share.
Moral progress isn’t made by argument
In The Honor Code: How Moral Revolutions Happen Appiah argues that seriously unjust practices aren’t defeated by new moral arguments. Instead, they’re defeated by changing attitudes about what’s honourable or shameful.
Appiah points to the overthrow of slavery in Britain and the US as being largely a product of honour. Even though slave owners and traders were aware of moral arguments defending the humanity of their so called stock, that didn’t provide the impetus to change. What really overthrew it was public criticism. The appeal to honour had far more influence than any moral and philosophical ideals.
We can see honour as the middle ground between narrow self interest and self sacrificing altruism. Appiah’s point is a powerful one for people wanting to make change in the world. It would be great if everyone did the right thing for its own sake but sometimes we need a push. Honour, praise and shame can be just the thing.
It’s important to note Appiah thinks honour and ethics are separate. What is seen as honourable isn’t always the same as what’s right. Killing someone in defence of your honour is one clear example.
What’s more, as anyone who has ever logged onto Twitter knows, praise and shame can be abused. Because they are so effective at changing people’s behaviour, it’s tempting to use them when it’s entirely inappropriate. And sometimes this has disastrous effects.
The deeper point is we aren’t purely rational creatures. We work on emotion and our thoughts and actions are driven by cultural attitudes and judgements.
Being aware of this means we might be able harness our communal nature as a force for good and speak both to people’s heads and hearts.
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Melbourne Cup: The Ethical Form Guide

Melbourne Cup: The Ethical Form Guide
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BY The Ethics Centre 1 NOV 2016
The nation stops – and turns a blind eye.
The Melbourne Cup is the race that ‘convenes’ rather than ‘stops’ the nation. It’s a classic example of a moment when the abstraction that is the nation – large, sprawling, messy and diverse – is made temporarily and symbolically concrete. This is an illusion. But perhaps a necessary one.
The mega media sport spectacle is highly serviceable to the fantasy of the united nation because it is popular culture played out in real time. Sport is implicated in the idea of a singular Australian identity because it is apparently open and meritocratic, and also has operated historically as a vehicle for the projection of ‘Australianness’.
The Melbourne Cup represents the pros and cons of contemporary sport and society. It is devoted to pleasure as an interruption of the daily work routine that consumes more and more of our time. It is carnivalesque – fleetingly turning the world upside down.
But it is characterised by the range of excess demanded by consumer capitalism – risky financial expenditure, alcohol consumption and repressive co-optation. All of this activity is conducted using the body of the horse that is celebrated one minute and whipped the next, highly prized for sporting and breeding performance in some cases and turned into abattoir fodder in others.
National sporting spectacles are here to stay. The ‘people’, the state and the commercial complex demand them, but they should not be excuses for rampant collective self-delusion.
– David Rowe, Professor of Cultural Research at Western Sydney University.
If you loved horses, you wouldn’t treat them as commodities
We’re often told those involved in the horse racing industry truly love horses and treat them with the utmost respect. I have no doubt they believe that to be true, but their actions don’t support these claims.
If those working with horses truly loved them, they would spend time and money re-homing and appropriately retiring racehorses at the end of their careers. Instead, the evidence suggests racehorses are only loved when they have the potential to make money. When they’re injured or no longer able to race, they’re often sent off to the knackery without a second’s thought.
The racing industry pushes horses beyond their natural limits. This results in short careers and extensive injuries, such as those suffered by Admiral Rakti last year. Since Admiral Rakti’s death, 127 horses have died on Australian race tracks.
The ultimate image for this exploitative approach to racing is the whip, which desperately needs to be banned. In doing so, we would see horses performing at the peak of their natural ability rather than desperately running due to fear and pain.
– Elio Celotto, Campaign Director at the Coalition for the Protection of Racehorses.
The risks of horse racing are imposed on unwilling participants
Horse racing differs ethically from other sports. In other sports, it is the participant who freely decides to accept the risks. In horse racing, the risks are relatively low for the riders and extremely high for the animals.
It is not unethical to accept the risks of a given sport. Nor, in my view, is it always unethical to take the life of animals. The question is whether the costs of horse racing are reasonable, or whether they are unacceptably high.
Most Australians today would have ethical objections to entertainments such as bullfighting or dog fighting, or the use of non-domestic animals in circus acts. The number of horses slaughtered annually as a result of the racing industry far exceeds the number of animal deaths from most of these other entertainments.
The costs of the racing industry are unacceptably high. The situation is unlikely to improve as long as horse racing in Australia remains so closely tied to the enormous economic interests of the gambling industry.
– Ben Myers, Lecturer in Systematic Theology at United Theological College.
The Melbourne Cup sweep is harmless fun, but not in the classroom
The effects of gambling are an oft-discussed topic among my colleagues, but in the past week the discussion has been triggered by an all-staff email about the office’s annual Melbourne Cup Sweep. One staff member felt it was totally inappropriate for an organisation operating in mental health and wellbeing to be promoting in any way a day of socially acceptable statewide gambling.
I actually disagree, although not strongly. A sweep is a one-off, fixed price competition, not much different from a raffle. It’s in no way addictive in the way that poker machines and online betting can be.
The normalisation of gambling is certainly insidious. There is some evidence that the younger a person is when they have their first betting win, the more likely they are to develop problems down the track. So a sweep in a primary school does sound icky to me.
– Heather Grindley, Public Interest Manager at the Australian Psychological Society.
The spectacle is lost in a “feeding frenzy” of gambling
The Melbourne Cup is a genuine Australian icon. However, it’s now also a commodified hub for a gambling feeding frenzy. This is a tough time of year for people who are trying to restrain their gambling.
Effective regulation can undoubtedly reduce the harms associated with gambling. Cup Day should be a reminder that commercialised gambling corrupts sport and induces misery for many, including those who never gamble. Decent regulation might reduce super-profits but it would certainly help make Australia’s unique sporting and social environment safer, more fun and lot more enjoyable.
– Charles Livingstone, Senior Lecturer in Public Health and Preventive Medicine at Monash University.
The Melbourne Cup pits debauchery against dignity
As I write, many will be gathered in offices, pubs and racecourses around the country dressed to the nines. Fascinators, frocks, loud ties and sharp suits are the order of the day for the “world’s richest race”.
And yet by the end of it all, many punters will be staggeringly drunk – their state highlighted by its juxtaposition to their glamorous attire. Every year, tabloids gleefully post pictures of women in various stages of undress – simultaneously glorifying and shaming the debauchery that accompanies a race some revellers will likely miss, having already passed out.
Ultimately the Melbourne Cup is full of ethical polarities. It follows the highs and lows of the race itself. Fine champagne is popped in celebration as punters pass out from one too many drinks, horses are glorified as they are exploited, and once-off punters dress up and participate in the same gambling industry that destroys so many lives.
Racing Victoria were unavailable for comment but directed readers to their position on equine welfare.
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Renewing the culture of cricket

BY The Ethics Centre
The Ethics Centre is a not-for-profit organisation developing innovative programs, services and experiences, designed to bring ethics to the centre of professional and personal life.
The Ethics Centre Nominated for a UNAA Media Peace Award

The Ethics Centre Nominated for a UNAA Media Peace Award
Opinion + AnalysisSociety + Culture
BY The Ethics Centre 30 OCT 2016
The Ethics Centre is proud to announce that we’re a finalist in this year’s United Nations Association of Australia Media Peace Awards.
We’ve been nominated in the “Promotion of Social Cohesion” category for our IQ2 Debate: Racism is Destroying the Australian Dream.
The UNAA Media Peace Awards – which were handed out for the first time in 1979 – seek to promote understanding about humanitarian and social justice issues by recognising those in the media whose contributions stimulate public awareness and understanding.
Past winners include Andrew Denton, Paul McGeough, Michael Gordon, Jenny Brockie, Zoe Daniel and Waleed Aly. The United Nations Association of Australia is one of 100 associations around the world which promote the ideals and work of the UN in local communities.
More than 70 journalists, producers, photographers and film makers are among the finalists in 13 categories. Media reporting on the plight of asylum seekers and the rights and treatment of Indigenous Australians features heavily in the list of finalists for this year. See the full list here.
Thanks to all our audience members and supporters who continue to make IQ2 possible for us. We couldn’t do it without you.
The winners of the awards will be announced in Melbourne on 24 October, UN Day. In the meantime, watch our entry – Racism is Destroying the Australian Dream.
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Does ethical porn exist?

Does ethical porn exist?
Opinion + AnalysisHealth + WellbeingSociety + Culture
BY Emma Wood The Ethics Centre 18 MAY 2016
It’s hard to separate violence and sex in lots of today’s internet pornography. Easily accessible content includes simulated rape, women being slapped, punched, and subject to slews of misogynistic insults.
It’s also harder than ever to deny that pornography use, given its addictive, misogynistic, and violent nature, has a range of negative impacts on consumers. First exposure to internet porn in Western countries takes place before puberty for a significant fraction of children today. A disturbingly high proportion of teenage boys and young men today believe rape myths as a result of porn exposure. There is also evidence suggesting exposure to violent, X-rated material leads to a dramatic increase in the perpetration of sexual violence.
Before we can answer questions about the ethics of porn we need to address fundamental questions about the ethics of sex.
It is also difficult to deny that the practices of the porn industry are exploitative to performers themselves. Stories such as the Netflix documentary Hot Girls Wanted depict cases of female performers agreeing to shoot a scene involving a particular act, only to be coerced on the spot by the producers into a more hard-core scene not previously agreed to. Anecdotes suggest this isn’t uncommon.
While these facts about disturbing content and exploitative practices lead some people to believe consumption of internet porn is unethical or anti-feminist, it prompts others to ask whether there could be such a thing as ethical porn. Are the only objections to pornography circumstantial – based in violent content, exploitation or particular types of pornography? Or is there some deeper fact about porn – any porn – that renders it ethically objectionable?
Suppose the kind of porn commonly found online:
- Depicted realistic, consensual, non-misogynistic, and safe sex – condoms and all.
- Was free of exploitation (a pipe-dream, but let’s imagine).
- Performers fully and properly consented to everything filmed.
- Regulation ensured only people who were educated and had other employment options were allowed to perform.
- Performers did not have a history of sexual abuse or underage porn exposure
- Pristine sexual health was a prerequisite for becoming a porn performer.
- The porn industry cut any ties they are alleged to have with sex trafficking and similarly exploitative activity.
If all this came true, would any plausible ethical objections to the production and consumption of pornography remain?
Before we can answer questions about the ethics of porn, we need to address fundamental questions about the ethics of sex.
One question is this: is sex simply another bodily pleasure, like getting a massage, or do sex acts have deeper significance? Philosopher Anne Barnhill describes sexual intercourse as a type of body language. She thinks that when you have sex with a person, you are not just going through physically pleasurable motions, you are expressing something to another person.
If you have sex with someone you care for deeply, this loving attitude is expressed through the body language of sex. But using the expressive act of sex for mere pleasure with a person you care little about can express a range of callous or hurtful attitudes. It can send the message that the other person is simply an object to be used.
Even if not, the messages can be confusing. The body language of tender kissing, close bodily contact and caresses say one thing to a sexual partner, while the fact that one has few emotional strings attached to them – especially if this is stated beforehand – says another.
We know that such mixed messages are often painful. The human brain is flooded with oxytocin – the same bonding chemical responsible for attaching mothers to their children – when humans have sex. There is a biological basis to the claim that ‘casual sex’ is a contradiction in terms. Sex bonds people to each other, whether we want this to happen or not. It is a profound and relationally significant act.
Porn consumption can become a refuge that prevents people otherwise capable of the daunting but character-building work of seeking a meaningful sexual relationship with a real person.
Let’s bring these ideas about the specialness of sex back to the discussion about porn. If the above ideas about sex are correct, then there is cause for doubt over the idea that it is the sort of thing that people in a casual or even non-existent relationship should be paid for. So long as there are ethical problems with casual sex itself, there will be ethical problems with consuming filmed casual sex.
So what should we say about porn made by adults in a loving relationship, as much ‘amateur’ (unpaid) pornography is? Suppose we have a film made by a happily married couple who love each other deeply and simply want to film and show realistic, affectionate, loving sex. Could consumption of such material pass as ethical?
Maybe it could, but many doubts remain. Porn consumption can become a refuge that prevents people otherwise capable of the daunting but character-building work of seeking a meaningful sexual relationship with a real person from doing so. Porn (even of the relatively wholesome kind described above) carries no risk of rejection, requires no relational effort and doesn’t demand consideration of another person’s sexual wishes or preferences.
Because it promises high reward for little effort, porn has the potential to prolong adolescence – that phase of life dominated by lone sexual fantasies – and be a disincentive to grow into the complicated, sexual relationship building of adulthood.
Based on this line of thinking, there may still be something unvirtuous about the consumption of porn, even that was produced ethically. Perhaps the only truly ethical, sexually explicit film would be of people in a loving relationship, which is seen only by them.
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Dr Emma Wood is a research associate at the Institute for Ethics & Society at the University of Notre Dame Australia. Her research interests include metaethics, applied ethics and philosophy of religion.

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The Ethics Centre is a not-for-profit organisation developing innovative programs, services and experiences, designed to bring ethics to the centre of professional and personal life.
Gender quotas for festival line-ups: equality or tokenism?

Gender quotas for festival line-ups: equality or tokenism?
Opinion + AnalysisSociety + Culture
BY The Ethics Centre 14 APR 2016
This article was originally published on THUMP for VICE. Read the original article here.
Diversity matters. Slowly but surely, we’re becoming increasingly conscious of the ethics of representation. From #OscarsSoWhite to the recommendation that ABC’s Q&A increases the amount of women present on the program, there’s a growing sense that if non-white, non-male professionals are to succeed, they need to see others who look like them succeeding. As Marie Wright Edelman wrote, “You can’t be what you can’t see”.
Nor can you be what you can’t hear.
Last year, The Guardian reported that, from a sample of 12 UK music festivals – including major ones such as Glastonbury and Creamfields – 86 percent of performers were male. Australia doesn’t do much better. The 2015 VIVID Live festival was criticised when, of more than 50 acts, only three featured women in any capacity. And the numbers aren’t very different in the US.
These are but a few instances of a growing conversation about gender diversity in the music industry. In one sense, we shouldn’t be surprised this conversation is going on. After all, gender equality in corporate workplaces has been the subject of widespread debate for more than a decade. Why should music be any different? And, if there isn’t any difference, should music festivals accept some social responsibility and impose gender quotas on their line-ups?
First things first; should music be any different when it comes to our expectations of gender diversity? The arguments in favour of gender diversity at festivals seem to be the same as they are elsewhere – they’ve been listed in detail in a report by the Centre for Ethical Leadership. In short, encouraging women’s presence in industries broadens market appeal, attracts more women to participate in the industry or event, and supports women’s rights to equal treatment, participation and representation. So why not pursue it?
Opponents might argue that actively forcing diversity is tokenism, that choosing in favour of women means potentially ignoring more qualified male acts who also deserve to be there. After all, it’s not their fault they were born men, is it? Men’s rights activists unite!
Is it the responsibility of festival producers to change our tastes for us any more than it’s the job of Macca’s to get us craving kale chips rather than fries?
This argument is hard to make in music, though. For one thing, what does it mean to be ‘qualified’? And how might we decide which of two similarly popular acts is more entitled to perform? Furthermore, the whole ‘tokenism’ argument presumes diversity isn’t intrinsically valuable, but that claim needs to be argued for.
There’s every likelihood that three male acts might share a large chunk of audience. So, even if all three outperform a female act in terms of ticket sales, if the women’s act has an entirely different audience they’d then be the better choice, wouldn’t they? Just like if a board of directors is looking for a variety of insights, they would be foolish to hire a bunch of similarly qualified white guys. Even if each of them deserves to be there on merit, it doesn’t follow that all of them deserve to be there together.
Another concern is that festival producers aren’t convinced diversity leads to broader market appeal or, more crucially, greater profits. Festival organisers want guaranteed ticket sellers – and for reasons feminists have been talking about for decades – the top ticket sellers are usually men. Is it the responsibility of festival producers to change our tastes for us any more than it’s the job of Macca’s to get us craving kale chips rather than fries?
When we picture a music artist, what do they look like? For many… they’re young and white.
The argument that ethics comes second to profits isn’t a new one, and it can seem easily dismissed – but if it’s a genuine question of survival, you can see where the organisers are coming from. They’re taking on all the financial risk, so why should they take on any more? If people start buying more tickets to female acts, they’ll book them!
So he question becomes who is responsible for bringing diversity to the industry? Organisers claim it’s the audience who buy the tickets. Many musicians believe they could sell more tickets if festivals had the courage to blood some diverse acts. And most listeners won’t concede to having any gender bias in their listening habits, even if, coincidentally, most of their favourite acts are men.
And here’s the rub – most of the barriers to diversity in representation, in any sphere, aren’t deliberate acts of oppression. They’re the product of unconscious bias. When we picture a music artist, what do they look like? For many, I’d hazard they’re young and white. In some genres – hip hop, for instance – it might be different, but the dominance of men is likely to remain. This is despite the huge success of some female artists in a range of different genres.
The tricky thing about unconscious biases is that it’s harder to specify who’s responsible for countering them. Many will hold that it’s the people bearing the bias, but if they’re not aware they’re biased to begin with, it’s likely to be a slow burn.
People who are seen to benefit from quota systems are often seen as less qualified than those appointed ‘on merit’ – even by other people who have benefited from quotas.
And thus the argument for quotas – by enforcing a minimum standard for representation we force the issue. Festivals make their commitment to diversity public and transparent – and artists and listeners can hold them accountable. Plus, we don’t need to wait around for listeners to wake up to their own biases.
But quotas are no panacea. People who are seen to benefit from quota systems are often seen as less qualified than those appointed ‘on merit’ – even by other people who have benefited from quotas. This suggests the ‘tokenism’ narrative around quotas is hard to shake, and might even be creating negative self-appraisals in the very people quotas are designed to help.
So rather than having arbitrary thresholds for diversity, maybe it’s preferable for festivals to include diversity alongside other values – fun, integrity, artistry and so on – as one of the defining aspects of a festival. This means seeking diversity (and not just diversity of gender) as intrinsically valuable, rather than implementing quotas that make it seem like a necessary evil.
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